Quotes of All Topics . Occasions . Authors
Now, I'll tell you something that might interest you. Casino Royale was the first Bond book that Ian Fleming ever wrote. And he couldn't get anybody to touch it, to publish it - he couldn't do anything about it at all. Nobody wanted to know.
However, I survived and started to read all chemistry books that I could get a hand on, first some 19th century books from our home library that did not provide much reliable information, and then I emptied the rather extensive city library.
Books that children read but once are of scant service to them; those that have really helped to warm our imaginations and to train our faculties are the few old friends we know so well that they have become a portion of our thinking selves.
My parents would frisk me before family events, and find the book, and lock it in the car. And then be disappointed where, somewhere at the event, I would find a book and sit under a table where nobody could get me and go back into book land.
They're {Marvel] the ones who have went out and bought the comic book whenever it came out. They're the real investors. They serve them. Having a chance to be part of that Marvel Universe is just - well, it is what it is. It's just fantastic.
Ignoring for a moment the power of the American Medical Association, we still wouldn't see a huge amount of books on neurosurgery for dummies in 21 days or whatever. It's just plain inappropriate, and it's intentionally out of people's reach.
I used to have weird practices in crowded used-book stores in New York where I'd go in and just stomp my foot and see what fell from the shelf. And of course, because it's an unexpected encounter, there's always some magic that comes from it.
I began to read the Holy Scriptures upon my knees, laying aside all other books, and praying over, if possible, every line and word. This proved meat indeed and drink indeed to my soul. I daily received fresh life, light and power from above.
In 1925 - 27 the revolution in China was destroyed by the false revolutionary strategy of the Stalinist faction. To this last question I consecrate my book, Problems of the Chinese Revolution (issued by the Pioneer Publishers, New York 1932).
This book will present some aspects of what the writer has termed the pedagogy of the oppressed, a pedagogy which must be forged with, not for, the oppressed (whether individuals or peoples) in the incessant struggle to regain their humanity.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
Books and newspapers assume a "common reader" that is, a person who knows the things known by other literate persons in the culture. Obviously, such assumptions are never identical from writer to writer, but they show a remarkable consistency
I am grateful for the 30 years of my work and the way it has influenced humanity, especially all the books that became international bestsellers and were translated into 37 different languages, which means they have gone all around the world.
I always thought the front line was the bookstores. And bookstores around America, around the world did astonishingly well. They held the line. They didn't chicken out. You know, they defended the book. They kept it in the front of the store.
When about 16 Years of Age, I happened to meet with a Book written by one Tryon, recommending a Vegetable Diet. I determined to go into it.... My refusing to eat Flesh occasioned an inconveniency, and I was frequently chid for my singularity.
I have students that I tell, "If your book doesn't sell or you can't publish it, write another book. Quit sitting around." The publishing world is a business, but it's not any big deal. An editor is not your guru. Your agent is not your guru.
Her curiosity was too much for her. She felt almost as if she could hear the books whispering on the other side of the half-open door. They were promising her a thousand unknown stories, a thousand doors into worlds she had never seen before.
Life is often more a sweat than a pleasure but, paradoxically, it is the sweat that gives true meaning to all of life's pleasures. This is the message from Mack Bolan, book after book, and it is the only thing dignifying this type of fiction.
In the great books of India, an empire spoke to us, nothing small or unworthy, but large, serene, consistent, the voice of an old intelligence, which in another age and climate had pondered and thus disposed of the questions that exercise us.
Some who have read the book, or at any rate have reviewed it, have found it boring, absurd, or contemptible, and I have no cause to complain, since I have similar opinions of their works, or of the kinds of writing that they evidently prefer.
I knew nothing about the technique of story writing, and now, after eighteen years of writing, I still know nothing about the technique, although with the publication of my new novel, Tarzan and the Lost Empire, there are 31 books on my list.
One of my rigid goals is to keep each book under 300 pages because I think so much nonfiction is literally weighty that people don't get through these books ... If people don't finish your book, then they don't know what you're talking about.
No one else can feel it for you Only you can let it in No one else, no one else Can speak the words on your lips Drench yourself in words unspoken Live your life with arms wide open Today is where your book begins The rest is still unwritten.
That being said, even if we cannot achieve it, journalism that strives toward objectivity and fairness has an important place in our society. So, too, does being honest and open when presenting our own opinions, as you do so well in your book
At about six in the morning of July 3, 1860, while I was watering my petunias, and thinking of nothing in particular, I perceived coming towards me, a tall, beardless, fair-haired young fellow, wearing a German cap and gold-rimmed spectacles.
