As usual, the note occupied less than a page and included neither salutation nor closing, Uncle Hal's opinion being that since the letter had a direction upon it, the intended recipient was obvious, the seal indicated plainly who had written it, and he did not waste his time in writing to fools.

I have a hard time expressing myself when I'm emotional, so my family has done this forever. We write each other letters if we're fighting or whatever. And my dad's a writer, but we write each other letters because we feel that it's easier to get out what you're truly saying if you write it down.

My scripts, they're pretty serious. I basically just describe stuff. I don't put too many notes and letters to the editors. But when I wrote 'KGBLT,' in parentheses I wrote, 'Well this is the best thing I've ever written. It will all be downhill from here. I'm so sorry for the rest of my career.'

I spend several years trying to get inside the brain and heart of my subjects, listening to the interior monologues in their letters, and when I have to bridge the chasms between the factual evidence, I try to make an intuitive leap through the eyes and motivation of the person I'm writing about.

The couple of years before I was declared bankrupt were the roughest. The bank letters, the pressure, the stress was awful. You're in this twilight zone of not knowing where your life is going, and yet you're in Westlife. Everything was great with the band. I was earning money, and it looked good.

I, myself, was always recognized . . . as the “slow one” in the family. It was quite true, and I knew it and accepted it. Writing and spelling were always terribly difficult for me. My letters were without originality. I was . . . an extraordinarily bad speller and have remained so until this day.

When I was in the Peace Corps I never made a phone call. I was in Central Africa; I didn't make a phone call for two years. I was in Uganda for another four years and I didn't make a phone call. So for six years I didn't make a phone call, but I wrote letters, I wrote short stories, I wrote books.

One of the consequences of the Iranian revolution has been an explosion of history. A country once known only from British consular reports and intrepid travelogues is now awash with historical documents, letters, diaries, grainy video, weblogs and secret police files of questionable authenticity.

My husband wrote me love letters while I was on location in Canada and pregnant. They turned into being about food, and it turned it into a cookbook. He called it 'The Tuscan Cookbook for the Pregnant Male.' It was kind of genius. When I took it a book agent, he was like, 'Men don't buy cookbooks.'

I read a very romantic book when I was young, when I was in college: Rilke's 'Letters to a Young Poet.' And I've always felt that if you are in any kind of an artistic, creative endeavor, and you feel there's something else you can do for a living and be happy, I think you should do something else.

Most personal correspondence of today consists of letters the first half of which are given over to an indexed statement of why the writer hasn't written before, followed by one paragraph of small talk, with the remainder devoted to reasons why it is imperative that the letter be brought to a close.

There are only so many letters in the alphabet. When I talk to young musicians or authors and they ask for advice, I say, 'You gotta learn all the letters of your own personal alphabet. With music, you need to know all the different kinds of music and everything in and around your given instrument.'

If you want to be traditionally published, then you most likely want to get a literary agent. To sign with an agent, you need to send them a query letter, but agents can get up to 20,000 query letters a year. With numbers like that, it helps to get in front of agents with every opportunity you have.

How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten letters? Is it going to seem cheesy? What do I do?'

I want my thoughts to be an incentive for the reader to give his or her own thoughts. After I wrote 'Proust and the Squid,' I received truly hundreds of letters - I'm still receiving them - and the letters that I wrote back helped me formulate my thinking around things I know are important to others.

I have received so many letters, messages, emails, testimonies of women whom I meet in international conferences, wherever it may be, who tell me, 'It's great that you have balanced life and work so successfully.' I now think I have underestimated that, the 'role model' aspect of my life, I must say.

During the year 1894, Pierre Curie wrote me letters that seem to me admirable in their form. No one of them was very long, for he had the habit of concise expression, but all were written in a spirit of sincerity and with an evident anxiety to make the one he desired as a companion know him as he was.

Sometimes he would advise me to read poetry, and would send me in his letters quantities of verses and whole poems, which he wrote from memory. 'Read poetry,' he wrote: 'poetry makes men better.' How often, in my later life, I realized the truth of this remark of his! Read poetry: it makes men better.

