Frank Quotes - Page 11

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My biography of Frank Sinatra is not paean to his music but rather an illumination of the man behind the music, who once described himself as 'an 18-karat manic-depressive who lived a life of violent emotional contradictions with an over-acute capacity for sadness as well as happiness.'

When I started formulating the first Frank comic, I knew I wanted it to be something that was beyond time and specific place. I felt that having the characters speak would tie it to 20th-century America, because that would be the idiom of the language they would use, the language I use.

I've seen stand up comedy, and after a while you start to notice that a lot of people are doing things that are like a lot of other people. There can be a bit of a herd mentality, and that's obviously less interesting because there's less going on. I'm just being totally frank with you.

My secret heroes were Joe Morello, Ray Charles - who is, in my opinion, the most dominant figure in musical history in the 21st century - and Frank Sinatra. Those are my heroes. And as a writer, when Bob Dylan came along, it was a miracle because he gave us all permission to say anything!

There's this old Frank Sinatra song: 'If you can make it here, you can make it anywhere'... that song was about New York, but it applies to America. People know that if you make it in America, you can make it anywhere, and that is both in terms of sophistication and customer satisfaction.

There were screaming girls, I had to learn as a blind person how to run to a limousine otherwise they'd take my clothes off and stuff. I thought to myself 'how could this happen?' I mean I could see it, Frank Sinatra, Elvis Presley, The Beatles, but Jose Feliciano? It was a mystery to me.

All my memories of being in Las Vegas with Bobby were great. Frank Sinatra brought us to the Sands Hotel in 1965. When we worked that lounge, it was a great lounge. I think it was bigger than the showroom. We were two 25-year-old dumb kids from Orange County in Las Vegas with The Rat Pack.

Music and literature have always and continue to be massive influences. Writers such as Seamus Heaney and Frank McGuinness. I have always admired the humanitarians that I knew growing up in Derry whose influence steered me in the direction of some of the work that I have chosen in the past.

There's an excellent movie we have on TCM called 'It Happened on Fifth Avenue,' which was originally going to be directed by Frank Capra... but just before he was going to start working on it, he came across this story called 'The Greatest Gift.' And that turned into 'It's a Wonderful Life.'

I believe that the only alternative Israel has to save itself as a Jewish state - and let's be frank about that: the Jewish state is predicated on having a Jewish majority - the only way we can do that is by unilaterally withdrawing our border and withdrawing our settlements in the West Bank.

Every week, as an 11-year-old kid, I would tune in to what was really the first American Idol-type program, a radio show called 'Major Bowes' Amateur Hour.' The winning group on the evening of September 8, 1935, was called the Hoboken Four, and their spokesman was Frank Sinatra, then aged 19.

The artist that had the biggest impact on me was Michael Jackson. He was my Elvis and Beatles. When I was 15, I listened to a lot of Sinatra, but my jean jacket didn't have, 'I love Frank' on it, it had, 'I love AC/DC', 'Guns N Roses', 'Pearl Jam'. I thought Eddie Vedder was the second coming.

I did a cake for the 60th birthday of Elton John, for Britney Spears' 27th birthday and for the 'Circus' album she put out - the cake had circus themes. I prepared a cake for a surprise 82nd birthday event for the architect Frank Gehry; the cake was comprised of mini-replicas of his buildings.

It is jazz music that called me to be a musician and I have always sang the songs that moved me the most. Singers, like Frank Sinatra and myself, we interpret the songs that we like. Not unlike a Shakespearean actor that goes back to the greatest words ever written, we go back to the greatest songs.

It might sound strange to describe New Yorkers as insecure when they delight so much in the cult of success. The display of wealth here, especially new wealth, is indeed wonderfully frank, from the super-long limousines which clog up the roads to the voluptuous fur coats that adorn both men and women.

In 1996, we go on the road and there would be a couple of hundred people around the desk. It just kept growing and growing. I think the year it changed was when Michael Vick was at Virginia Tech and Frank Beamer was the first coach to recognize the benefit of having College GameDay come to your campus.

My memories of Las Vegas were all with my father when I was, like, a teenager. He was best friends with Frank Sinatra and Dean Martin, and we'd come up and see the shows and go backstage afterwards and have dinner together. It was one of my first educations about stars and how they really are back stage.

