I want to fight Gilbert Melendez.

Gilbert Hotel' is my first all-acoustic record.

I beat Gilbert Melendez, and he got two shots at the title.

I think Gilbert Burns is going to become my greatest rival.

Our mental skills expert Gilbert Enoka is just amazing the work he does.

I always think of Gilbert Norrell as being Salieri to Jonathan Strange being Mozart.

Going to fight Gilbert Burns while not training jiu-jitsu, I mean, that's just stupid.

Before I was famous, when I was just working in Gilbert's Lodge, everything was moving in slow motion.

I have people come up to me who love 'The Other Sister,' or 'Old School,' or 'What's Eating Gilbert Grape.'

I'd like to have a kid, but I'd probably get a Frank Sinatra Jr. instead of a Gilbert Gottfried Jr. I'd totally screw up like that.

I have great respect for Dan Gilbert and the Cleveland Cavaliers, and I greatly appreciate the discussions we had regarding their organization.

Gilbert Gottfried, I think, is just the most underappreciated comedian in the world. I think that he doesn't get enough credit for how funny he is.

I did 'Philadelphia' and 'What's Eating Gilbert Grape?' at the same time. It's kind of wonderful to do it that way, because you get very hyper-focused.

The good news was that Enterprise and the newly arrived Yorktown had attacked the Marshall and Gilbert islands. Those attacks had a great effect on morale.

The fact is popular art dates. It grows quaint. How many people feel strongly about Gilbert and Sullivan today compared to those who felt strongly in 1890?

For Kitty Gilbert in 'Topsy-Turvy,' I had to get to the point where I could improvise in the style of 1880, which is difficult. The research for that was huge.

By 2012, Dan Gilbert was well over his LeBron James-abandonment hissy fit. He opened Cleveland's first casino, with 1,900 slot machines and eighty-nine table games.

We got orders to strike the Marshall and Gilbert Islands. We had a task force with the Enterprise. We had two or three cruisers and probably eight or 10 destroyers.

Our task force put to sea in early January 1942, to attack the Japanese in the Marshall and Gilbert islands, but the mission was called off on the eve of the attack.

My father, David Gilbert, is in prison in New York. He is lucky that he has a single cell, not shared with another person. His cell is about eight feet by eight feet.

I've always loved old school wrestling: Tully Blanchard, Arn Anderson, Ric Flair, Sting, Hot Stuff Eddie Gilbert. To me, that's the golden age of professional wrestling.

I got to work with Juliette Lewis in my fourth real movie, which was such a cool full-circle moment. Her character in 'Gilbert Grape' is why I wanted to become an actress.

I have an agent, John Brockman, who is an agent to many academic authors like Dan Gilbert and Steven Pinker, and he's very good at conning academics into writing books. He pulled this trick on me.

My mom was sort of involved in amateur dramatics like Gilbert and Sullivan operetta, and played the violin. My dad played banjo and piano and sang as well, so there was all this music in my childhood.

Margaret had close links with Geneva where she had spent some years as a student while her parents had been wardens of the Quaker Hostel there and where she had gone back as secretary to Gilbert Murray.

John Gilbert was perfectly willing to jump into talkies. He had as good a voice as Clark Gable. There was such a divide between the silent and talkies. There was no logic to who survived and who didn't.

I was studying music in college. I was singing, I was doing operas and Gilbert and Sullivan operettas, and then I was offered a job as the music director of the Bigfork Summer Playhouse, in Bigfork, Montana.

I was born with my moustache and, no, I've never been tempted to shave it off. I don't spend a lot of time worrying about my face and, like Gilbert and Sullivan's Katisha, my best feature is my left shoulder-blade.

When I did 'Gilbert Grape,' Lasse Hallstrom let me be on the set with him and in the editing room and in the casting sessions and so on. And so I got a firsthand, rather intimate, high-pressure look at how to make a film.

In 1983, I became the Vincent and Brook Astor Professor at The Rockefeller University, where I established a new Laboratory of Neurobiology and continued my close collaboration with Charles Gilbert on the circuitry of primary visual cortex.

My first manager was Gordon Mills, who I'd met right at the beginning. We shared a flat in London and traveled with rock bands doing one-nighters. Later, he became a songwriter and manager whose stable was Tom Jones, Gilbert O'Sullivan, and myself.

I thought, 'OK, Melissa Gilbert is playing my mom, and I'm playing her old role - no pressure.' So I went up to Melissa and said, 'It's such an honor playing your daughter,' and she smiled and said, 'Oh, shut up.' I thought, 'Great, a normal person.'

When I ran the anchor leg to a gold medal with my Canadian teammates Glenroy Gilbert, Bruny Surin, and Robert Esmie in the 4x100-metre relay at the 1996 Atlanta Olympics, it was my responsibility to motivate the guys as unofficial captain and leader.

I am - you know, I'm getting to do everything I've ever wanted to do, anything my imagination can think up. I'm getting to play with some of my favorite musicians in the world, ranging from Russell Allen to Billy Sheehan to Paul Gilbert to Steve Morse.

It may sound strange to say it of someone so famous, but I think Leonardo DiCaprio is underrated, particularly from an awards perspective. He is a very versatile actor. He started very young, and 'What's Eating Gilbert Grape?' is one of my favourite films.

Although it was hard to be traded, I have no hard feelings. I'm grateful to Dan Gilbert and the Cavs organization for 12 amazing years. I know I'm very fortunate. I'm leaving one great team and joining another. I can't wait to put on my new Warrior jersey.

I was always listening to the records that made shredding sound fun - Steve Vai, Satriani, Cacophony, Paul Gilbert. I think that's what's missing from modern shred guitar; so many people are playing so many amazing notes, but a lot of it doesn't really sound all that fun.

The irony is that the more we fight age, the more it shows. Paint on a 50-year-old face brings to mind a Gilbert and Sullivan comic figure. Smooth the cheeks, and suddenly the ear lobes and hands look out of place. Do we run around in October, painting the gold leaves green?

I was like, 'I'm going to win Wimbledon!' I was crazy competitive, leg-slapping, all of that. But when I was 12, I saw 'What's Eating Gilbert Grape,' and it just opened my eyes to what movies can do and how they change us, and I was like, 'This is what I want to do. This is what I have to do.'

The label 'liberal' or 'conservative,' any - every time I hear that, I think of the great Gilbert and Sullivan song from 'Iolanthe.' It goes, 'Every gal and every boy that's born alive is either a little liberal or else a little conservative.' What do those labels mean? It depends on whose ox is being gored.

It's so funny, because when I was growing up in a small town in New Hampshire, I was obsessed with Leonardo DiCaprio - from the 'Growing Pains'/'What's Eating Gilbert Grape' era, because he was superhot - and I carried a laminated photo of him in my wallet and said he was my boyfriend. But no one believed me.

Somewhat naively, I entered the BBC's 'New Talent Competition,' believing it was for people who had never tried comedy before. I remember sitting in the dressing room before the show and hearing the other acts - who all knew one another - talking to Rhod Gilbert about how he must be about ready to go 'full-time' as a comic.

Share This Page