'Puzzlejuice' will get your brain juices flowing as try to juggle both falling boxes and a growing list of letters to create words from. There are power ups to unlock and massive explosions that will shake your mobile device to its very core if you are quick enough with your fingers and your thoughts.

I was a sailor. I was torpedoed, spent two weeks in a lifeboat. I was on the Murmansk run; I worked a 20 mm. machine gun, helped bring down a Stuka, all that kind of stuff. I've got letters from Franklin Roosevelt for things I did then. But those kind of credentials didn't work for you in the Cold War.

I'm sure I would have been considered a more significant artist if I was a singer-songwriter. It's just not the way I roll. I love being a curator and a musicologist. People write me letters and thank me for turning them on to Fred McDowell and Sippie Wallace, and that's partly my job this time around.

When you build your own brand, people will still return your phone calls regardless of the call letters or where you actually work, because they now know you and they trust you in what you have to say and what you're doing. That, to me, is the most important aspect when it comes to building your brand.

Emphasize your strengths on your resume, in your cover letters and in your interviews. It may sound obvious, but you'd be surprised how many people simply list everything they've ever done. Convey your passion and link your strengths to measurable results. Employers and interviewers love concrete data.

If you ever watched 'Hercules,' you can see that it was made in a comical way for the most part. I remember getting lots of letters from kids around the world saying that the show helped them curb their temper and not look for trouble and just walk away from it because that was the stronger thing to do.

I'd gone to Oxford to do graduate studies in the history of the slave trade, but I came across Georgiana's letters, gave up that thesis, and wrote one on her instead. When I learned that Georgiana's great-nephews supported opposite sides in the American Civil War, I knew this would be the perfect sequel.

In a letter (no matter how quickly it is written or honestly or freely or lovingly) it is more possible to be loving and lovable, more possible to reach out and to take in ... I feel I have somehow deceived you into thinking this is really a human relationship. It is a letter relationship between humans.

Somebody got the idea nobody didn't listen to my kind 'a music. I told everybody on the radio that this was my last program. 'If anybody's enjoyed it,' I said, 'I'd like to hear from 'em.' I got 400 cards and letters that afternoon and the next mornin'... They decided they wanted to keep my kind of music.

Many people send me letters in England saying, 'I want to be a war photographer,' and I say, go out into the community that you live in. There's wars going on out there; you don't have to go halfway around the world on an airplane where there are bombs and shells. There are social wars that are worthwhile.

'Nuclear' is nothing but trouble. Do you say 'new-clear' or do you say 'nuke-you-ler'? Whoever invented that word had obviously never studied the human mouth. We don't have enough muscles in our face to make that group of letters come out smoothly. The word is missing a middle syllable, for cryin' out loud.

Listener and reader input is every bit as important as anything any of us can say. We'd be like crazy people chattering in the middle of that empty field that Joe Biden thinks we should stand in to be safe from swine flu if it weren't for the calls, the letters, the blogs, and the reaction from our audience.

When I was energy and climate change secretary I sat around a cabinet table with Gove, and he couldn't help playing to the Tory climate-sceptic audience. As education secretary, he tried to ban climate change from the geography curriculum. After an angry exchange of letters with me, he eventually backed down.

One of the things that's pretty unique about nu shu, when you look especially at these old letters and stories that have been saved, is that there are certain lines that are very standard that are used again and again. It's almost like a formula in a sense, so that these certain lines come up again and again.

I spent two years at the Guthrie Theater in Minneapolis, and then some New York types saw me there as Benvolio in 'Romeo and Juliet.' They sent me some enticing letters - about why didn't I come to New York? - and since it was well below zero that winter in Minneapolis, it didn't take much to get me to leave.

When I was younger, my mother and I, we'd have these crazy, crazy fights. Everyone would storm out mad, and the only way that I'd be able to express myself was to write her. We would write letters back and forth for days. When I'm writing, I feel uninterrupted. I write what I'm going through and how I see it.

