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I don't know if I would ever have costume changes - usually I just end up taking off my shoes, I get so sweaty, and... I just need to be comfortable.
For men there are costumes like fireman, policeman and vampire. For women there are costumes like slutty fireman, slutty policeman and slutty vampire.
For me, glamour has nothing to do with make-up and costumes. Even the most insignificant thing can seem glamorous if viewed with the right perception!
My mother was the worst kind of stage mother. She would make me and my younger sister and brother little duckling costumes and put us in kiddie shows.
There is a difference between using a made-up name and using real people as pseudonyms. People are not costumes you can wear. They are flesh and blood.
We needed to have a great set decorator, a great D.P., a great costume designer, everybody. Without all these people, we would have made a shitty movie.
I love fashion. I always have. When I was a kid, I was in almost full-on costumes when I went to school, and I've retained a bit of that in my adulthood.
I'm not the best audience for that because I'm not a great science-fiction fan. I just never got off on space ships and space costumes, things like that.
I would love to play the Femme Fatale or an action role like Trinity in the Matrix or something like that. You know, a part with a lot of costume changes.
Before Bianca?? I don't remember that far back! That would've been in my teens. I was working in local theater and opera, doing costumes, hair and makeup.
In real life I'm obviously a lot more shy, but once I'm on set and in costume and I'm hidden behind the person I'm playing I feel quite free to experiment.
My book is very wild. But you know during the period of BATMAN, that there were thousands of Batman and Robin costumes sold and these weren't just for kids.
It reminds me of how grandmother always had the right costume for me to wear. You wear the right outfit and you feel like the person you're pretending to be.
I remember playing football dressed in peculiar costumes with some friends in France and laughing so hard we couldn't even stand up, let alone kick the ball.
There's so many things about Babymetal you cannot just grasp with the sound. The visual has to compliment the sound, the costumes have to compliment the sound.
I saw 'The Artist.' It's really beautiful and it's all done to the letter with all the silent film techniques. The costumes were amazing and the dog is so good.
For my part, if I had the power I would insist on all oratorios being sung in the costume of the period - with a possible exception in the case of the Creation.
You can't do a machine without knowing something about how it's going to work. As for the romantics, the costumes bored me and I don't enjoy doing period clothes.
I still think as a painter - especially in terms of structuring a picture... I carefully choose the models, costumes, requisites, and backdrops of my photographs.
I have a ton of cousins on my mom's side of the family, and we would put on shows together all the time and put on costumes, and we even charged our parents money.
Every time you make a film, you create a world. You make decisions about sets and costumes, and you create a universe connected to reality, but not reality itself.
I think people feel starved of nice, glamorous entertainment. They want to see costumes and gaiety and a singer; old-fashioned entertainment - it won't die easily.
Going to the conventions, seeing the incredible amount of love that people put into their clothing, costumes, gadgetry, and art of all kinds, is a huge treat for me.
'Mad Men' doesn't capture one single thing about the decor, costumes, or sexual interaction. It is a total projection of contemporary snarky attitudes into the past.
My style is chic, streamlined and original. I don't like to wear the same things as other people - I push boundaries. Growing up, I was really excited about costumes.
The only difference is that religion is much better organised and has been around much longer, but it's the same story with different characters and different costumes.
My twin sister, my cousin, and I used to write and perform plays for my family. We raided the closets for costumes and fought over parts. I'm sure I was the bossiest one.
My whole background is character acting: weird costumes, fat suits, playing men, playing animals - I've never played anyone with whom there's any overlapping Venn diagram.
My costumes are the same measurements they were when I was 19, 20 years old. I eat pizza and ice cream, but whenever I gain three or four pounds, that sets off a red alarm.
I've always been attracted to romantic secondhand clothes. But my style developed as I started going to these strange raves where everybody had these very definitive costumes.
Couture has copied my things for years, in addition to countless other costume designers, claiming theirs were the original ideas. It's all part of the business, unfortunately.
Halloween was definitely the biggest holiday when I was a kid. We started making our Halloween costumes in August. Me and my mom. My mom was a single mom; it was just her and I.
John Schlesinger had one of his friends designing it and he had never done a film before. Ten days before it started, they didn't have any costumes. I was rung up and joined up.
Well, I design costumes because I started with the theater in Chicago, but somehow a few lines just sort of fell to me to do it. And I studied it in school and I always liked it.
I'm a T-shirts, sweatpants, and jeans kind of gal; I dress really simply and comfortably. But one of the things I love about being an actor is that I get to wear amazing costumes.
'Titanic' made me want to tell stories... To have all these characters and costumes and have ambition and think big and have dreams... It came at a very troubled period of my life.
I am greatly impressed with the BBC's TV adaption of Charles Dickens' 'Bleak House.' The costumes, the sets, the acting and the screenplay are all superb. Every episode is riveting.
All of these are names given me by other people, but not names I would have given myself. My name is not mine, it's theirs. It's a series of costumes put on my life by other people.
I went to school for clothing and textiles and thought this is what I was going to do. Then I started working in costumes and literally said, 'I don't know if I can take the actors.'
When a lot of people watch these Victorian-era shows, they're in love with the costumes, the romance, the whole sweep of it all. But there is nothing nostalgic about 'The Knick' at all.
The visual elements of the videos, the makeup and the costumes... these things have nothing to do with justice and truth, but nonetheless, it really changes the experience of the video.
I don't think women should look like costumes. I don't think they should look like fashion victims. I think these (clothes) are for women that want to look sexy. They want to look smart.
It sounds a cliche but when I'm on stage I'm at my most relaxed, I feel most like myself. When I have the music and the costumes and everyone else around me, that's when I feel most free.
It's a bit of an outside-in approach - so often the clothing can reveal so much about a character. It's like part of her superhero costume that she gets to put on and become someone else.
You put funny people in funny costumes and paint them green and we could talk about anything we wanted to, because that was the only thing that fascinated Gene about this particular genre.
For the kind of thing that we were showing, the budget was sufficient. As we were speaking of in Haiti, we had not done that before in exactly this form and we had to have costumes for it.
I think the thing that would interest me would be to appear in a period piece where you'd get to dress in an elaborate costume and say nothing but just look fabulous and have a fancy role.
I had always liked, well, who didn't love Lestat and fall in love with 'Interview with the Vampire,' and 'Nosferatu,' and Coppola's 'Dracula' with the awesome costumes? So I loved all that.
My parents read me fairy tales every night and I used to believe I was a fairytale princess, like every young girl. I had all the Disney dressing-up costumes and would play every character.
As for futuristic costumes, I loved doing 'Gattaca' because I'm a minimalist at heart, and it's a very minimal film. Plus, with Uma Thurman, Ethan Hawke and Jude Law, how could you go wrong?