Quotes of All Topics . Occasions . Authors
I have an obligation as a writer to tell a story as interestingly as possible, but with integrity and not inserting false drama... I'm looking to be subtle, but being a wordsmith does not interest me - I want to communicate.
An intelligent observation of the facts of human existence will reveal to shallow-minded folk who sneer at the use of coincidence in the arts of fiction and drama that life itself is little more than a series of coincidences.
The history of screenwriting - of what we do - is more than 100 years old. It's thousands of years old, going back to Sophocles and Euripedes. I believe the only - the only - separation for being a dramatist is reading drama.
'Expect nothing and hope for the best' is my mantra. A drama teacher called Joseph Blatchley told me that, and it's the best advice I've had. If you keep an open mind and don't expect too much, then you won't be disappointed.
The experience of reading a novel and watching a television show are quite different. You can't let your audience get ahead of you, and you have to keep the energy and the pace and the drama up. They're very different things.
Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence -- the drama of being her -- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation.
The bondage of the Negro brought captive from Africa is one of the greatest dramas in history, and the writer who merely sees in that ordeal something to approve or condemn fails to understand the evolution of the human race.
I like autumn. The drama of it; the golden lion roaring through the back door of the year, shaking its mane of leaves. A dangerous time; of violent rages and deceptive calm, of fireworks in the pockets and conkers in the fist.
I love playing different characters and I love doing fun things and I love to entertain people, whether that be in a comedy or a drama. If I get you to laugh or I get you to cry I'm super stoked, as morbid as that might sound.
A lot of times the movies I think are the funniest are dramas. I feel like dramas are so much funnier because they're actually capturing human beings. Humans are so weird and clumsy, and that, to me, often makes me laugh more.
World War II is the greatest drama in human history, the biggest war ever and a true battle of good and evil. I imagine writers will continue to get stories from it, and readers will continue to love them, for many more years.
I suppose drama can either take the place of a novel or can be very closely allied with it. It's quite customary to turn a successful novel into a film or a television series because you can dramatize and pictorialize a novel.
I'm a fan first and foremost. I get caught up in the drama, the emotion of what is happening, whether it's a boxing match, an MMA fight, a kickboxing contest, or a WWE matchup. I want to tell the story and paint more pictures.
I have two dream roles: One would be a biopic of someone I admire and respect and the other one would be some sort of action drama film similar to a 'Bourne Identity.' I just really want to do an intelligent action drama film.
Have you ever played ping pong up against a wall? You get exhausted a lot quicker than playing against someone. It's the same with getting angry. If you keep getting angry on your own, all that anger will just come back to you.
The show business has all phases and grades of dignity, from the exhibition of a monkey to the exposition of that highest art in music or the drama which secures for the gifted artists a world-wide fame princes well might envy.
In my gap year between college and drama school, I taught art at a hospice and worked at a little coffee shop across the street from Shakespeare's Globe Theatre in London when everything around it was still a construction zone.
I feel like with comedy, the crazy things that happen are never serious you know? Like, rubble being poured onto you in drama would be something that's absolutely terrible, but in a comedy it's absolutely terrible but so funny.
My dream is to do something like the female Bourne, and do something in that world. To mix that high level of drama with the covert operation, conspiracy theory spy world fascinates me and it's so interesting. It's fun to do it.
I used to teach kids when I was younger. When I was about 14 or 15 I started teaching children drama and something that I used to say to them was, 'Don't be afraid.' People would be afraid of forgetting their lines or something.
I think it's touching that the fans feel so close to the characters that they feel personally hurt. I've felt that way in plenty of TV shows - 'Game of Thrones,' 'Mad Men.' How could they do that to that character? That's drama.
I've got to be honest, I absolutely don't like designing romances. I think that you get a lot more drama and impact from failed romances, or unrequited relationships that occur in games. I think that creates more player tension.
I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.
What a moment to take the newspaper in one hand and the Bible in the other and watch the unfolding of the great drama of the ages. This is an exciting and thrilling time to be alive. I would not want to live in any other period.
