Quotes of All Topics . Occasions . Authors
I feel that the change, the mutation in consciousness, will occur spontaneously once certain pressures now in operation are removed. I feel that the principal instrument of monopoly and control that prevents expansion of consciousness is the word lines controlling thought, feeling and apparent sensory impressions of the human host.
A photographer's best pictures are from deep inside him, and also some of the worst. Some photographers enjoy distinguished careers without ever taking personal photographs. Others, audaciously and arrogantly and courageously discharge their most private feelings through photography. Trouble is, sometimes it all adds up to baloney.
I try to keep feeling what's going on and try to use the camera, the actors and the design to enhance those feelings. There's something really emotionally direct and honest about how I put the material with the images. You hope that the strength of mise-en-scene comes from an honesty towards the material. You also hire really well.
...by and by a change came: I started to muse about the shape of my nose. I put my trivial surroundings aside and mused more and more about myself, and I found this to be a bewitching occupation. I stopped asking and longed instead to speak of my thoughts and feelings. Alas, there was no one besides myself who found me interesting.
I am utterly against any kind of guilt. Remember it always: if you start feeling guilty about something around me, then you are doing it on your own, then you are still carrying the voices of your parents, the priests within you; you have not yet heard me, you have not yet listened to me. I want you to be totally free of all guilt.
The first idea of Young and Beautiful was to have a young boy and to explore the sexuality of boys. But, I realized, with a boy doing prostitution, of course it has to deal with homosexuality. And I had a feeling it was too much for the film, you know, sexuality, prostitution, adolescence ... there were too many films for one film.
The modern poet has no essential alliance with regular schemes of any sorts.He reserves the right to adapt his rhythm to his mood, to modulate his metre as he progresses. Far from seeking freedom and irresponsibility (implied by the unfortunate term free verse) he seeks a stricter discipline of exact concord of thought and feeling.
As a body in a world, here is our choice: we can be more loving or less loving. That's it. We can relax as the entire moment's show of love's swirl, feeling open as all--a vicious rainstorm, tweeting birds, our lover's lips, a sense of worthlessness-- or we can close to some aspect of experience, pulling away as if we were separate.
I have found that the greatest degree of inner tranquility comes from the development of love and compassion. The more we care for the happiness of others, the greater is our own sense of well-being. Cultivating a close, warmhearted feeling for others automatically puts the mind at ease. It is the ultimate source of success in life.
The feeling of patriotism - It is an immoral feeling because, instead of confessing himself a son of God . . . or even a free man guided by his own reason, each man under the influence of patriotism confesses himself the son of his fatherland and the slave of his government, and commits actions contrary to his reason and conscience.
Feeling very happy - why? An explanation is needed. No, happiness needs no explanation, happiness is its own explanation. God is creating because that is the only way he can be happy, that is the only way he loves, that is the only way he sings, that's the only way he can be at all. Creation is his innermost nature, no why is needed.
We said we would meet again but we made no arrangements. Not out of any bad feeling between us, but because I felt it had all been said, or not said but understood, and she probably did too. To know she was there was enough, and for her to know I was around was probably too. Sometimes that's all people ever really need. Just to know.
Of course, it’s true that sometimes the pink at sunrise somehow seems brighter than the pink at sunset, and that when you’re feeling down the the landscape seems darker too - you see things through the filter of your own sensibility. But the things themselves, out there, they don’t change. They existed, and that’s all there is to it.
You are hard at work madam ," said the man near her. Yes," Answered Madam Defarge ; " I have a good deal to do." What do you make, Madam ?" Many things." For instance ---" For instance," returned Madam Defarge , composedly , Shrouds." The man moved a little further away, as soon as he could, feeling it mightily close and oppressive .
The last page of [Lincoln in the Bardo] - without giving too much away - involves somebody entering somebody else. Not in a sexual way. But it says one of the simplest things you could ever say, which is that we must try and be inside each other. We must have some kind of feeling for each other and enter into each other's experience.
The best aphorisms are.... portable wisdom, the quintessential extracts of thought and feeling. They furnish the largest amount of intellectual stimulus and nutriment in the smallest compass. About every weak point in human nature, or vicious spot in human life, there is deposited a crystallization of warning and protective proverbs.
