Quotes of All Topics . Occasions . Authors
I remember this song by Clay Walker that came out in the '90s called 'This Woman and This Man,' and it was about breaking up, loss, the pain of moving on, and my parents were just getting divorced at the time, so I listened to it over and over again.
The truth of the matter is if we listened to our bodies and cleared our psychologies, we would inherently know what we need to do to stay healthy, and there wouldn't be a market for diet pills, extreme cleanses, or low-calorie, pre-packaged junk food.
Growing up, I listened and was influenced by a lot of those around me. I have a big family, and my dad listened to '80s music, my mom listened to Motown, my brother listened to reggae, and my granddad was the one that got me into jazz and swing music.
If we listened to our intellect, we'd never have a love affair. We'd never have a friendship. We'd never go into business, because we'd be cynical. Well, that's nonsense. You've got to jump off cliffs all the time and build your wings on the way down.
I wasn't personally that familiar with the Classic Rock bands. That is where Jorn Viggo came in: he played me tons of that stuff - Deep Purple, Led Zeppelin, plus a lot of bands with cool songs, riffs, vocals, etc. We really listened to tons of music.
I knew I wanted to do music at eight years of age. I listened to a lot of Motown growing up, and it got to the point where I started mimicking people - Michael Jackson or whoever. People started to notice I could hold a tone. The bug was always there.
Usually, when you're putting out a record, you have reviews from people a week before, and you have a vibe 'cause everyone's heard it - you've heard feedback from everyone, and they've listened to your single for a couple of months. Radio's playing it.
My mother's records were formative for me, but when I became a teenager, I wanted to find songs that she wasn't hip to. She was so hip, though, that I had to go outside rock n' roll - so for about 10 years, I only listened to hip-hop, house and techno.
I didn't grow up listening to The Smiths, but now I am a fan. I love his music and listened to so much of it for the film. It's not a regular biopic; they picked a part of his life that people don't really know about. You learn what informs his lyrics.
Oh, I was a real Nirvana kid. I got into jazz because I listened to a lot of metal, Megadeth and that, and those guys play really fast and are virtuosos. I wanted to learn more about it, and I discovered that a lot of jazz guys played really fast, too.
I think it is important the communities are listened to and that their voice is heard, particularly with local government boundaries more than parliamentary boundaries, because you are talking very much about communities. It can be a very emotive thing.
Before now, I've always taken my mixes out to the car and listened to them in the parking lot. I still do that, but more so now I'm listening to it on the Beat box, and I think people should give it at least a listen and check it out and see what it is.
Sonic Youth, for better or worse, is/was a machine that carried me along through pregnancy, motherhood, and creative opportunities I never would have achieved on my own. I'm grateful and surprised that we were listened to, loved, ignored, and overrated.
I actually got to write with one of my musical heroes, a guy named Raine Maida from Our Lady Peace. I got to sit down and write some songs with him, and that was pretty heavy. I listened to Our Lady Peace growing up. It got me through the teenage angst.
I never met Johnny Cash personally, but I feel like I did because I listened to so much of his music, and even though he's gone, it's still there: you can go pull a vinyl record out and hear his personal thoughts and his voice and feel connected to him.
My parents were decent, aspirant first-generation middle class. They read 'Reader's Digest', listened to classical music; my grandparents had a bust of Stalin on the mantelpiece. The kids of that generation were terrified of being below par, class-wise.
I look back at the first Groves fight, and it was all so bad, so wrong. Everyone was telling me it was going to be easy, the bookies, everyone. Like an unprofessional fool, like an idiot, I listened to them. I didn't give myself the best possible chance.
When I was a teen, I was never really into the captain of the football team or the student body president. The guys I liked were quirky and different: They listened to music I'd never heard of, never had lunch or gas money, and could always make you laugh.
I listened to it last night for the first time since we started this project. I went out to my car and put it in and went to an empty parking lot and just listened and read the little pamphlet that came with it. After two or three songs I burst into tears.
My parents were Northern Ireland Labour party people. We read the 'Guardian' and the 'New Statesman,' listened to the BBC. The house was full of books. We didn't get a television until 'That Was The Week That Was' started. There was nothing to do but read.
I don't feel like I sound like anybody from Houston. I don't really feel like I have that Houston flow, that Houston sound. I feel like it's a mixture of all the things I've listened to growing up, or even my mom, in a way. I feel like I have my own style.
I think I owe thanks to the people who have listened to me over the years, who tuned in on the radio. They have given me a warmth and loyalty that I've never been able to repay. The way they have reached out to me has certainly been the highlight of my life.
People define themselves to some degree by the music that they listened to as teens. My mom had Elvis. Me, I had 'The Who' and later punk rock. Kids who came up in the '80s had other songs and bands. It's a way of placing ourselves culturally and temporally.
I can't be enthusiastic as soon as I write something on the music sheet. The music sheet is only the beginning: it has to be listened to, played by the instruments, and then heard by the director, but most importantly, it has to be listened to by the public.
Two things I'm obsessed with are the countryside and fields and being in the open space and body parts, so you'll hear me mentioning body parts and human anatomy. I've listened to my songs and I think I am quite visual and I talk about bones and flesh a lot.
