More and more into natural feelings rather than convoluted feelings or tastemaking or what have you. You always need critique, rock critics, but you can't take away people's taste. People are starting to, very slowly, do their own thing.

That's why I think it's important to revisit the story of Jonestown. I hope readers come away with a greater compassion for Jim Jones's victims, a third of whom were minors. To get a feeling for what it was like to be in their situation.

I take as metaphysical poetry that in which what is ordinarily apprehensible only by thought is brought within the grasp of feeling, or that in which what is ordinarily only felt is transformed into thought without ceasing to be feeling.

In brief, worldbuilding is different than setting in my opinion. Setting is a room. A backdrop. It's scenery. But without good worldbuilding, you can't have realistic feeling scenery. You can't have cool, unique backdrops for your story.

I don't have an office. I sit in a cubicle with everybody else. That's partly so no one can ask for an office, which in a fast-growing company isn't practical. But it's also so I can keep my finger on the pulse of how people are feeling.

If you reveal everything, bare every feeling, ask for understanding, you lose something crucial to your sense of yourself. You need to know things that others don't know. It's what no one knows about you that allows you to know yourself.

I think a fear of portraying something negatively ends up creating more stereotypes. Like a fear of going into these negative feelings that I have had and a lot of women that I've spoken to have had creates these sort of plasticky women.

One of my favorite things to do within horror is explore this feeling that a lot of people seem to have from time to time, of there being currents of another reality running beneath, or alongside, what we see and interact with every day.

There's a feeling that you get when you write songs where... it feels like it's destined to do something. Then sometimes you get that feeling with a song and it never goes anywhere, that happens all the time too, so you never really know.

Everyone is an ocean inside. Every individual walking the street. Everyone is a universe of thoughts, and insights, and feelings. But every person is crippled in his or her own way by our inability to truly present ourselves to the world.

My mom is a script supervisor. It's like the family business. It never had that feeling of entertainment. It was always more like, "Eh, it's just a movie," with that crew mentality, which is, "We've done it before and we can do it again."

I have had the feeling that a properly constructed flying-machine should be capable of being flown as a kite; and conversely, that a properly constructed kite should be capable of use as a flying-machine when driven by its own propellers.

When you put a great big obstacle (your feeling of unworthiness), in front of a running stream, it's not like it's going to stop the flow of the divine force. The divine force will just go around your unworthiness and flow someplace else.

Women are more in touch with their feelings, they're more emotionally developed, they know what's important in life, and the men run around like idiots trying to figure that out until they meet a woman that can show them what's important.

Two nations between whom there is no intercourse and no sympathy; who are as ignorant of each other's habits, thoughts, and feelings, as if they were dwellers in different zones, or inhabitants of different planets. The rich and the poor.

When he was born, I looked at my little boy and felt an unconditional love I never knew was inside me. As he grew, and I watched him stagger about, squeak his first words, and turn into a beautiful little boy, that feeling did not change.

I write my novels longhand. I love the feeling of writing; I love to see pen on paper. It feels more creative than typing, and it's a more visual process for me - I can picture the entire scene in my head and am merely writing what I see.

The best thing about science is that hard, empirical answers are always there if you look hard enough. The best thing about religion is that the very absence of that certainty is what requires - and gives rise to - deep feelings of faith.

A story begins with this nebulous feeling that’s hard to get a hold of and you’re testing your feelings and assumptions, testing what you believe. They end up turning into keepsakes and mementos –like amber in which a memory gets trapped.

Between me and the other world there is ever an unasked question: unasked by some through feelings of delicacy; by others through the difficulty of rightly framing it. All, nevertheless, flutter round it. How does it feel to be a problem?

I think people everywhere have a very dismaying feeling that politics are going over their heads, are being decided by wealthy interests that don't take them into consideration. And are bending the legislative process in their own behalf.

My gut feeling is that SF as we know it today is actually a heavily propagandized field that grew out of a specific set of cultural trends running in the USA and Europe between 1918 and 1950, during the post-imperial modernization period.

It's always difficult to write honestly of one's deepest feelings, particularly without the protective veil of fiction. But the more difficult, the more rewarding if one succeeds. Rewarding not only to the work but to one's peace of mind.

I sometimes wish I had never had to sell a painting. Every painting you make represents the time it was made and how you were feeling and what your influences were... You are never going to feel that way again, so you can never repeat it.

You look for the roles where, when you read it, you're just like, "Yes, I know that. I know that feeling. I know what it means to feel like that. I know this person." When you have a soulful connection to a part, that's a dream come true.

