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While awaiting deportation proceedings, my parents remained in detention near Boston, so I could visit them. They would have liked to fight deportation, but without a lawyer and an immigration system that rarely gives judges the discretion to allow families to stay together, they never had a chance.
I liked back in the sixties where you'd turn on the radio and go 'Oh that's Hendrix, that's Creedence Clearwater, that's The Doors, there's The Grass Roots, The Monkees, there's Big Brother.' You could just instantly hear it and tell. But in the eighties and nineties there's no way you could do that.
I think, initially, my rebellion, my rebellion of going to college when my dad would have liked me to stay home and work in the herbs, I think that it was a pretty mild rebellion in the sense that I thought, 'Well, I'm going to go learn how to be a music teacher so that I can come home and do choir.'
I guess there was a little bit of a slight rebellion, maybe a little bit of a renegade desire that made me realize at some point in my adolescence that I really liked pictures that told stories of things - genre paintings, historical paintings - the sort of derivatives we get in contemporary society.
I think I have some ideas on coaching, but listen, coaches work harder than players. The hours they put in, the headaches that they have. That's the one thing I've never liked about coaching. They have all the emotion, passion and preparation without actually getting to be able to dictate what happens.
I've always liked depressing music because a lot of times, listening to it when you're down can actually make you feel less depressed. Also, even though a person may have problems with depression, sometimes you can actually be kind of comfortable in that space because you know how to operate within it.
I saw the Bangles before I was in a band. I really liked their rhythm. That was right when I was trying to learn how to play guitar. I was really frustrated because I couldn't strum, and then I saw Susannah Hoffs do this cool strum on a song, and it was my goal after that to learn how to do that strum.
When my younger son was 13 years old, he asked me to read 'Swallows and Amazons' to him while he made models. He liked it so much that I ended up reading all thirteen of Ransome's books, including the ones that I missed out on. This led my son to 'Treasure Island,' 'Robinson Crusoe' and 'Coral Island.'
I remember when I was in high school I didn't have a new dress for each special occasion. The girls would bring the fact to my attention, not always too delicately. The boys, however, never bothered with the subject. They were my friends, not because of the size of my wardrobe but because they liked me.
When I watched 'Jeopardy!' as a kid, I would primarily watch with my grandmother. She was the most beautiful person the world has ever seen. Her first language wasn't English, so she couldn't follow along well, but she wanted to share this experience with me since she saw it was something I really liked.
I think that school just isn't for everyone. A lot of people don't learn well when they're - have to sit in a place for eight hours. A lot of people learn best lying in their own bed, teaching themselves from books. And I was a bad student. I was a brat. If I was a teacher, I would not have liked myself.
It's true that when I started out, I was more a fan of attacking players and one in particular: the Brazilian Ronaldo, Ronaldo Luis Nazario de Lima. Another of my idols was Claudio Caniggia, an Argentinian forward with long hair, who I liked a lot. It's because of him that I started to grow my hair long!
I actually watched Tom Brady a good amount in college. My coach in college was Kliff Kingsbury, and he actually was a backup for Brady at one point, and so he showed me things that he liked with Tom and his pocket movements and stuff he did within the pocket that I've tried to put in my game a little bit.
'Trolls' was a blank slate - there was no world, no mythology. We talked a lot about the Grinch and we liked how they showed his heart growing, but how do you show a photographable device like that for the Bergens? We ended up using color for a lot of that: desaturating and then pulling the saturation up.
My plan was I just knew, I think the first time I was in a high school play, and I liked the feeling of that. Getting on the stage and entertaining and audience. Eventually, I went to New York and studied my craft, and I was in school for two years in the same class with Joanne Woodward and Steve McQueen.
I got the idea for 'Throne of Glass' when I was sixteen. Music always inspires my books, and when I was listening to the 'Cinderella' soundtrack, I thought, 'What if Cinderella was actually an assassin who liked getting dressed up all pretty and going to the ball, but then she wouldn't mind kicking butt?'
If you go out and see a lot of movies in a given year, it's really hard to come up with a top ten, because you saw a lot of stuff that you liked. A top 20 is easier. You probably get one masterpiece a year, and I don't think you should expect more than one masterpiece a year, except in a really great year.
