Quotes of All Topics . Occasions . Authors
Everybody loves a cliffhanger. There's great drama in elections, and the sporting analogy is very apt. There is a lot at stake for both parties and for the country. And CNN will be there to report it all, no matter how long it goes.
'Othello' was my first Shakespearean discovery. I was obsessed with drama at school, and I studied the play for my English GCSE. Desdemona is the part that everyone wants, but Iago's wife Emilia is the one I've always been drawn to.
Perhaps all romance is like that; not a contract between equal parties but an explosion of dreams and desires that can find no outlet in everyday life. Only a drama will do and while the fireworks last the sky is a different colour.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
Comedy doesn't come easy for me. I've only done 2 movies that are really comedy-style films and I have to work at them. And they're just as scary in a way. I hate labeling all these things; comedy, love stories, dark drama, whatever.
There’s a reason Mia is currently an only child. Family drama takes on a whole new meaning when they’re feuding gods who can’t stand the sight of each other and always try to kill one another whenever they’re in the same room.” – Kat
I tried to get into the National Youth Theatre and didn't, and I tried to get into drama school and didn't, and then I went to university and was really delighted that I went there. I think having the word 'no' can be quite creative.
Our culture highlights all the trouble, all the drama, all the affairs and all the junk. Do not believe for a minute that any of that reflects reality. That does not have to be your future. The handwriting is not written on the wall.
There are epic impulses everywhere you look in There Will Be Blood; what's missing is character development, focused storytelling and, most significantly (apart from that terrific opening sequence), any sense of raw, intuitive drama.
There is only room for a certain amount of black actresses in this industry. I don't want to fall into the zone of playing the 'ghetto bootalicious baby mama drama.' I want to play something with depth, like a crackhead or something.
A boring speech can be just a boring speech. But a speech with a joke that falls flat is awful. I hate it. That's why I think it's easier to hate a comedy. If a drama doesn't land, it's boring; if a joke doesn't land - you hate that.
When you make a movie, everyone should leave their own personal problems at home. When they start bringing those to set, filming can be very difficult... You don't need any extra drama. Put the drama into the story, in the characters.
I do also think it eludes genre a bit - not in any groundbreaking way but you can't quite call it a comedy and you can't quite call it a romantic anything. It's not quite a drama either really. But it has elements of all those things.
Drama schools are very small community, a very incestuous community, so you get to know one another very, very quickly and it just washes over after a while. Every now and then I'll say "dude" or I'll say "bro," and people will laugh.
There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.
The point is, the political reporters are the ones who no longer understand the ritual they are covering. They keep searching for political meanings in the tepid events when a convention is now essentially a human drama and only that.
There seems to be more opportunities for old guys like me to do a little fighting and running because the lead characters also require a bit of depth and maturity and gravitas that one is likely to acquire doing drama all those years.
It's a lot of work and I also feel like I've done it. I miss comedy. And I also think that, from purely a logistical standpoint, that the day-to-day schedule on a comedy allows you to have a life, much more of a life, than on a drama.
I have been working as an actor for 16-17 years now. The funny thing is I still feel awkward in communicating with the public as a star. It hasn't been long since my drama 'Goblin' ended, and I'm looking forward for some time to rest.
Soaps are one of the few areas on TV that really embrace older women. In drama, there's this ridiculous invisibility for women between the ages of 40 and 60. Unless you're old enough to play a grandmother, there just aren't the roles.
I look for characters that are fun and that I'm going to have fun playing. By the way, that's whether it's drama, sci-fi, action, comedy, family movies or action-comedy. I just always want to have fun doing it. That's the bottom line.
I think I really believed my childish thoughts back then. Using the determination of the poor, the childish thought that I can do it if I tried with all my might. But in reality...I never did get to defeat him. No. I couldn't beat him.
I just want to do musicals. it's hard enough just to do musicals. No matter how hard I try, I think it's only getting harder. Even If I try harder, there are problems that I just can't deal with. I don't know why it's become like this.
I noticed the drama majors on campus when I was at Notre Dame. They just seemed to be freer spirits than the rest of us. There was joy in their work; they were the only ones studying something whose work made them happy. I envied that.