I remember one time I wrote something very, very critical about Wilt Chamberlain. The next time I saw him - and Wilt was not a man, as huge as he was - he was not a man of confrontation. And we were in the Lakers locker room. And he sent Jerry West over, and he said, 'Frank, Wilt would like you to leave.'

I fly myself everywhere. I like all kinds of flying, including practical flying for search and rescue. And I also like to fly into the backcountry, usually the Frank Church Wilderness in Idaho. I go with a group of friends, and we set up camp for about five days and explore little dirt strips and canyons.

Until I read Anne Frank's diary, I had found books a literal escape from what could be the harsh reality around me. After I read the diary, I had a fresh way of viewing the both literature and the world. From then on, I found I was impatient with books that were not honest or that were trivial and frivolous.

There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.

While writing 'Bhavesh,' I pretty much chewed up every single graphic novel I could get my hands on, so all the way from the entire 'Batman' series, Frank Miller's 'Batman,' Ed Brubaker's 'Batman,' Scott Snyder's 'Batman,' all the way through 'Daredevil' to '100 Bullets,' through so many other graphic novels.

I was in school with Dweezil Zappa, Frank Zappa's son, and we had a band. Only in L.A. could stuff like that happen. We would hang out in Frank Zappa's studio, and we released a single in 1982 on his label. I was 12, and that was the first recording experience I had. To top it off, Eddie Van Halen produced it.

I've always wanted to do acting. The biggest thing I ever did was 'The Dirty Dozen.' My contract was for three months, but the picture was taking longer to make than they thought it would. I stayed for seven months, and Frank Sinatra told me to leave. He said the public is very fickle and that they'll forget you.

If you look at American medical fiction written by doctors, like 'The House of God' by Samuel Shem and 'The Blood of Strangers' by Frank Huyler, both have themes of cynicism and dysfunction running through them that you won't find in 'ER.' You find it in 'Scrubs,' but because that's a comedy, it gets away with it.

When I was younger, I read a book by Frank Barnaby, this wonderful nuclear physicist - he said that media had a responsibility, that all sectors of society had a responsibility to try and progress things and move things forward. And that fascinated me, because I'd been messing around with a camera most of my life.

I want people to feel what it was like in the '40s. That's when popular music in the United States was so beautiful. Frank Sinatra, the Pied Pipers, Duke Ellington, Fletcher Henderson, Tommy Dorsey, Billie Holiday. That's when popular music had deeper values, to me. This was music that was selling millions of records.

I don't know about Mario Balotelli saying, 'Why always me?' - England should be saying as a nation, 'Why always us?' You can go back to 1970, when Gordon Banks got food poisoning and we lost to West Germany. Then there was 1986 and Maradona's hand. And last time, Frank Lampard not getting his goal against the Germans.

Frank Capra, Hollywood's Horatio Alger, lights with more cinematic know-how and zeal than any other director to convince movie audiences that American life is exactly like the 'Saturday Evening Post' covers of Norman Rockwell. 'It's A Wonderful Life,' the latest example of Capracorn, shows his art at a hysterical pitch.

I've listened to 'Frank' so many times. She was so honest and herself. I think one of the hardest things for an artist to do is tell the truth, but that's what Amy Winehouse did, and it's what I want to do - if you want to write songs that connect with people, I think they really need to believe what you're talking about.

I cherish the memory of being a friend of Frank Sinatra on a friendship level to the point where we really hung out. We worked in Vegas, we'd talk on the phone, and if I wasn't doing anything, I'd fly out, and I spent time in Palm Springs at his house - on a level the way friends would be, not with a whole crowd of people.

I learned a lot about what I do with my craft, how I present my music. A lot of things about him were very much an influence on me and everybody else. Once you get in that fold and you're around it, you get to experience something that I don't think we'll ever see again. There will never be anybody like Frank Sinatra. Ever.

Captain Huston and myself have spent over $200,000 in strengthening the Yankees since we purchased the club. We paid $37,500 for Frank Baker; we paid $25,000 for Lee Magee, and we have got rid of a young fortune on other players who couldn't deliver the goods. And we have had some of the most frightful luck I ever heard of.

It's something I've recognized in the careers of those people who have been inspiring to me over the years - Neil Young, Kate Bush, David Bowie, Frank Zappa, and Prince. These are all people who constantly redefined themselves, and had to deal with the difficulty of trying to take their audience with them when they did that.