I listened to this book, 'The Beauty Myth,' about how beauty standards are messing with women in Western society, and I was like, 'I don't know this.' I have no idea, and I don't pretend to, but now I'm more aware of it because I've engaged on that frequency.
I don't know any Beatles songs. My dad never listened to Elvis or Sting or Bowie. Any band name that's on a t-shirt, I probably won't know their music, like AC/DC or whatever. I don't know what that is. As a kid, I would sing along to artists like Tania Maria.
My dad listened to a lot of James Taylor when I was growing up. We had a couple of his cassettes in the car, and we'd go on a lot of long family car trips. It was either strange musicals or James Taylor - or Whitney Houston. It was quite the combination there.
I wasn't the biggest hip-hop fan, because I had to listen to whatever my parents listened to, so growing up, it was a lot of Dolly Parton, Elvis, and Whitney Houston. When they finally put a TV in my room and I got to listen to MTV Jams I was like: 'Here I am!'
I've had filmmakers, I even had Bono come and talk to me about having a sequel to 'E.T.' help with an environmental message - I listened. I can certainly understand. I mean, the great thing about Bono is that everything he does is in service to a greater cause.
I love finding out-of-the-box inspirations and blending them with what I've done in the past. And when I started to experiment with genres, it didn't sound forced. Maybe that's because it's all music that I listened to growing up, and it's all music that I love.
When I was growing up, I was really into comedy. I listened to a lot of comedy albums. I loved Richard Pryor, but the comic that had the most impact on me was always my brother Chris, who was in the next room. It was tangible. If Chris could make it, I could try.
All I wanted to do when I was a teenager was get dropped off at a radio station - one of the ones I listened to - and watch how the shows worked. After a point it was about showing up and driving people crazy, driving the van to promotions and sneaking on the air.
I listened to a lot of Amy Winehouse: her albums 'Frank' and 'Back to Black'. She was such an incredible artist. She was just so raw and had her unique sound; she paired jazz with pop and was so soulful at the same time. So I pulled from her a lot in the beginning.
'What's Going On' is one of the greatest albums ever made. I definitely wasn't aiming to make my 'What's Going On,' you know what I mean? That album is definitely deep in my DNA. I've probably listened to that more than maybe any other album ever in my entire life.
I was a little boy singing sad songs, about 9 or 10 years old in the woods. I listened to my voice coming back to me. It was as high as you could go. I dreamed of being famous as a singer when I was on those cotton fields. I wanted to see the world and meet people.
It's wonderful for me to see what 'We Will Rock You' has done. 'We Will Rock You' and 'We Are the Champions' have kind of transcended the normal framework of where music is listened to and appreciated - they've become part of public life, which I feel wonderful about.
The only music we ever listened to out in the piney woods was Roy Acuff and the Grand Ole Opry. That was the only night of the week I was allowed to lay in the middle of the bed with Mama and Daddy, just long enough to hear Roy Acuff sing; then I had to go back to bed.
We have listened here to the delegates who have recalled the terrible human suffering, and the great material destruction of the late war in the Pacific. It is with feelings of sorrow that we recall the part played in that catastrophic human experience by the old Japan.
I told Mother of my decision to study medicine. She encouraged me to speak to Father... I began in a roundabout way... He listened, looking at me with that serious and penetrating gaze of his that caused me such trepidation, and asked whether I knew what I wanted to do.
I was inspired by a lot of people when I was young. Every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.
I remember hearing people like Joe Cocker, Fleetwood Mac, and Elvis. My parents were big fans of them, and they were the early seeds. My brother was more into Slipknot, and I still listen to them, too, but it wasn't until I listened to Paolo Nutini that it really clicked.
I listened to this interview once with Jerry Seinfeld that really influenced my comedy and all of my writing, which is that when you're starting out in comedy, it's the audience that tells you what's funny about you. And you need to listen to that and make a note of that.
We lived out in the middle of nowhere - the most random places - because of my father's work. We spent a lot of time in the car on long drives, just to get anywhere. We listened to oldies rock on the car radio, and the most-played group on oldies rock radio is the Beatles.
I don't listen to anybody's full record anymore and when I did, I don't think I listened to the whole record. I'm sorry, and I don't care who it is, if it's the Beatles, I can't listen to an hour and a half of anybody straight so I guess that's just my personal preference.
My family and I took visits to each and every school and listened to each coaching staff. I felt the most comfortable with and really excited about playing at SC. Being close to home in one of the best offensive systems is paying off now as I'm making the jump to the pros.
Growing up I really loved Mazzy Star, The Cranberries, Fiona Apple, Everything But The Girl. I listened to a lot of really random things too that I would find by myself. I would find Minnie Riperton albums that I would fall in love with, also, a lot of old country records.
In high school, I listened to Lady Gaga and I was really obsessed with just being who you are and owning that experience - she was a really big inspiration in that aspect to me and my friends, who were young and growing up, and making our way through the city and the world.
I listened to King Oliver and I listened to Louis Armstrong, Jelly Roll Morton, Thelonious Monk, Charles Mingus, John Coltrane, Archie Shepp... I listened to everything I could that came from that place that they call the blues but, in formality, isn't necessarily the blues.
Because of John Williams, I began collecting all kinds of film scores. I listened to them when I fell asleep, and it was through my obsessive listening that I learned what all the different parts of the orchestra were. I learnt a great deal from him by just simply listening.