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I am a reader, a flashlight-under-the-covers, carries-a-book-everywhere-I-go​, don't-look-at-my-Amazon-bill. I choose purses based on whether I can cram a paperback into them, and my books are the first items I pack into a suitcase. I am the person who family and friends call when they need a book recommendation or cannot remember who wrote Heidi. My identity as a person is so entwined with my love of reading and books that I cannot separate the two.

It may well be feared, that there is not enough Biblereading among us. It is not sufficient to have the Book. We must actually read it, and pray over it ourselves. It will do us no good, if it only lies still in our houses. We must be actually familiar with its contents, and have its texts stored in our memories and minds. Knowledge of the Bible never comes by intuition. It can only be obtained by diligent, regular, daily, attentive, wakeful reading.

Of course, there are hundreds of novels and authors that have influenced me. But to choose three, they are: Stephen King/The Stand (and really most of his books); Anne Rice/The Witching Hour; and Pat Conroy/The Prince of Tides. These authors write my favorite kind of book - epic feel, gorgeous prose, unique characters, and a pace that keeps you turning the pages. From them, I learned a lot about characterization, pacing, prose, voice, and originality.

The ones who show up to take, they show up and say, "Hi. My name is Steve. I'm an expert in this and I've studied this and I've worked with these clients." On every single power point presentation, it has their email, their Twitter handle and their Facebook account, so you can follow them. At the end, they tell you, "Please follow me." When you ask them a question, they say, "Well, I could tell you the answer, but you should really just read my book."

Sometimes, though, I feel that pushing books is a whole lot like pushing medicine. Think of books as pills. I have pills that cure ignorance and pills that cure boredom. I have pills to elevate moods and pills to open people's eyes to the awful truth: uppers and downers as they were. I sell pills to help people find themselves and pills to help them lose themselves when they require escape from the pressures and anxieties of life in a complex society.

I believe in books. And when our people [coughing] - our people of Jerusalem, let's say after the Romans destroyed the temple and the city, all we took is a little book, that's all. Not treasures, we had no treasures. They were ransacked, taken away. But the book - the little book - and this book produced more books, thousands, hundreds of thousands of books, and in the book we found our memory, and our attachment to that memory is what kept us alive.

While I was drawn to the Renaissance, my first (unpublished) novels took place in modern times. When the subject of alchemy started creeping into my stories, an astute mentor observed that the bits about alchemy might fit better in another time frame. When I finally decided to weave the pieces about the medieval science into historical settings, a successful novel began to emerge. (And I dusted off that art history book, and put it to use once again.)

In terms of the economics, yes obviously the rise of e-books and how people choose to read books has a big effect on the economics of the game. But whether people are buying them on paper or downloading them there's still some poor wretch in a room who is trying to write a poem, write a story, write a novel. And so my job doesn't change. It's just how people receive it and economic conditions on the ground change, but that doesn't affect what I write.

By now, it is probably very late at night, and you have stayed up to read this book when you should have gone to sleep. If this is the case, then I commend you for falling into my trap. It is a writer's greatest pleasure to hear that someone was kept up until the unholy hours of the morning reading one of his books. It goes back to authors being terrible people who delight in the suffering of others. Plus, we get a kickback from the caffeine industry.

Reading was like an addiction; I read while I ate, on the train, in bed until late at night, in school, where I'd keep the book hidden so I could read during class. Before long I bought a small stereo and spent all my time in my room, listening to jazz records. But I had almost no desire to talk to anyone about the experience I gained through books and music. I felt happy just being me and no one else. In that sense I could be called a stack-up loner.

It seems to me the book has not just aesthetic values - the charming little clothy box of the thing, the smell of the glue, even the print, which has its own beauty. But there's something about the sensation of ink on paper that is in some sense a thing, a phenomenon rather than an epiphenomenon. I can't break the association of electric trash with the computer screen. Words on the screen give the sense of being just another passing electronic wriggle.

