Quotes of All Topics . Occasions . Authors
I've been composing music for feature films since 2007. I've been creating music for films for 13 years and I totally enjoy and love doing that. However, I have a lot of music inside me which I want to share with you all in a different way.
For those of you looking for your action-packed read, check out 'Red Queen' by Victoria Aveyard and 'Vengeance Road' by Erin Bowman. One's a fantasy and one's a Western, but they both feature strong leading ladies and some harrowing twists!
'Yogi Bear' changed my life in ways that I can't explain because it's not a full feature on me. 'Yogi Bear' - there's everything before 'Yogi Bear,' and there's everything after 'Yogi Bear.' Like a major car accident, or the birth of Christ.
I'm definitely a lash girl. I feel they are my best feature. I have tried lots of mascaras. I was drawn to Lancome Doll Lashes recently. Not only because of the name, but it smells like roses! I usually add a few coats of it for a night out.
With a series, keeping the quality high and writing incredibly fast, that's the first lesson you learn. You can't be real precious. When you're doing a feature film, you have 2 1/2 months; you sort of take your time. It's a different animal.
I like doing them and they're ridiculous and the actors can improvise a lot, and they don't have to be really realistic characters that hit a very specific tone as in a feature film. They're really fun, I want to make more of them definitely.
Their elegant shape, showy colours, and slow, sailing mode of flight, make them very attractive objects, and their numbers are so great that they form quite a feature in the physiognomy of the forest, compensating for the scarcity of flowers.
That's the really fun thing about writing for series versus just doing a pilot or even doing a feature: you get to live with your actors, and as you learn their voices and they learn your dialog, you're kind of building the characters together.
If I have to play an obnoxious character, try to find a redeeming feature of him. The most obnoxious people in the world were people, and they had had a reason for doing what they did. So you try to find that and let the obnoxiousness come out.
I think I always gravitated more toward psychological studies and how people behave in a variety of circumstances. Most of the stories that I tell tend to feature women who get caught up in certain situations - end up in some calamity or other.
Almost a quarter of our planet is a single mountain range and we didn't enter it until after Neil Armstrong and Buzz Aldrin went to the moon. So we went to the moon, played golf up there, before we went to the largest feature on our own planet.
'Love' has always been one of my favorite magazines. When they asked me to be featured in their 2018 Advent calendar, I was so honored because they always feature such iconic women, and to be part of that fills my heart with love and gratitude.
It turns out that American Express honors recurring payments even if the vendor is unable to supply an accurate card number and expiration date. An Amex phone representative said this is a feature, not a bug, which makes sure my bills are paid.
One of the differences between HBO and other television is that they demand the same coverage that you would have in a feature film. We need to have all the shots in order to make it as rich and as stunning as it looks. We can't cut any corners.
Often times people complain about the lack of time in television, but I have to say, you don't have any more time to film in feature films then you do in television. It's just a question of how many scenes you'll be doing in the course of a day.
I want to continue doing as big a variety of things as I can do, and if that means I have the honor of getting to do more feature work, I would love that. I know that if I make any other long-term TV commitments, it's not going to be on a drama.
The problem with feature filmmaking is that it offers you this mirage of being able to achieve perfection, as the theory of it is that you have control of every part of the film, though in reality, it is as inexact as the next thing in your life.
My favorite part of any military feature, aside from the people themselves, is how clean and organized everything is. I like things clean and organized, and they don't get any cleaner or more organized than they are in any branch of the military.
For me, the triad of 'Harry Potter,' the 'Hunger Games' and 'Twilight' feature strong women, and as a declared feminist, it's a wonderful thing. These women have really opened up this particular world of storytelling, which I'm very grateful for.
At the start of the 21st century, Britain is caught in a confusing riptide of anxiety. Of course racism still exists, but things have improved to a point where many ethnic minority Britons do not experience it as a regular feature in their lives.
There is no way in which we can retrospectively erase the Treaty of Vienna or the Great Irish Famine. It is a peculiar feature of human actions that, once performed, they can never be recuperated. What is true of the past will always be true of it.
No amount of data will tell you if a feature should be in the product, because it doesn't exist. You need to have a very clear leader with a clear point of view... otherwise, you get a mishmash of features and stuff that doesn't make a lot of sense.
I don't feel the obligation to have a big explosion in the first 20 seconds so the audience doesn't turn on another channel. We are trying to make something that looks like a feature film that was bought for television and I think we are succeeding.
On an animated television series, you pretty much read the script as written. Whereas on an animated feature, you'll sometimes record the same scene multiple times over the course of a year as the filmmakers continue to tweak that part of the movie.
Inside every TV star is a movie star screaming to get out, and Donna Frenzel, with whom I'm guessing you're not instantly familiar, made George Clooney a movie star once and for all in the first ten minutes of his fifth feature, 1998's 'Out of Sight.'
Traditionally, in America, we have accountability as kind of a key feature of each branch of government in some way. So, you know, you obviously have to run for office. Or if you're a judge, you've got to be nominated by political officials and so on.