All that socialism means to me, to be very frank with you, is democracy with a small 'd.' I believe in democracy, and by democracy, I mean that, to as great an extent as possible, human beings have the right to control their own lives. And that means that you cannot separate the political structure from the economic structure.

Hoping they'd been inspired by the examples of Anne Frank and other teens who had turned negative experiences into something positive by writing about them, I handed out notebooks for my students to journal about their lives. There was some initial resistance. But then the stories poured out of them, full of anger and sadness.

In the summer of 1963, my second with 'Sports Illustrated,' Jerry Tax, the basketball editor, got the Celtics' Frank Ramsey, the NBA's first famous sixth man, to do a piece for the magazine revealing some of the devious little tricks of his trade. Things like surreptitiously holding an opponent's shorts - nickel-and-dime stuff.

I went to a friend's 40th in Manchester, and there was a karaoke machine, and no one was having a go. My mate said, 'No one's singing because you're in the room.' I said, 'Who am I, Frank Sinatra?' They made me sing flipping 'My Star' to a backing track that sounded like '80s Roxy Music. It was pretty embarrassing, but I did it.

Driving around with my dad, growing up, he would play everything: Philip Bailey, Manhattan Transfer, Frank Zappa, Cream. I'd be like, 'Dad, cut this stuff off!' And he'd say, 'No, you're gonna listen to it.' I didn't understand why he liked it so much. In my mind, I would be thinking about the theme song to 'Sonic the Hedgehog.'

I like, for instance, 'Serpico.' I enjoyed playing Serpico because Frank Serpico was there. He existed. He was a real life person and I could - I could embody him. I could, you know, I could work and get to know him and have him help me with the text, the script and become him. It's almost like a painter having a model to become.

In the history of photography, we have many masterpieces in terms of black and white books. You have Bresson's 'Decisive Moment,' Frank's 'The Americans'... many masterpieces. But there is nothing to this caliber in color. Well, I think I'll waltz with my muse and hope that I might be able to produce something on this order in color.

I have been an organizer and then activist and a legislator, all of that. But then there's this big gap after I advanced in Congress and ended up as the ranking member of financial services committee. It took me into the financial services issues and Wall Street and Dodd Frank. And it took me away from the things that I did years ago.

I'm not going back to Amsterdam, though it would be very comfortable there with Frank de Boer, Danny Blind, and Dennis Bergkamp. When I left 12 years ago, I said I would return, but I did not know then what great years I would have with Manchester United. I might occasionally visit training with them, but I will not be going regularly.

I don't drink much anymore, but when I traveled with Frank Sinatra, God rest his soul, I used to drink like I could do it. He made it a test. In Vegas, the Rat Pack, which I was a little part of, drank all night and slept most of the day. Then, about 5 o'clock, we'd meet in the hotel steam room, lock the door, and steam our brains out.

It's not like I'm the first man ever to do this, y'know? You gotta go back to Nat King Cole, Bing Crosby and Sammy Davis Jr. Those are people who've done music well and movies well, and y'know, Frank Sinatra and Elvis and all these dudes have made the transition. I don't know about Elvis, 'bout doin' 'em good, y'know? It's nothin' new.

In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.

When I first read Anne Frank's 'Diary of a Young Girl,' I saw for the first time that a girl could be a writer and that it had something to do with survival and with ethics and fighting against evil. I admired her, though her diary remained terrifying and mysterious to me. She was a character in a real fairy tale - fairy tales are brutal.

The great photographers of life - like Diane Arbus and Walker Evans and Robert Frank - all must have had some special quality: a personality of nurturing and non-judgment that frees the subjects to reveal their most intimate reality. It really is what makes a great photographer, every bit as much as understanding composition and lighting.

I was very blessed it was Steven Spielberg who made the movie. He was very much into the redemption side of the story. They asked him in an interview why he had owned the rights to this story for 20 years before he made the movie, and he said, 'I wanted to see what the real Frank Abagnale did with his life before I immortalised him on film.'

The Batman that I loved growing up, the thing that Frank Miller did in 'The Dark Knight Returns,' is that he's so vulnerable and mortal in his 50s. That book was the first time I saw Batman as being really layered, human, and suffering, and worried that he wouldn't achieve what he wanted to achieve. Seeing him being obsessed and pathological.

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