But most weeks I've gone through 12 books, maybe even 15 some weeks, depending on the length. So I go through my long form, and then my day begins. I usually try to do most of my writing earlier in the day because I sort of lump out later on.
I'm crazy about Steven Spielberg. Another inspiration for me, and I don't know where it came from, is children. If I'm down, I'll take a book with children's pictures and look at it and it will just lift me up. Being around children is magic.
William Waltz will take me through 'the buzz and clamor in a forest of hearts.' Adventures in the Lost Interiors of America is an adventure, I will go on this adventure with Waltz as a skillful, faithful, compass-true guide. I love this book.
What if most of the technologies readers and cinemagoers are presented with in bestselling books and blockbuster movies are not science fiction, but science fact? What if they currently exist on the planet, but are suppressed from the masses?
The challenge with 'Watchmen' is making sure that the ideas that were in the book got into the movie. That was my biggest stretch. I wanted people to watch the movie and get it. It's one of those things where, over time, it has happened more.
You could put your confusion and upset and worries into whatever book you were reading. You could sort of set them down in there, and you could come out with your head on a little straighter. I don't why stories worked that way, but they did.
My books have been published all over Europe. They read me there, and I want to read them back. I also spend a lot of time in Europe, often meeting writers, and I'm sick of apologizing for the embarrassing shortage of translations in America.
I'll never be the sort of author who sells that many copies. You'll never see a book of mine being sold on a table at Costco, between the extra-large jorts and a barrel of salsa. And I wouldn't have it any other way. I'll be indie till I die.
Carnegie Hall is as good as they say it is. It's not like Stonehenge which looks great in books but then you go there and it's a pile of rocks next to a highway. There's actually a highway right next to it, but you don't see that in pictures.
I try to get in quiet time and book time, but really, the only time I ever get that is when I'm on an airplane - I have a fear of flying, but I actually love flying because it's the only time I can sleep, and it's the only time I get to read.
I always loved watching and reading family-friendly mysteries growing up, like the shows Murder, She Wrote and Nancy Drew, and am thrilled to be bringing these New York Times best-selling books right into your living room on the small screen.
[When] he's here, he's always reading. He says books stop time. I myself think he's crazy...Don't tell anyone, but when he reads something that he likes he gets real happy, turns on the music, and dances by himself, or with a broom sometimes.
I never wrote anything down. I never kept a diary, never kept a journal. I did write one letter home about touring with the Doors that I used as a reference for the book for some details there, and then I was glad I had that, but that was it.
In the course of writing one historical book or another, it has happened that I could hardly restrain myself from simply copying entire documents. Indeed, I sometimes sank down among the documents and said to myself, I can't improve on these.
I had already found that it was not good to be alone, and so I made companionship with what there was around me, sometimes with the universe and sometimes with my own insignificant self; but my books were always my friends, let fail all else.
I never remain passive in the process of reading: while I read I am engaged in a constant creative activity, which leads me to remember not so much the actual matter of the book as the thoughts evoked in my mind by it, directly or indirectly.
Your regular teachers will get mad at you. If you keep asking something again and again, they will get tired of saying the same thing. A book will not do that. A book always will be there for you. In whatever you want, the book will be there.
I started by just sitting by the chessboard exploring things. I didn't even have books at first, and I just played by myself. I learnt a lot from that, and I feel that it is a big reason why I now have a good intuitive understanding of chess.
When I was a freshman in high school, I read a book about the making of Disney's 'Sleeping Beauty' called 'The Art of Animation.' It was this weird revelation for me, because I hadn't considered that people actually get paid to make cartoons.
We live in a screen age, and to say to a kid, ‘I’d love for you to look at a book but I hate it when you look at the screen’ is just bizarre. It reflects our own prejudices and comfort zone. It’s nothing but fear of change, of being left out.
The reason I did the book about holidays is that you're a different person on holiday. You're sleeping somewhere unfamiliar, knocking about with people you've never met and for 10 days you're someone else. You're out of your comfortable zone.
Each year Citizens Against Government Waste releases the 'Congressional Pig Book.' Outrage over spending for shrimp on treadmills, combating Goth culture studies, bridges to nowhere, etc. ensues for about a week, and then the waste continues.
Alister McGrath has now written two books with my name in the title. The poet W. B. Yeats, when asked to say something about bad poets who made a living by parasitizing him, wrote the splendid line, 'was there ever dog that praised his fleas?
For his major contributions to the analysis of algorithms and the design of programming languages, and in particular for his contributions to the "art of computer programming" through his well-known books in a continuous series by this title.
I was never confident about finishing a book, but friends encouraged me. When I finished my first book, it was accepted by a publisher right away and became an instant bestseller. One male critic called it the most shocking book he ever read.