When The Fall pummeled their way into my nervous system, circa 1983, it was as if a world that was familiar - and which I had thought too familiar, too quotidian to feature in rock - had returned, expressionistically transfigured, permanently altered.
You can have 10 bucks to 10 million bucks and if you got a crew, imagination and a lot of people willing to turn in some work next to nothing, you going to have a feature. But you can't get beyond how expensive marketing the movie is, it's so crushing.
A lot of writers dream of feature films, but television - by way of TNT, CBS, Lifetime, and Hallmark Hall of Fame - has always called my name. And after seeing 'True Detective,' can there be any doubt that the storytelling on TV is as genius as it gets?
I wanted to make Jerusalem as feature film. But we couldn't finance it only through theatrical release, we couldn't get all the money we needed. We had to get some money from television. So we said, ok, let's do it both ways. So we did it in four parts.
Success for open source is when the term 'open source' becomes a non-factor in the decision making process, when people hear about Linux and compare it to Windows NT, and they compare it on the feature set and don't have much of an excuse not to use it.
The documentary feature film 'Legion of Brothers' tells the stories of the handful of U.S. Special Forces soldiers who, shortly after the 9/11 attacks, went into Taliban-controlled Afghanistan and, within a matter of weeks, overthrew the Taliban regime.
All political parties, organizations, and all people should abide by the constitution and laws without any exception. They must all act in accordance with the constitution and laws. I see that as a defining feature of modern political system development.
I did some feature work, then tried TV. I was always very aware that the only power that you have is the power of options. If the film industry dries up, then you focus on the TV or the books. For me, it was always about what story do I want to tell next?
For me personally, I'm constantly trying to really re-negotiate how I'm going to make a living because I can't make a living solely off editorial. And I'm also still trying to tell long feature stories that are harder and harder to get assigned, you know.
By the time I hit college, my secret shame was the reason I was an actor was my own words sort of dried up. I stopped writing. I stopped being able to form my own vision. That's actually what my first feature is about - looking back at two different selves.
When you make feature films, you have a script, which is a bible. The final result should be as it was written down on paper. And in documentary, you can write whatever you want, but life brings you situations where you have to be fast thinking, fast moving.
My first years on tour, I tried to be super professional by considering the yardages to every feature and hazard. Over time my caddie and I noticed I play better when we keep it simple. Think about the distance you want the ball to fly, and only that number.
Even before 'Moon,' I did a short film called 'Whistle,' and it had a lot of the things that I thought I would need to be able to do on a feature film: I shot on location, there was special FX work, there was stunt work, we used squibs, I shot on 35 mm film.
I actually watched 'Lord of the Rings' right when it came out, so maybe 2001 or 2002 or whenever that was. But I watched those movies, and I ended up loving them so much that I found every behind-the-scenes feature and every sort of 'making-of' clip they had.
I'd love to feature for the Barbarians. I'd love to win a Champions Cup, and I'd love to get to another World Cup and make a fist of it: get to a World Cup final at least and see what could have been, particularly after 2011 when Wales reached the semi-finals.
Writing fiction is the 'job' I try to keep at the center of things. The movie stuff has been a wonderful accident, though not entirely bizarre, either, as I have done some work in film before, and even directed a ridiculous, cable-access feature back in my 20s.
I don't get tons of scripts to be looking at and deciding on in terms of feature films; the industry has changed. Fortunately, with television and streaming and original series online, there's this whole new thing that has opened up, which I think is fantastic.
Men's magazines often feature pictures of naked ladies. Women's magazines also often feature pictures of naked ladies. This is because the female body is a beautiful work of art, while the male body is hairy and lumpy and should not be seen by the light of day.
My first 'SNL' episode was with Michael Phelps and Lil Wayne. And if you go back and watch the monologue - it was supposed to feature Barack Obama, but we couldn't get him - it was with William Shatner. But if you watch it, Guy Fieri is sitting in the front row.
Because I really love tax, tax topics actually feature quite a lot in my fiction of various lengths. I once wrote a science fiction short story centered around the idea of an alien tax code, and the idea that you can understand a society by parsing its tax code.
If you have an architecture of control, let's say, where you select in advance everything that's going to affect your life, then you're going to live in a very small world that will have an echo chamber feature... Pandora, which I love, actually feeds into that.
When you're shooting a feature that costs $200,000 a day with a crew of 250, you don't want accidents; you want to know exactly what's going to happen. But with a documentary, you don't, so you have to be sensitive to accidents because that is where the gold is.
If you walk into any magazine store, I guarantee that nine out of 10 covers will feature white, blonde, blue-eyed, slim women because that's still the ideal of beauty. When a black or Asian figure shows up in a fashion magazine, she's the exception, not the rule.
I had the experience last year of directing my first feature while I had a 1-year-old son and while I was also pregnant, so I am now well aware of the difficulties women who are rearing children face when they're also trying to make headway in mainstream of film.