But I like the process of putting a show together and the impact that Edinburgh has on me as a performer.

Edinburgh is an experience A city of enormous gifts Whose streets sing of history Whose cobbles tell tales.

I have to say I like Edinburgh, but I'm not a big fan of the Festival - I like it but I'm not a massive fan.

My mother was a product of World War II. My grandfather was on leave in Edinburgh when he met my grandmother.

When I was asked to be Writer in Residence at Edinburgh I thought, you can't teach poetry. This is ridiculous.

I was acting before I was modelling, when I was very young, doing the Edinburgh Festival and that sort of stuff.

There is no doubt in my mind at all. The Duke of Edinburgh has had affairs - yes, full-blown affairs, and more than one.

I studied theatre at Glasgow University and then was lucky enough to land a scholarship with a theatre group in Edinburgh.

I try and avoid the big comics in Edinburgh. You can see them on tour. Edinburgh is all about seeing the smaller comedians.

I sat down to try to write 'Edinburgh,' an autobiographical novel, and that took five years to write and two years to sell.

For those who like that sort of thing," said Miss Brodie in her best Edinburgh voice, "That is the sort of thing they like.

If you're not keen on crowds, it might be best to give Edinburgh a miss during festival time when it can get extremely busy.

I'd done an Edinburgh show before, in 1981, called 'The Importance of Being Varnished' - I was in the pun trade at the time.

Edinburgh is my adopted home. It's a place where I wanted to come and live, and I managed to arrange my life so it happened.

When I used to do the Edinburgh Festival, there was a bunch of guys selling fresh oysters and I'd eat ten daily - marvellous.

Edinburgh is where I started. A lot of the remixes I made were done in my room there, and it was a good place for me to make music.

The instruction at Edinburgh was altogether by lectures, and these were intolerably dull, with the exception of those on chemistry.

At seven years old, I won a scholarship to George Heriot's School, an independent school in Edinburgh, and I was there until I was 17.

The first time I saw Tim Minchin live, it was his 2008 show 'Ready for This?' in a very big room at the Pleasance during the Edinburgh fringe.

I lived near Arthur's Seat when I lived in Edinburgh. It was the perfect playground as a child. I always have a wee run up there when I'm back.

I've spent some time in Edinburgh before. I used to go up there to busk and actually went to the Fringe a few times as a teenager with my cello.

I'm a bit of a Scotophile. I have a house on the Black Isle, so I'm in Scotland quite a lot and think Edinburgh is just the most beautiful city.

I had a complicated life until I was 25. I was born in Bristol and was brought up by my mum and my stepfather in Edinburgh. He introduced me to books.

I never realised that the Edinburgh skyline was so interesting - it's gothic and very urban and there's a lot of church spires and old brownstone buildings.

In Edinburgh, there was a lovely little Episcopalian Church of Scotland church on my way to the theater, so I used to pop in there and soak up the atmosphere.

I owe a great deal to Harold Hobson, doyen drama critic of the 'U.K. Sunday Times,' who championed me as Shakespeare's Richard II at the 1969 Edinburgh Festival.

This possibility bothered me as I thought it was not advisable to remain in one academic environment, and the long dark winters in Edinburgh could be rather dismal.

I've been fortunate enough to travel to Edinburgh a few times over the last few years, and I just loved the city. I find it one of the more beautiful cities in Europe.

Edinburgh is the most pressurised environment to do comedy. You get an hour. There's no compere. You'd better be on the money straight away; you've got journalists in.

In 1994 I was doing a two-hander with Sean Lock in Edinburgh and there were more people in the cast than the audience. It was pretty grim, quite a chastening experience.

I feel at home in Scotland and go back whenever I can. I've played the Edinburgh Festival twice, and I get the train across the Forth Bridge to Lochgelly, just to see it.

When I began to write, I was surprised at how little London had been used in crime fiction. Places such as Edinburgh or Oxford or L.A. seemed to have stronger identities.

I find Edinburgh a stimulating place in which to live, with it being a city of contrasts, both architecturally and socially, and each district having a definite character.

I was a member of Corstorphine Library in Edinburgh, and every Friday night, my parents took me there to borrow books. I also used to spend nearly all my pocket money on books.

There's all this stuff that is happening in Edinburgh now, it's a sad attempt to create an Edinburgh society, similar to a London society, a highbrow literature celebrity society.

It was here in Edinburgh that in the 1980s I joined with many others to protest against Margaret Thatcher as she arrived to address the General Assembly of the Church of Scotland.

I sang in a rock band when I was training as a lawyer. You know, not professional, we just did it for fun. We just did gigs all over Edinburgh and some in Glasgow and some at festivals.

My dad's pretty funny. He's funny for all of the wrong reasons. The first time I did standup at Edinburgh he sat in the front row and wore sunglasses because he didn't want to put me off.

Don't get me wrong, growing up in Edinburgh, I was all too familiar with the Hibs and Hearts rivalry. My father grew up in Leith - Hibee territory - just off of Easter Road on Albert Street.

For comics, Edinburgh makes no financial or medical sense. Get an audience; that's the first task. Once the punters are in, simply make them laugh for an hour, and then sweat on the critics.

The same critics who destroyed 'Seven Streams' when we opened in Edinburgh - and yes, it was horrible - called it one of the most important shows of the 21st century six years later in London.

Being young and extremely naive and coming from a very sheltered place has been a slight disadvantage to me because in Edinburgh, if you meet someone and they're nice, they just become your friend.

When I was a boy living in Edinburgh in Scotland, especially in December, when the hours of daylight were few, and it was cold, and often wet, I used to dream of escaping to a tropical magic kingdom.

I was spotted in Glasgow and asked to enter a competition to find the Highland Spring Face of 1995 by the Storm agency. I won the Edinburgh heat, then I won the title in London and moved there aged 16.

I joined the after-school club, School of Comedy, which progressed wildly, and in quite a Hollywood way. It sounds like 'School of Rock', right up to trying to raise money to pay for a venue in Edinburgh.

I started studying business and finance in Edinburgh as a backup plan. I was still making music many hours a day, and when I was at university, the electronic music boom started really taking off globally.

Living in Edinburgh, I consider myself particularly lucky - we have the biggest book festival in the world, a plethora of fascinating libraries and museums, and some of the greatest architecture in Europe.

It has been said that a Scotchman has not seen the world until he has seen Edinburgh; and I think that I may say that an American has not seen the United States until he has seen Mardi Gras in New Orleans.

Shetland is the most remote place in the U.K. It's a part our country, but completely unique. It might be British, but it's closer to Norway than to Edinburgh, and it feels very different from the mainland.

I'm not a terrifically fit person. I haven't been for any exercise. I played a bit of football, ate a couple of apples. I got a gym membership last time I was in Edinburgh but it was very hard to unsubscribe.

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