I go out and look for a good story to tell and if I like it enough and I decide to direct it, I become dangerously involved in becoming a part of that story.

I know it wouldn't seem like I've had a lot of failure in my career, but there are things that I regard as failures, when I look at certain performances and go, 'That's not good enough.'

I've never met a woman who thinks they've got a good enough figure - however perfect they look - which is sad, because no one else can see these perceived flaws; they're entirely internal.

You can look at everything from pre-Heisman to post-Heisman, and I think that's why it ranks up at the top, because before then, I didn't even think I was good enough to be a professional ballplayer.

There have been times - and not just on 'The Newsroom,' but on 'The West Wing,' 'Sports Night,' 'Studio 60'... - where it was hard to look the cast and crew in the eye, when I put a script on the table that I knew just wasn't good enough.

Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet. I compare it to having a good bone structure. Make-up will make you look good, but it helps if you have a good skeleton to begin with.

As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but you can't shave it off.

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