Quotes of All Topics . Occasions . Authors
I wanted to be a cartoonist when I was young.
Most success springs from an obstacle or failure.
I am a 'made' cartoonist, but I was born a comic.
A cartoonist creates his whole universe without any input.
I'd rather be a cartoonist. I don't want to be a publisher.
I've never met a cartoonist who isn't quirky or weird in some ways.
If I were wearing jeans, I'd be wearing the uniform of a cartoonist.
Cartoonists are untrained artists, while illustrators are more trained.
I started on the fringes of journalism as a cartoonist on The Daily Mail.
At 16, I was drawing cartoons, and I wanted to carry on being a cartoonist.
My father was a dreamer who was always broke. He wanted to be a cartoonist.
The only thing I ever wanted to be was a cartoonist. That's my Life. DRAWING.
I grew up in the home of a political cartoonist, so I was a junkie for politics.
Among politicians, I would say Sonia Gandhi is not exactly a cartoonist's delight.
I'm a cartoonist. I write and draw comic books and graphic novels. I'm also a coder.
I never sat down and said, you know, what the world needs is a good, sick cartoonist.
When I graduated, I sort of went from school to being a cartoonist, and I couldn't draw.
There's all kinds of theories among the cartoonists: start with funniest, end with funniest.
If you're a balanced cartoonist, you're not a cartoonist. You definitely have to have a bias.
A cartoonist is someone who has to draw the same thing day after day without repeating himself.
For whatever crispness and animation my writing has I give some credit to the cartoonist manque.
In 1908, you could easily earn $20 to $200 as a cartoonist. What's amazing is that it's still true!
My first ambition was to be an animator for Walt Disney. Then I wanted to be a magazine cartoonist.
I didn't feel that my identity was caught up in being a cartoonist, and that if it stopped I'd stop.
If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
I wanted to be a cartoonist. I was one of those kids who sat around and drew in my room all the time.
I really do have a self-censorship problem, which isn't the way you should be if you're a cartoonist.
I became a cartoonist because I'd sort of failed at everything else, really. I mean, it was by default.
I'm a better editorial cartoonist by default because so many editorial cartoonists out there are so awful.
I felt so painfully isolated that I vowed I would get revenge on the world by becoming a famous cartoonist.
Sweetheart, I'm the biggest ripped-off cartoonist in the history of the world, and that's all I'm going to say.
If you're a kid wanting to be a cartoonist today, and you're looking at Family Guy, you don't have to aim very high.
In my journey as a cartoonist, I seem to have accidentally stumbled into all sorts of traps, damnations and blacklists.
People often ask me about my upbringing, and if there was anything particular about it that made me become a cartoonist.
I general don't color my stuff - I'm pretty horrible with color. Usually, I'll get one of my cartoonist friends to help me out.
I'm sometimes a cartoonist, and there's an audience for that, and I'm sometimes an illustrator, and there's an audience for that.
When I was a kid, I could draw, and my ambition was to be a cartoonist. I wanted to draw comics. But I also liked newspaper comics.
I never really thought of myself as an Asian-American cartoonist, any more than I thought of myself as a cartoonist who wears glasses.
Cartoonist was the weirdest name I finally let myself have. I would never say it. When I heard it I silently thought, what an awful word.
Humor is basically a cognitive process. And it's a creative process not only on the part of the cartoonist but on the part of the viewer.
The thing that I came to realize was that Schulz is the great unifier. Here's the one cartoonist that pretty much everybody can agree on.
Doonesbury had the requisite and overwhelming influence in 1980, as it did on any college cartoonist who was paying attention, of course.
For a young cartoonist, they have to get going on the web, because that's where everybody goes for their information. And it really works.
I wish my work would be recognized by a larger crowd of people as more art than be stuck with the cartoonist label for the rest of my life.
As a cartoonist, I'm a caricaturist. First you find out what somebody really looks like, and then you find out what they 'really' look like.
Most success springs from an obstacle or failure. I became a cartoonist largely because I failed in my goal of becoming a successful executive.
One identity is as a television writer, which is very classically Southern California, but another of my personae is as a New Yorker cartoonist.
I was unable to sleep and I would stay up and draw these little cartoons. Then a friend showed them around. Before I knew it I was a cartoonist.
I decided I was going to tell these stories. I went around and met Crumb. He was the cartoonist. I started realizing comics weren't just kid stuff.
People still think of me as a cartoonist, but the only thing I lift a pen or pencil for these days is to sign a contract, a check, or an autograph.