I believe that one should not think too much about nature when painting, at least not during the painting's conception. The colour sketch should be made exactly as one has perceived things in nature. But personal feeling is the main thing.

When I started teaching I realized that I had never had such a level of satisfaction and such a feeling of fulfillment and sense of contribution. Just like that. But, usually it's more cumulative, slow, evolutionary and less revolutionary.

I don't consider myself bossy, but I do know what I want. You know, I have a gut feeling about a piece of material, but I've never envisioned myself as the director on top of the hill with a megaphone in my hand, screaming at 1,000 extras.

[W]e have always resented the natural inclination of most white people to demand spirituals the moment it is known that a Negro is about to sing. So often the request has seemed to savor of the feeling that we could do this and this alone.

If I couldn't get published tomorrow I'd still be writing. It's something to do with feeling so overwhelmed by this experience of life that you have to tell someone about it, and in a way that reorders the experience to make it manageable.

We've got a [Canadian] prime minister who seems to be intent on destroying our health system and education system. But I have gotten a thicker skin. I can get angry about these things without feeling like vomiting, if you know what I mean.

I feel vulnerable a lot interacting with human beings and being honest with people, and if I read their energy kind of not getting or shutting me down or this feeling of where we're not connecting, that's kind of a vulnerable place for me.

When people feel that they have failed, it's usually because somebody or something caused them to feel that way and taste defeat. I refuse to dwell on that. Yes, it sucks at first, and the feeling is valid, but it all happens for a reason.

Our beliefs create the kind of world we believe in. We project our feelings, thoughts and attitudes onto the world. I can create a different world by changing my belief about the world. Our inner state creates the outer and not vice versa.

When you hear the word tear gas you think, well, your eyes will burn and that's it. But that whole feeling of your whole skin burning, that you can't breathe, you can't inhale, you feel suffocated - it's a very, very terrifying experience.

When I pull out vinyl - which isn't that often anymore - it's undeniable that I get a different feeling. There's a different physiology happening between the sound waves and the body that doesn't happen with music playing off the computer.

Elizabeth scowled, feeling like a nobody, a nothing. She felt like her entire self had been made worthless. She could change her interests, but she couldn't change her looks. She'd never be six feet tall. She'd never look like a supermodel.

Most souls attend their funerals and have some feelings about them, but it's such an individual event. Some souls don't care what happens to their physical bodies. They see the funeral as a ritual for the living so they don't always attend.

The greatest barrier to achievement and success is not lack of talent or ability but rather the feeling that achievement and success, above a certain level, are outside our self-concept-our image of who we are and what is appropriate to us.

A lot of the stuff you do as an actor - or I do, because I can't speak for everyone - is not always consciously thought out. A lot of the time, for me, it's actually just feeling stuff, and it happens all in the moment and your body reacts.

There is as much wisdom in soliciting good counsel as in giving it. The most sensible people are not reluctant to consider the feelings of other people; and to know how to submit to the wise guidance of others is a kind of wisdom in itself.

When I have a model who is quiet and steady and with whom I am acquainted, then I draw repeatedly 'til there is one drawing that is different from the rest, which does not look like an ordinary study, but more typical and with more feeling.

In small letters, someone has written NEVER FORGET on one of the slats. I know it's supposed to be a pledge, but it feels like a curse. Don't we have to forget some of it? Don't we have to forget this feeling? If we don't, how will we live?

A giddy feeling, in a way, except there was the dreamy edge of impossibility to it - like running a dead-end maze - no way out - it couldn't come to a happy conclusion and yet I was doing it anyway because it was all I could think of to do.

It’s not really the love that I envy, it’s the trust. The feeling that no matter how bad you screw up, there is always someone who will accept you and love you for who you are; not because they have to, just because they can’t not love you.

Abruptly he thrust his snow-drenched leather gloves against my cheeks. I dodged. A raw carnal feeling blazed up within me, branding my cheeks. I felt myself staring at him with crystal clear eyes... From that time on I was in love with Omi.

We still have people in the active duty, and if people are feeling ill, if they're experiencing various symptoms and they're still in the active duty, they're less likely to come forward because that could result in their medical discharge.

It made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.

To certain temperaments, especially when previously agitated by any deep feeling, there is perhaps nothing more exasperating, andwhich sooner explodes all self-command, than the coarse, jeering insolence of a porter, cabman, or hack-driver.

Yeah, I like to keep myself interested - I'll kind of throw myself into some area that I don't completely know or understand, that I'm not adept at, so I'm forced to swim in order to stay afloat. There's a good feeling that comes from that.

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