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From the Americans, I took the meet-up platform, from Howard Dean. He used it to gather money. I use it to gather information, to gather forums, not money. This we copied from the United States, the use of the Internet.
I applied to the Guildhall School of Music and Drama in London and didn't get in the first year, so I worked at Costa and the Dean Gallery Cafe then applied again and got in the next year when I was 18. I was so excited.
Throughout my 20s and early 30s, I had jobs that I loved. I worked in city government. I ran a youth organization. I served as an associate dean at a university. And I couldn't imagine how a baby would fit into all of that.
Back when Sammy Davis, Jr. and Dean Martin were doing roasts, they were all friends. They knew each other's children, each other's wives, each other's families. It wasn't about being disrespectful. It was about being funny.
Acting is trying to be absolutely truthful; to get audiences to believe that you are a dean, when, actually, not only are you not the dean, but if you walked into the building they'd probably throw you out. That's very hard.
Most people don't know who Ken Mehlman is. He's the chairman of the Republican Party, obviously, but what he's doing that Howard Dean isn't doing is spending a lot of time on the nuts and bolts of putting the party together.
Presidential Democratic front-runner Howard Dean admitted to Chris Matthews on the 'Hardball' show that he got out of the draft because of a bad back. He had a curvature of the spine. Apparently it curved too far to the left.
As far as we were concerned, we were operators, we were administrators. I don't ever recall going to Dean Acheson and asking for any counsel or advice on administration, but I had the greatest respect for him, as I have today.
My father was a headmaster in England and then the dean of a college in Australia. We moved there when I was about five, so my education was in Australia, and I always felt I was Australian even though my passport was British.
The thing is that my idols have always been the types of guys who could do anything: Gene Kelly, Fred Astaire, Sinatra, Dean Martin; and when you look up to people like that, you don't accept that you need to be compartmentalised.
Music and fashion have had a kind of incestuous relationship since the Fifties. It started with people like Elvis Presley and pop icons like James Dean. Then it exploded in the MTV days. Now, with the Internet, it's instantaneous.
I like the legend behind him. James Dean symbolizes the young actor's dream. He struggled to get into Hollywood. He shot to fame at the age of 24 but only got to star in three films. It's kind of a fantasy of what could have been.
At Swarthmore, the Dean of Women was very opposed to women going into science or engineering - so opposed that if she couldn't talk a girl out of it, she just never had anything more to do with her for the four years she was there.
I've seen many great performers on stage, from Dean Martin to Celine Dion, but nothing beats the first time I saw Elvis. There was no pomp, no pyrotechnics, nothing to distract you from the raw talent of the man in the white jumpsuit.
I once attended an advertising conference held at the Greenbrier Hotel in 1968. The dean of the original Mad Men, the great David Ogilvy, was the keynote speaker. The subject of his speech was the new creative revolution in advertising.
To be honest, I've made a game out of trying to live through my James Dean, Janis Joplin, Freddie Prinze, Jim Morrison period, those demons that we all have that we're either successful or not at making work for us rather than destroy us.
My dad was kind of a pool shark and had a Frank Sinatra, Dean Martin thing going on. I've always been fascinated by the fifties because of him. There was a hip, cool, anything-goes atmosphere back then, but looking good was still a priority.
Democratic presidential candidate John Kerry came down pretty hard on fellow candidate Howard Dean this weekend. After Dean misspoke several times, Kerry said you can't misspeak 15 times in a week and be president. And Bush said, 'You can't'?
I guess because you study the character and you do all those things. But when it comes down to it, it's still my performance, it's still my interpretation. I'm not going to, you know, be a clone - well, I was a clone of Richard Dean Anderson!
But I have to say, in my 12 years as the dean of admissions at Yale Law School, there was a lot of legal behaviour that I saw that worried me and that clearly was allowing wealthier and privileged students to tilt the balance in their favour.
I know there are a lot of tough stories out there about Sinatra, but he was so sweet to Bobby and me. He even had us replace him one night in the main room. He didn't get Sammy or Dean; he said, 'I want the kids to do it.' Man, what an honor.
I want to coach because I love it. I don't want to sound hokey, but when you play for Frank McGuire, Dean Smith, and Pete Newell - they taught me a lot - I want to share what they taught me with a lot of people. I don't want to stop doing this.
The man who became a big influence in my life was Dean Martin. He started my career in Las Vegas. When I came to Las Vegas, he put his name on the marquee: 'Dean Martin presents Engelbert Humperdinck.' And I'm the only one he ever did that for.
I don't know if my father realizes this, but I remember sitting there watching 'Apocalypse Now,' watching Pacino in 'Scarface' and watching James Dean in 'East of Eden' with him. And him he's not in the arts at all just pointing out 'the greats.'
I was doing the work I was capable of doing with my own native talent, but when I looked at actors like Marlon Brando, Jimmy Dean, Kim Stanley, and Geraldine Page, I knew that they knew something that I didn't know. I wanted to find out what that was.
People at WWE would say, 'It doesn't matter if you're the best wrestler,' but I would think about Dean Malenko and Chris Benoit and Rey Mysterio. They weren't necessarily the greatest talkers, but they were great wrestlers. I wanted to be that person.