Back in the day, fans wrote letters to groups - you'd get them, although it could take a while. Now, artists can go online and there's discussions about what you should and shouldn't be doing. The minute you announce that you're recording an album, thousands of people are telling you what that album should be.

A stiff letter galls one like a stiff shirt collar -- whilst a sheet garnished here and there with a careless blot -- and here and there a dash -- but in the main full of excellent matter, is like a clever fellow in a dirty shirt whom we value for the good humour he brings with him and not for the garb he wears.

I had this really intense resolve. I would call universities and community colleges and say, 'I really want to go to college. How do I get to college? What do I do?' And they would say, 'You have to get an application. You have to get letters of recommendation.' It was terrifying. I had no idea what I was doing.

One of my great regrets, and I don't have many, is that I spent too long putting people's status and reputation ahead of their more important qualities. I learned far too late in life that a long list of letters after someone's name is no guarantee of compassion, kindness, humour, all the far more relevant stuff.

closed my eyes and listened. It was like music I'd heard all my life, even more than "This Lullaby." All those keystrokes, all those letters, so many words. I brushed my fingers over the beads and watched as her image rippled, like it was on water, breaking apart gently and shimmering before becoming whole again.

My first job out of college was as an editorial assistant in a New York publishing house. Being an editorial assistant is the purgatory would-be editors must endure before they can ascend the ladder and begin acquiring books on their own. I spent a year filing paperwork, writing copy, and typing rejection letters.

My father is my biggest literary influence. Recently, I've been looking through his letters. He was in the National Guard when I was a child, and whenever he left, he would write to me. He wrote letters to me all through college, and we still correspond. His letters, and my mother's, are one of my life's treasures.

I am old enough to think the word 'journalist' is not all that noble a designation. Journalist - that record keeper, quote taker and processor of press releases - was, in the world of letters I grew up in, a lower-down job. To be a writer - once the ambition of every journalist - was to be the greater truth teller.

My inbox and doormat are full with emails and letters from people who want me to endorse their Higgs board game or to inaugurate the walkway of their new office atrium. There's even a microbrewery in Barcelona which wants to know what my favourite beer is so they can brew a similar one in my honour. It is quite mad.

I think that was one of the things that happened, especially in Ireland, that you left in order to improve yourself, and you couldn't write home and tell people, 'Look, I'm really lonely,' because you'd realize how much those letters were going to matter, that you needed to put good news or uplifting news into them.

Recognition, gratefulness exist.[ Speech for the Nobel Prize] is to show that this is what has come from what [Albert Camus] teacher did for him. And also throughout the world there are Monsieur Germains [his old schoolteacher] everywhere. That's why I published the letters, so that he could have a place in the work.

Before my husband deploys, he has a ritual that is familiar to many service members. He sits down with a generously poured bourbon, and he writes letters. One for his adult daughter, Rosalind. One for each of our little boys, Teddy and Antonio. One for his grandma, who raised him, and his family in Texas. One for me.

Letter to the committee in charge of the celebration of the centennial of the American Constitution. I have always regarded that Constitution as the most remarkable work known to me in modern times to have been produced by the human intellect, at a single stroke (so to speak), in its application to political affairs.

We found letters at the house we bought from a sailor to his wife who lived in the house. He went down to the Caribbean on this trader vessel, bringing down salted fish. There would be handwritten letters, but also telegrams, saying which ports he was in. And he'd be gone for three months. That was just the way it is.

I have been deeply touched by the many telegrams, cables and letters that have come to my bedside. It is wonderful to know that I have so many friends and well-wishers both among those it has been my privilege to meet and among the loyal unknown thousands who have seen me on the screen and whom I have never seen at all.

And now, since I've been governor since last January, I have written numerous letters to the administration in regards to securing our borders with absolutely no response. So we have been facing this crisis, and it's devastating the people of Arizona. And I feel as governor I have a responsibility to protect the citizens.

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