I think so much of our society is geared towards mainstream media and pop culture and so forth. And there's a huge divide between the artist and the fan. And with indie culture that wall is removed. You actually do see the musicians walking around enjoying the show. It's a distinctly different culture and for the 99% of Nirvana fans that caught up with them with Nevermind, my book is gonna give them a whole different take on Kurt [Cobain] and the band.

At this point in our global ecological crisis, the survival of humanity will require a fundamental shift in our attitude toward nature: from finding out how we can dominate and manipulate nature to how we can learn from her. In this brilliant and hopeful book, Jay Harman shows us how far the new field of Biomimicry has already progressed toward this goal. The Shark's Paintbrush makes for fascinating and joyful reading - much needed in these dark times.

When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.

Have you ever found your heart's desire and then lost it? I had seen myself, a portrait of myself as a reader. My childhood: days home sick from school reading Nancy Drew, forbidden books read secretively late at night. Teenage years reading -trying to read- books I'd heard were important, Naked Lunch, and The Fountainhead, Ulysses and Women in Love... It was as though I had dreamt the perfect lover, who vanished as I woke, leaving me pining and surly.

I have found there are real objects under in intelligent control being seen on the ground and in our skies worldwire. The unknowns have varied over the decades from 22 percent in my own civilian files, 30 percent in the University of Colorda Condon Committee scientific studies, to at least 40 percent recently revised found in the U.S. Air Force Project Blue Book military investigations. This is not acceptable, no matter who is doing the investigations.

I say at the very end of "Winter Journal" that I do dream about my father often. I think I have a tremendous compassion for him, which has grown over the years. A certain kind of pity for him also in that he was so unrealised as a human being, so dogged, and so shut-off from people in many ways. You know, I've been writing another book, and it's another non-fiction autobiographical work, kind of a compliment to "Winter Journal", and it's just finished.

In the early 1970s, the northern hemisphere appeared to have been cooling at an alarming rate. There was frequent talk of a new ice age. Books and documentaries appeared, hypothesizing a snowblitz or sporting titles such as The Cooling. Even the CIA got into the act, sponsoring several meetings and writing a controversial report warning of threats to American security from the potential collapse of Third World Governments in the wake of climate change.

My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.

Encourage others each and every day-nothing's more important than our words. Did you know that, on average, each of us speaks about twenty-five thousand words daily? My last book didn't have that many words. A lot of language is flowing out of our mouths every day and having an impact on those around us. But how much of that flow is fulfilling God's intended purpose for our speech? How much of it reflects pride, rather than a gospel-motivated humility?

Give me a young man who has kept himself morally clean and has faithfully attended his church meetings. Give me a young man who has magnified his priesthood and has earned the Duty of God Award and is an Eagle Scout. Give me a young man who is a Seminary graduate and has a burning testimony of the Book of Mormon. Give me such a young man, and I will give you a young man who can perform miracles for the Lord in the mission field and throughout his life.

Whenever I'm giving talks, I always ask people to think of the most obscure questions because I enjoy those the most. I always get the same questions: Why does Pickwick say "plock" and will there be a movie? I like the really obscure questions because there's so much in the books. There are tons and tons of references and I like when people get the little ones and ask me about them. It's good for the audience [and also] they realize there's more there.

It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.

In many ways we've become the Babylon of the modern era. We learned our lessons at the feet of Nebuchadnezzar himself. It's little wonder that we've lived to see Bible reading and the display of the Ten Commandments removed from public view and creation science excluded from classroom instruction. None of this is new. It has its roots in Babylon, and thus reveals that the book of Daniel is one of the most relevant books of the Bible in our world today.

What is a great love of books? It is something like a personal introduction to the great and good men of all past times. Books, it is true, are silent as you see them on their shelves; but, silent as they are, when I enter a library I feel as if almost the dead were present, and I know if I put questions to these books they will answer me with all the faithfulness and fulness which has been left in them by the great men who have left the books with us.

There are some indications of how the character should behave based on the script, and then as actor makes it his or her own. I got to know one of the writers, Chris Terrio, and we were able to discuss things at length and figure out who this person is to create a real psychology behind what is, perhaps, in a comic book, a less than totally modern psychology. I can only say I've been asked to play an interesting role. A complicated, challenging person.