I liked school, but I used to dread those moments when the teacher would call me up to give an oral report. I forced myself to deal with it and not dwell on the class in front of me - to keep a straight face, give the report and concentrate on getting it right. That's normally how I perform. That's how I am.
Johnny Nitro was an homage to Eric Bischoff, who, I was his apprentice at the time. I liked that name. Basically, Vince McMahon thought that 'Nitro' reminded him of WCW, and when I became the ECW Champion, like, he had a couple times mentioned to me, 'If you're going to be a real star, you need a real name.'
I grew up with Bible stories, which are like fairy tales, because my father was a minister. We heard verses and prayers every day. I liked the gorier Bible stories. I did have a book of Chinese fairy tales. All the people except the elders looked like Italians. But we were not a family that had fiction books.
I'm never going to write a book like Anthony Sher did, you know, 'The Broadcaster Prepares.' I'm only talking to myself. I'd have liked to be a writer, or a journalist, but if things don't come easy to me I don't do them. I think if you're always thinking how difficult something is, you shouldn't be doing it.
I really liked to perform. My mother always tells this story: I was five. They had a party, and they'd put me to bed. I heard everyone on the rooftop, and I went upstairs. No one paid any attention to me, so I took a hose and sprayed everyone. Very elegant, right? 'It's me! Look at me!' I loved the attention.
I saw a psychiatrist when I was younger because I had ADHD, and I had some problems with authority, so I guess I can kind of relate to that in a way. I know what it's liked to be probed and to be asked questions where people are looking for a certain answer and are trying to pull something out of your answer.
I read a newspaper article in May 1984 which predicted that syringes would one day be a major cause of the transmission of HIV. It was what I had been waiting for - a project that had a lot of the things that I liked: problem-solving, product design, campaigning, and being a bit of a big mouth pain-in-the-bum.
As a child and a teenager, my attitudes and actions assumed the superiority of my race in almost every way without knowing or wanting to know anybody who was black, except Lucy. Lucy came to our house on Saturdays to help my mother clean. I liked Lucy, but the whole structure of the relationship was demeaning.
I went to jail at 17. While I was there, I discovered that I could write. Once I started making some songs, other inmates wanted to know a little bit more about what I was doing, and they asked me to rap for them. They really liked it, and I made it a goal to come out and try to make something out of the music.
I liked to write from the time I was about 12 or 13. I loved to read. And since I only spoke to my brother, I would write down my thoughts. And I think I wrote some of the worst poetry west of the Rockies. But by the time I was in my 20s, I found myself writing little essays and more poetry - writing at writing.
I tried to holla at Oprah while I was hosting a red carpet for BET. I really liked Oprah at the time, and I asked her to dance and she said yes. I was giving her the eye and she just thought it was cute. I was young, but I was confident. I was saying stuff in my head but the words were not coming out of my mouth.
I've always liked taking the ball out of defence and I will carry on doing that but at the end of the day I'm a defender, and that's what I want to be known as - a defender, getting in the blocks and the headers that people don't recognise I do, the dirty stuff that every defender should do and should be good at.
To the game code, the world is still just a tile map, but for rendering, each map was exported as a general-purpose 3D model, and the artists could then go through it and spend the polygons any way they liked, without the limits of line-of-constant-z software rasterization that we lived with on the mobile phones.
Movies are great fun and wonderful when they're good. But you never get to see them till six months after they're finished. So you never get a sense of whether they're really well liked or how good they are. And you don't really know what the finished product is going to be like, because it's a director's medium.
I went to art school, wanting to be a painter and then I got into photography. Then it was movies, and I liked the images. One of the things that interested me in film was that I was communicating in images. That was something I did intuitively and could not even talk about until I started having to do interviews.
Paul Heyman has always been the only guy from the office that ever really had my best interest and really understood me. The other agents and promoters seemed confused why the fans liked me so much, because I was so non-typical for their idea of a wrestler, so they just tried to capitalize on it without owning it.
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.'