What is so striking in the book of Jeremiah is how many times it is impossible to distinguish between the words of Jeremiah and the words of God, when deep feelings are being expressed. That is probably intentional. The prophet not only speaks what God says, he also feels what God feels. The tears of the prophet are the tears of God.
Kennedy was significantly different than Eisenhower before him, and different from Johnson after him. So those three years were the beginning of a détente with the Soviet Union, a new feeling for peace, a seeking out of a new ally with the Soviet Union - the end of the Cold War, as Kennedy called it in his American University speech.
Music may appeal to crude and coarse feelings or to refined and noble ones; and in so far as it does the latter it awakens the higher nature and works an effect, though but a transitory effect, of a beneficial kind. But the primary purpose of music is neither instruction nor culture but pleasure; and this is an all-sufficient purpose.
When we know that the cause of something is in ourselves, and that we (ourselves) are one of the few things in the universe that we have the right and ability to change, we begin to get a sense of the choices we really do have, an inkling of the power we have, a feeling of being in charge... of our lives, of our future, of our dreams.
Lunatics are similar to designated hitters. Often an entire family is crazy, but since an entire family can't go into the hospital, one person is designated as crazy and goes inside. Then, depending on how the rest of the family is feeling that person is kept inside or snatched out, to prove something about the family's mental health.
But there is a fatality, a feeling so irresistible and inevitable that it has the force of doom, which almost invariably compels human beings to linger around and haunt, ghost-like, the spot where some great and marked event has given the colour to their lifetime; and, still the more irresistibly, the darker the tinge that saddens it.
I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.
Communication leads to community that is, to understanding, intimacy, and the mutual valuing that was previously lacking. Community can be defined simply as a group in which free conversation can take place. Community is where I can share my innermost thoughts, bring out the depths of my own feelings, and know they will be understood.
In order to create an image almost similar to that of a pencil case standing up and walking, I try to eliminate all excess by cutting. I have the feeling that this process (of "cutting off") is linked in some way to "elegance". Elegance and so-called "eliminating excess", or the beauty that remains after excess has beeen eliminated...
We're living in what used to be Mexico, and there's this very fluid border feeling. You go a little bit south of Tijuana, for instance, into Ensenada, and it still seems kind of borderlike. And you go much farther, suddenly the prices are lower, the prostitution is different, the commerce is different, everything feels more "Mexican."
Every decent director has only one subject, and finally only makes the same film over and over again. My subject is the exploitability of feelings, whoever might be the one exploiting them. It never ends. It's a permanent theme. Whether the state exploits patriotism, or whether in a couple relationship, one partner destroys the other.
People are great. But there's people who you get together with and you talk and you go away feeling energized, you feel inspired. And then there's people who you talk with and you go away feeling horrible, feeling drained, feeling like you're incapable of doing anything. Those people are psychic vampires and I now stay away from them.
Prose is not to be read aloud but to oneself alone at night, and it is not quick as poetry but rather a gathering web of insinuations ... Prose should be a long intimacy between strangers with no direct appeal to what both may have known. It should slowly appeal to feelings unexpressed, it should in the end draw tears out of the stone.
If it's a likeness, alone, it's not a success. If, through my portraits, you can come to know the subjects more meaningfully, if it synthesizes your feelings toward someone whose work has imprinted itself on your mind--if you see a photograph and say, 'Yes, this is the person,' with a little new insight--that is a beautiful experience.
Writing a song isn't that hard. Writing a good song is difficult. Let's face it, we're faced with taking a complex feeling or event, making words rhyme and saying exactly what we want them to say in a short amount of time. ...the primary reason for keeping it short and to the point is to be certain that you're not boring your audience.
I have a feeling that about 90% of my life has been shaped by my voice, both as an embarrassment and as an advantage. There was always the terrible incongruity of this deep voice barreling out of this little body. Somewhere in the back of my mind I was aware that it was ludicrous, that it took on an importance that wasn't really there.
It's hard to actually take details from your personal life and apply them a scene because, as much as you can identify with a feeling, you just get muddled. As soon as you start bringing your own stuff in, it's like, 'No, that's not right.' You're playing a different person. You can relate, but you have to leave that stuff at the door.