I probably shouldn't do a straight drama. I'd probably ruin it. I don't know. But, I'd love the opportunity to try. I'm sure that every kind of filmmaker feels that they can do other genres of film and want to, and I feel the same way.
I do think opportunity breeds bravery. It's such a competitive profession, no one owes you anything, talent in itself is not enough. I went to drama school with so many great actors who are not doing it anymore and it's circumstantial.
Taxation, for example, is eternally lively; it concerns nine-tenths of us more directly than either smallpox or golf, and has just as much drama in it; moreover, it has been mellowed and made gay by as many gaudy, preposterous theories
I think working on Shakespeare was a big part of my time at drama school. I'm so glad that I got to know Shakespeare and got a chance to play great parts in Shakespeare, because it really teaches you - or taught me, anyway - everything.
A high school student shouldn't smoke cigarettes. You can't comfort someone with money either. And fooling around with someone's feelings...Trying out someone when you're not even interested. That's something you deserve to get hit for.
I worked mostly in television drama for my first few years. I just kept guesting on NYPD Blues and CSI-like stuff, so when I started getting work in comedy, a lot of people in the business would say, 'Oh - I didn't know you did comedy.'
Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.
Comedy is more difficult. You can look at scenes when you're doing a drama like, Maybe it works, but in comedy, when you're doing it, either it works or it doesn't. You have to keep doing it until it does, and the requirement is more.
I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to.
English dramatic literature is, of course, dominated by Shakespeare; and it is almost inevitable that an English reader should measure the value of other poetic drama by the standards which Shakespeare has already implanted in his mind.
O light! This the cry of all the characters of ancient drama brought face to face with their fate. This last resort was ours, too, and I knew it now. In the middle of winter I at last discovered that there was in me an invincible summer.
I can do comedy but it's a certain type. I'm not a physical comedy guy. I'm not Will Ferrell - there's just this crazy and get naked and run through the thing screaming. That's just not my style; my style is drama or - I'm not slapstick.
People also like partnerships because they can identify with the drama of two people in partnership. They can feed off a partnership, and that keeps people entertained. Besides, if you have a successful partnership, it's self-sustaining.
Opera is music AND drama. I'm prepared to sacrifice the beautiful note for the meaningful sound any time... I can make a pretty tone as well as anyone, but there are times when the drama of a scene demands the opposite of a pretty sound.
It's easier for me to get comedies made because of my track record. Everybody needs to find their niche. I love dramas, but I understand that I am still just a young man in moviemaking. I know there will be some time to get back to that.
I'm just looking to make good movies and looking to be as good as I can be in them and that's about it. But I feel much more comfortable doing a comedy, but the fact that I got to try a few dramas, I feel I've tested myself a little bit.
When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.
We don't have to have blood relations in order to be brothers and sisters. Flesh and blood, those are just things that we're made of. In a real family, what matters is our hearts. We care, show concern and love. Anyone can be family too.
When I decided I wanted to go to drama school, I realized that a lot of the actors whose careers I really admire and whose work I really admire were English and English trained. I felt there was a real vocational feel to work in the U.K.
'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
I feel very blessed in my career to have been able to bounce back and forth between different things, television and film, comedies and some dramas, but I am, um, as long as the script inspires me and there good people, that's it. I'm in.
You're playing a character in a drama who happens to be based on someone who existed. It's never going to 'be' that person, but it's based on someone well-known, and you want to create enough of that person for it not to be a distraction.
I think I actually did a production of "Under Milkwood," this Welsh play, with my drama group (at school), and I always remember taking everything far too seriously, and that it wasn't just a hobby but something I wanted to keep on doing.
Opera is the most complete art form. It includes drama, acting, technology (lighting), art (the sets), dance, and the epitome of the human voices. But mostly, go for the glorious music. The arts are crucial to the life of every community.
How do you explain certain physical qualities that somehow sell on screen? You're born with it... Certain people are just more watchable, and I was more watchable, but I don't think I understood acting or drama very well when I was a kid.
The energy is changing here dramatically. That's part of the upheaval of the drama. The dimensional shifts are accelerating. The magnetic energy at the core of the Earth has transformed to take in the new settings of our awakening selves.