My mother was not a country girl. She was a Brooklyn girl, born and raised in Flatbush, and then a Long Island girl, who liked shopping, 'a little glitter' in her clothes, and keeping secret the actual color of her hair, which from the day I was born to the day she died, was the 'platinum blonde' of Jean Harlow's.
It's funny because I think, as a general rule, that people seem to think that if you do lots of different things over the course of, like, a timeline, it means that you kind of disregard what you did before. But that's not true of me. I still genuinely like everything I did as much as I liked it when I released it.
I love L.A. It was an awesome place to spend my 20s, full of creative people, but I never wanted to stay there. It wasn't necessarily Texas that I wanted to move to; I just knew I wanted to live in the country somewhere. My wife and I found this place in Texas that we really liked, so we packed up our stuff and moved.
I once had a long relationship with a lady, and wherever I went in the world, if I saw something she would look great in, a gown or gloves or a ring, I always knew what color she liked most. I knew her size, what material she appreciated most, and I spent the whole time buying gifts for her. And I loved her very much.
My father has always been interested in discarding the past. He's never much liked China or the whole idea behind China or Chinese ways of thinking. He's always been much more attracted to American ways of thinking. He feels Americans are more open - they tell you what they think - and he's very much that way himself.
When I was on Taransay, I loved being part of a community, I loved that everyone knew what I was doing, where I was going. I loved that. I liked knowing that if I wasn't back at a certain time people would start worrying a little bit about me, I loved the whole community thing, sitting for hours and chatting to people.
Children used to get bullied at school. Now they go home, and that's where the problem starts - because they sit on their phones all night, thinking about who's 'liked' a photo of them, who hates them, who loves them. They don't know what's real and what's not, editing their lives constantly to fit other people's views.
I always thought that there was something in hip-hop culture that was the misfit of all the musical styles, where they didn't really belong. They're kind of like, 'No, we're a real culture! We're not going anywhere, you can't get rid of us!' I really liked that there was a rebelliousness about it. I connected with that.
For most of my life I've liked to pretend I live in a starship. Punching in fake codes to get into doorways that obviously are not secure. I love that idea of living on a spaceship. Because essentially we are: a gigantic thing floating in some infinite darkness that's running on principles that we don't even understand.
I learned so much during my time at United. Sharing a dressing room with Paul Scholes, Cristiano Ronaldo, Wayne Rooney, Ruud van Nistelrooy, and Ryan Giggs at such a young age was an amazing experience. I didn't play as much as I would have liked, but it was a master's degree in development both as a player and a person.
In the past, I think I was scared of showing myself. I thought people disliked me because I received so much hate when I was young. But as I grew older, I realized that there were people who disliked me and people who liked me. So I learned that there was no need for me to be so conscious of what others thought about me.
It is plain indeed that in spite of later estrangement Hobbits are relatives of ours: far nearer to us than Elves, or even than Dwarves. Of old they spoke the languages of Men, after their own fashion, and liked and disliked much the same things as Men did. But what exactly our relationship is can no longer be discovered.
I was an introverted kid; I liked my time alone. And the rest of my family is pretty extroverted, so I felt like a bit of an oddball. They're very gregarious and charming and charismatic people. I always felt like I was struggling as a young person. I think everyone was very surprised to hear that I wanted to be an actor.
I joined the 'Times' in 1972, and I came with the mark of Cain on me because I was clearly against the war. But my editor, Abe Rosenthal, he hired me because he liked stories. He used to come to the Washington bureau and almost literally pat me on the head and say, 'How is my little Commie today? What do you have for me?'
Proust, my big inspiration for 'Goon Squad,' uses music a lot in his novel, both in terms of plot and structure. I liked the idea of doing the same thing, which is one reason I structured 'Goon Squad' as a record album, with an A side and a B side, that's built around the contrasting sounds of the individual numbers in it.
I'm a street player, and all of my influences come from bands that I was listening to at the time when I was growing up. I was very impressed with guys like Mitch Mitchell. I liked rock and roll drummers, and I loved rhythm and blues guys like Clyde Stubblefield with James Brown. Man, that band blew me away all of the time.