What can you do if you are thirty and, turning the corner of your own street, you are overcome, suddenly, by a feeling of bliss - absolute bliss - as though you'd suddenly swallowed a bright piece of that late afternoon sun and it burned in your bosom, sending out a little shower of sparks into every particle into every finger and toe?
Ye children of promise who are awaiting your call to glory, take possession of the inheritance that now is yours. By faith take the promises. Live upon them, not upon emotions. Remember, feeling is not faith. Faith grasps and clings to the promises. Faith says, "I am certain, not because feeling testifies to it, but because God says it.
As a boy, I once saw a cart of melons that sorely tempted me. I sneaked up to the cart and stole a melon. I went into the alley to devour it, but no sooner had I set my teeth into it, than I paused, a strange feeling coming over me. I came to a quick conclusion. Firmly, I walked up to that cart, replaced the melon - and took a ripe one.
I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.
I bring my classical training - some of it, but not all of it - and also my background and culture, to spirituals. And I try to leave room for that unpredictable factor, where the feeling of the song is allowed to come through. The same ethos can be applied to singing Mozart, or Schubert, or Bach. It's not just about what's on the page.
The most important thing about the first sale is for the very first time in your life something written has value and proven value because somebody has given you money for the words that you've written, and that's terribly important, it's a tremendous boon to the ego, to your sense of self-reliance, to your feeling about your own talent.
How do you feel?” she asked, trying to fluff his pillow. “Other than terrible, I mean.” He moved his head slightly to the side. It seemed to be a sickly interpretation of a shrug. “Of course you’re feeling terrible,” she clarified, “but is there any change? More terrible? Less terrible?” He made no response. “The same amount of terrible?
Everything we see hides another thing, we always want to see what is hidden by what we see. There is an interest in that which is hidden and which the visible does not show us. This interest can take the form of a quite intense feeling, a sort of conflict, one might say, between the visible that is hidden and the visible that is present.
The Light willing, we will see one another again," Rand said. He held out his hand to Perrin. "Watch out for Mat. I'm honestly not sure what he's going to do, but I have a feeling it will be highly dangerous for all involved." "Not like us," Perrin said, clasping Rand's forearm. "You and I, we're much better at keeping to the safe paths.
After 'Kong,' my knuckles have never recovered because I had to wear very heavy weights on my forearms and around my hips and ankles to get the sense of size and scale of the movement of the character You are telling your body that you are these things and that you're feeling these thoughts and that you're experiencing these experiences.
The spirit of the drum is something that you feel but cannot put your hands on, It does something to you from the inside out . . . It hits people in so many different ways. But the feeling is one that is satisfying and joyful. It is a feeling that makes you say to yourself, ' I'm glad to be alive today! I'm glad to be part of this world!
"Our kingdom go" is the necessary and unavoidable corollary of 'Thy kingdom come.' For the more there is self, the less there is of God. The divine eternal fulness of life can be gained only by those who have deliberately lost the partial, separative life of craving and self-interest, of egocentric thinking, feeling, wishing, and acting.
We need a more authoritative world...What's the alternative to democracy? There isn't one. But even the best democracies agree that when a major war approaches, democracy must be put on hold for the time being. I have a feeling that climate change may be an issue as severe as war. It may be necessary to put democracy on hold for a while.
Even my colleagues don't read classic criticism. And my feeling is that if you don't do that then you're not really practicing your craft. That's how you learn how to do it. You don't learn how to write about jazz just from listening to jazz. You learn how to write by reading the great writers and how they worked, the great music critics.
I find that because of modern technological evolution and our global economy, and as a result of the great increase in population, our world has greatly changed: it has become much smaller. However, our perceptions have not evolved at the same pace; we continue to cling to old national demarcations and the old feelings of 'us' and 'them'.
What the British seem to like are television historians and naturalists, not public intellectuals. You can't help feeling that's because one supplies narrative and the other supplies facts, and the British are traditionally empiricists so they/we have a resistance to theory and to theoreticians playing too prominent a role in public life.
A photographer who does not know how to translate his feelings and ideas into a graphically satisfactory form is bound to produce ineffective photographs, no matter how idealistic, compassionate, sensitive or imaginative he may be. For in order to be considered good, a photograph must not only say something worthwhile, it must say it well.