The moment one accosts a stranger or is accosted by him is above all in this life the moment of drama... Whoever we meet watches us intently at the quick, strange moment of meeting, to see whether we are disposed to be friendly.
If one drops dead in the street, friends and loved ones are shocked, stricken, but a long lingering death loses all nobility and drama, while relatives and friends await the inevitable end in a succession of weary anti-climaxes.
The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
These wrestlers aren't organized. They have no union, no pension and no insurance. You meet wrestler after wrestler who sold out Madison Square Garden ten years ago, basically running on fumes today. There's a lot of drama there.
Mistakes are very seldom permanent, most of them can be fixed with less difficulty and drama than one imagines, and there's nothing shameful about them. There is, however, something sad and limiting about the fear of making them.
I really liked drama and being in plays, so when I was playing a character onstage and I could act like somebody else, then I wasn't scared or nervous, but I didn't like meeting new people when I had to be myself. That was scary.
The scariest thing about screening a comedy... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.
I am first, and foremost, an actor. That's what I am. To me, a song is a mini-drama. My musical ability informs the actor as well because it gives me a sense of timing that non-musicians don't have. So, one hand washes the other.
Life is replete with comedy, drama, horror, suspense, tragedy, romance, mystery, fantasy and a good dose of fiction. While at times the plot may seem to be lacking, the special effects alone are well worth the price of admission.
My acting career began when I walked into a drama school class run by Anna Scher in Islington. Anna discovered a lot of people: Linda Robson, Pauline Quirke, Gary and Martin Kemp, and Dexter Fletcher were among my contemporaries.
Well, if you look at the whole story, I mean there's only Jews and Romans in the story. I mean I just wanted to flesh that character out and make that a drama about the people around Christ when he was going through this passion.
Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
You know what I want? The answer is, I truly don't know what I want. I don't want to do a television series. I want to do dramas as well as comedies, but I have no idea what kind or in what order. Just give me the chance at them.
'The New Yorker's' drama critics have always had a comparable authority because, for the most part, the magazine made it a practice to employ critics who moonlighted in the arts. They worked both sides of the street, so to speak.
People need to be peppered or even outraged occasionally. Our national comedy and drama is packed with earthy familiarity and honest vulgarity. Clean vulgarity can be very shocking and that, in my view, gives greater involvement.
Jesus will always move away from religious drama and toward the needs of people who are hurting. Jesus will always go out of his way to find and minister to people who others will go out of their way to avoid. I love him for that.
I look up to Leonardo DiCaprio and Matt Damon. I'm a huge fan of their work. I also like actors who really transform themselves, like Joaquin Phoenix. And I loved Robin Williams growing up. He does comedy and drama so brilliantly.
The scariest thing about screening a comedy ... if you screen a drama, you know, there's no real way to tell in real time if people are enjoying it or not. But in a comedy, it's like, if people aren't laughing, it's sort of scary.
People talk about the drama of the set that goes on and on. But it leaves one guy exhausted for the next round, it's horrible for the players waiting to come on court, and it has the potential to mess up the schedule for everyone.
A lot of roles for people with disabilities are quite patronising. It's a real pity when they are just used to give dull PC kudos to a drama, or when they're wheeled on in a tokenistic way without any real involvement in the plot.
Sitting in an automobile was where I first remember understanding how drama works ... Hidden in the back seat of a sedan, I quickly realized how deep the chasm or intense the claustrophobia could be inside your average family car.
Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.
I suppose I walk that line between comedy and cruelty because I think one illuminates the other. We're all cruel, aren't we? We are all extreme in one way or another at times and that's what drama, since the Greeks, has dealt with.
I loved The Sarah Connor Chronicles that Josh did, and I loved that it was a family drama with a huge, different element. And this is also a family drama with a huge, very different element. I think he'll kill it. It will be great.
In approaching our subject it will be best, without attempting to shorten the path by referring to famous theories of the drama, to start directly from the facts, and to collect from them gradually an idea of Shakespearean Tragedy.