I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part.  He said, “What happened then, daddy?”  I said, “If you learn to read, you can find out.  I'm too tired to read.  I'll read to you tomorrow.”  So, he had a need to want to learn how to read.  Don't teach children how to read.  Don't teach them mathematics.  Give them a reason to want it.  In school, they're working ass-backwards.

Every book that comes out, every article that comes out, talks about how - while it may have been a "mistake" or an "unwise effort" - the United States was defending South Vietnam from North Vietnamese aggression. And they portray those who opposed the war as apologists for North Vietnam. That's standard to say. The purpose is obvious: to obscure the fact that the United States did attack South Vietnam and the major war was fought against South Vietnam.

Books are what you step on to take you to a higher shelf. The higher your stack of books, the higher the shelf you can reach. Want to reach higher? Stack some more books under your feet! Reading is what brings us to new knowledge. It opens new doors. It helps us understand mysteries. It lets us hear from successful people. Reading is what takes us down the road in our journey. Everything you need for a better future and success has already been written.

One of the big misapprehensions about mathematics that we perpetrate in our classrooms is that the teacher always seems to know the answer to any problem that is discussed. This gives students the idea that there is a book somewhere with all the right answers to all of the interesting questions, and that teachers know those answers. And if one could get hold of the book, one would have everything settled. That's so unlike the true nature of mathematics.

I think her Grandmother Hall gave her a great sense of family love, and reassurance. Her grandmother did love her, like her father, unconditionally. And despite the order and the discipline - and home at certain hours and out at certain hours and reading at certain hours - there was a surprising amount of freedom. Eleanor Roosevelt talks about how the happiest moments of her days were when she would take a book out of the library, which wasn't censored.

As far as I know, Clifford Pickover is the first mathematician to write a book about areas where math and theology overlap. Are there mathematical proofs of God? Who are the great mathematicians who believed in a deity? Does numerology lead anywhere when applied to sacred literature? Pickover covers these and many other off-trail topics with his usual verve, humor, and clarity. And along the way the reader will learn a great deal of serious mathematics.

But having more freedom she only became more profoundly aware of the big want. She wanted so many things. She wanted to read great, beautiful books, and be rich with them; she wanted to see beautiful things, and have the joy of them for ever; she wanted to know big, free people; and there remained always the want she could put no name to? It was so difficult. There were so many things, so much to meet and surpass. And one never knew where one was going.

I prefer the gradual path My feeling is that mythic forms reveal themselves gradually in the course of your life if you know what they are and how to pay attention to their emergence. My own initiation into the mythic depths of the unconscious has been through the mind, through the books that surround me in this library. I have recognized in my quest all the stages of the hero's journey. I had my calls to adventure, my guides, demons, and illuminations.

A completed book exists in its entirety, although we humans read it in a time sequence from the beginning to the end. Just as an author does not write the first chapter, and then leave the others to write themselves, So God's creativity is not to seem as uniquely confined to, or even especially invested in, the event of the Big Bang. Rather his creativity has been seen as permeating equally all space and all time: his role as Creator and Sustainer merge.

In New York I'd go to the movies three or four times a week. Here I've upped it to six or seven, mainly because I'm too lazy to do anything else. Fortunately, going to the movies seems to suddenly qualify as an intellectual accomplishment, on a par with reading a book or devoting time to serious thought. It's not that the movies have gotten any more strenuous, it's just that a lot of people are as lazy as I am, and together we've agreed to lower the bar.

Walt Disney has never addressed himself to children once in his life - never. The material of his cartoons is made to reach an adult audience. This is the whole trouble. Everything is made to reach everyone, and in order to reach everyone, he must introduce the Hollywood touch. Every illustration of a girl in Disney's books looks like the Hollywood queen and every picture of the hero looks like a badly drawn Cary Grant. Obvious symbols of an adult world.