McGeorge Bundy was a brilliant man who'd had a meteoric academic career and was the youngest man ever to be dean of the Harvard faculty. But he was also arrogant and looked upon all sorts of people and politicians as not to be taken all that seriously.
It's funny that I got to do 'On the Road' because the thing that had the biggest impact on me growing up was reading books. I was very inspired by the book and this spirit of Dean Moriarty and how envious we all are of somebody who can be that carefree.
Dean had just come from seeing his lawyer. That was the first time that I found out that he had consulted a lawyer. He wanted to tell me what he thought was going on, but he was writing it down as if my house was bugged. He acted like everything was bugged.
I graduated from Jones College, man, in Jacksonville, Florida, baby! I couldn't get in anywhere else, man. I was the worst student ever. I couldn't get in anywhere else. My father insisted I go to college, so I graduated, made the dean's list and everything.
When I hired the first group of cruiserweights - which consisted of Dean Malenko, Chris Jericho, and Eddie Guerrero - I sat them down in my office, and I was very clear to them. I said to them, almost verbatim, 'You need to be my human car crashes at 9 P.M.'
When I was a kid in the late '60s and early '70s, my parents and their friends would play the records of Andy Williams, Dean Martin, Frank Sinatra, and Perry Como, music with string arrangements and men singing songs that sounded sad whether they were or not.
Stanford's law school application wasn't the standard combination of college transcript, LSAT score, and essays. It required a personal sign-off from the dean of your college: You had to submit a form, completed by the dean, attesting that you weren't a loser.
James Dean has never been one of my guys. I don't want to be him. I will take boring anytime. I love boring! Are you kidding me? Matt Damon has been one of my favorites forever. He always elevates every bit of material, and then you don't hear a thing about him.
When we first went to L.A., Howard Koch, who was the head of Paramount Pictures and later President of the Oscars, threw a welcome lunch for us at his house. There were all these stars there - Frank Sinatra, Dean Martin, Lucille Ball, Natalie Wood, Henry Mancini.
I love Catherine Maladrino, Angela Dean and Nicole Miller. Catherine Maladrino designs that beautiful, high-class red carpet stuff. Nicole Miller makes beautiful dresses you can wear every day. And when you just want to go and shut it down, you turn to Angela Dean.
I wasn't an expert or even the biggest Dennis Hopper fan in the world. All I knew about him were through his associations with James Dean and Andy Warhol, the fact that he made 'Easy Rider.' I thought his story would have a really great outlaw literary quality to it.
When I got to high school, they had a morning TV show you could become a part of, and I started making short films for that, most little satirical, laugh-y films about the dean of students being chased by a dinosaur or something like that. And I really just enjoyed it.
I was someone who was out of control and not to be worked with. It was partly because method acting was a new thing in Hollywood then and Marlon Brando had gotten through and Montgomery Clift had gotten through and James Dean but beyond that there wasn't really anybody.
I don't really write with living actors in mind. I guess I write for dead actors. I'll think of like, you know, Burt Lancaster would be good in this part, and so on. With 'L.A. Confidential,' it was like, 'Wouldn't it be cool if Dean Martin played the Kevin Spacey part?'
When I started out, I tried out all my stuff on national television. There were no comedy clubs, but even if there were, I don't think I would have gone to them. I used to do stuff in the bathroom, and then I'd drive down to NBC and do it on 'The Golddiggers' with Dean Martin.
Every opportunity I've had to work and act with incredibly talented directors, like Dean Holland was on 'Love,' and the writers and creators of that show, Judd Apatow, Paul Rust and Leslie Arfin, have been incredible learning experiences that have informed my creative process.
My style icons are Lucille Ball for her bouffant hair and all the updos, James Dean for his rockabilly style - the denim and rolled-up T-shirt thing. And I am also inspired by Dita Von Teese and Gwen Stefani. Their style is retro, but it's still very feminine at the same time.
I don't see the wisdom in modern politicians that I once saw in men like Dean Acheson, David Bruce, or George Marshall. In my day, the northeastern establishment dominated foreign policy formulation, but the composition and distribution of our population is very different today.
You grow up as an artist in a big city. As James Dean said, you're going to have one arm tied behind your back if you don't accept people's sexual flavors. You know, when I was a kid out here in L.A., I was homeless; I didn't have any money, and I was living in my car. I was 18.
I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.
I was in a movie with Marlon Brando. Now, I didn't have any scenes with Marlon Brando, but I had scenes with Martin Sheen and was around Dennis Hopper, who was a child actor in the studio system and was enamored of James Dean, as was Martin, and they were all sort of disciples of Brando.
Sometimes people are like, 'Hey, you played Dean Thomas!' and I'm like, 'Wow, you actually know!' It kind of shocks me because when I think about movies I love, and if I saw someone who essentially did what I did in Harry Potter, I probably wouldn't recognize them walking down the street.
In 1970, Dean Robert Ebert offered me the Chair of Pathology at Harvard Medical School. I moved to Harvard because I missed the university environment and, more particularly, the stimulating interaction with the eager, enthusiastic, and unprejudiced young minds of the students and fellows.
I had come from Los Angeles - I had been there a partner of Gruen Associates, a large Los Angeles firm - and when the possibility of becoming a dean at Yale came, it was a very appropriate moment in my life. I was interested in a number of issues that I could not pursue while in a firm like Gruen's.