I wish I had read Sacred Pregnancy when I was pregnant instead of the dozen books I had to piece together to try to make sense of it all. Anni Daulter has created what should be the new standard for today's mom: birth journals, labor workbooks, pregnancy memoirs, and holistic wisdom. It is gentle and enlightening, and lays the foundation for what we know helps women have the labor and birth they want and deserve: support, self-knowledge, and empowerment.

This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership.

We're actually trying to develop an iPhone app, now that the Droid is out, we'll do it for that as well, if we ever learn how to program on this thing. But the idea is that to make money concrete. So, you can do this app, and it's not out there, but you can do the app. And you say, "I like vacation in the Bahamas, shoes, lattes, and books." And now, when you are tempted to buy something, that thing translates in terms of the things you are interested in.

It's one of those things where the book has all these stars that burn really bright that you hang onto and they're all saying, 'This is The Girl on the Train experience.' All those stars or hooks needed to be in the film, but sometimes they needed to be a bit different. It's important when adapting such a popular book to hit all those points but also break out expectations without slaughtering the book. And that was, for me, the joy of adapting the book.

I love to read the dedications of old books written in monarchies for they invariably honor some (usually insignificant) knight or duke with fulsome words of sycophantic insincerity, praising him as the light of the universe (in hopes, no doubt, for a few ducats to support future work); this old practice makes me feel like such an honest and upright man, by comparison, when I put a positive spin, perhaps ever so slightly exaggerated, on a grant proposal.

Like Richard Ellmann on James Joyce, Arnold Rampersad on Ralph Ellison is in a class of its own. His masterful and magisterial book is the most powerful and profound treatment of Ellison's undeniable artistic genius, deep personal flaws, and controversial political evolution. And he reveals an Ellison unbeknownst to all of us. From now on, all serious scholarship on Ellison must begin with Rampersad's instant and inimitable classic in literary biography.

The Book, this Holy Book, on every line, Mark'd with the seal of high divinity, On every leaf bedew'd with drops of love Divine, and with the eternal heraldry And signature of God Almighty stamp'd From first to last; this ray of sacred light, This lamp, from off the everlasting throne, Mercy took down, and in the night of time Stood, casting on the dark her gracious bow; And evermore beseeching men With tears And earnest sighs, to read, believe and live.

Due to his own original special nature, the Jew cannot possess a religious institution, if for no other reason because he lacks idealism in any form, and hence belief in a hereafter is absolutely foreign to him. And a religion in the Aryan sense cannot be imagined which lacks the conviction of survival after death in some form. Indeed, the Talmud is not a book to prepare a man for the hereafter, but only for a practical and profitable life in this world.

In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.

They wanted to carry her, but she jumped to the stones of the plaza and strode away from the building, toward her ranks, which parted to make way for her. The streets of Pudong were filled with hungry and terrified refugees, and through them, in simple peasant clothes streaked with the blood of herself and of others, broken shackles dangling from her wrists, followed by her generals and ministers, walked the barbarian Princess with her book and her sword.

I was once doing a book signing and a man came up to me and said that he gave classes to people who'd been convicted of drunken driving twice. He said he felt that nearly all of those people were what I was describing as sociopathic. Which makes a great deal of sense to me. We always talk about how could you possibly, knowing that you're drunk, get behind the wheel of a car again and do that? Well, you could if you didn't give a half a damn what happened.

I was starting to recognize a corner I was driving myself into: that all writing could do was refer to things that had already been written. I'm making the margin, but the margin of a book that already exists. I was having this exhilaration at, but at the same time horror of this recognition that I'd driven myself into the world of only books. This is a world of the previously written, and maybe I don't have to add to it, maybe all I can do is measure it.

I tried to eliminate the need for Israel to strike out, militarily, by removing its major threat and attacker, and that was Egypt. I've written a few books on the subject. There's no doubt that the best way to resolve Israel's problems is to negotiate peace between Israel and its immediate neighbors, particularly the Palestinians. And that's something that's not going to be achieved, in my opinion, without the strong involvement of the American president.

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