Quotes of All Topics . Occasions . Authors
Seeing the world around you clearly is a critical step in developing an idea for a business, carrying out that idea, and then thriving with an ongoing concern. Through choice, predilection, lack of education, impatience, or other causes, the entrepreneur lives, in a way, outside the mainstream.
People are always bemoaning the fact that electronic music is finding its way into the mainstream. To me, that's the best possible thing. It's going to give us a much bigger platform. It's going to train people's ears to these sounds so they can listen to a track even if it doesn't have vocals.
I like to take risks and do weird things and stuff that's not normal compared to other Hollywood movies. Not stuff that's totally avant garde and daring, but doing stuff that's in other languages and not using stars and using real people - things that they generally don't do in mainstream films.
If you look closely, you'll see that Marvel basically has three Thanoses. There is the 1970s Thanos appearing in the movies. This is before he got the Infinity Gauntlet. Then there are the Thanos stories I'm telling. And finally, there is the Thanos that appears in the mainstream Marvel stories.
It's not in the mainstream media, but across towns, it is amazing how there are small groups of people getting together and forming artistic collectives - they may not be being overtly political, but I'd say by channelling their energy into community projects, that's a valid political statement.
We can make his work reach youngsters by organising literary events and competitions in schools and colleges. We can also use mainstream media to spread Kaloji's work among the public. Also it's important to honour litterateurs when they are alive; sadly Kaloji never got his due in his lifetime.
I'm not this big Hollywood mainstream actress, but who cares? I think I just have a certain sensibility for smaller projects. I like intimate things. I think I do well in that kind of environment. That doesn't mean that I wouldn't love to do bigger projects. I feel everyone has their own journey.
Fantasy is an area where it is possible to talk about right and wrong, good and evil, with a straight face. In mainstream fiction and even in a good deal of mystery, these things are presented as simply two sides of the same coin. Never really more than a matter of where you happen to be standing.
The representation of gay characters on screen is important for us all to think about because there are sadly too few representations of gay characters on screen in mainstream cinema. If Marvel starts making movies about gay superheroes, then we'll be in a really great place. We're not at that place.
I agree with Ru that it'll never be mainstream, because mainstream means everybody knows it, everybody loves it, everybody accepts it. That's never gonna happen with drag, but it's definitely become more mainstreamed for people that never knew anything about it, being opened up to it as a form of art.
For a variety of reasons, I have always felt myself an outsider. I don't know how to classify myself in economics. I am a loner. I do not like groupthink, which, if anything, has become more important in economics. In addition, a lot of the values I hold are not the mainstream values in the profession.
But you're never taught in schools - we don't teach anyone in public schools that government is the problem. We don't teach anyone in college that government is the problem - except maybe a handful of sort of unique, conservative schools. But mainstream media never talks as if government is the problem.
Mainstream American society finds it easiest to be tolerant when the outsider chooses to minimize the differences that separate him from the majority. The country club opens its doors to Jews. The university welcomes African-Americans. Heterosexuals extend the privilege of marriage to the gay community.
It seems that in the rush to be the first one to the story, the media overstates things. Not maliciously; I don't think they're intentionally misleading. But the credibility gap is already there, and in this rush to get to the story first, a lot of mainstream outlets just erode their credibility further.
At the Harvard Business School, I really felt I had gained the ability to resolve difficult issues. But I also felt that I wasn't in the mainstream with my fellow students. During job-hunting season, for example, everybody shaved their beards for interviews. I thought, 'This is crazy.' So I grew a beard.
I've always found the rhetoric of mainstream civil rights leaders and organizations to be far too timid, accommodationist, and gradualist. It always seemed to me that they behaved like meek and gentle supplicants begging the oppressor for a few crumbs of justice, for a few molecules of citizenship rights.
According to me when former governors join the political mainstream, the whole cause propagated for autonomy of the institutions, itself gets impacted. When they dwell into statements which are politically loaded, rather than during their tenure as a governor, it is far easier to analyse those statements.
The mainstream media may have trouble resisting the temptation to declare that Karl Rove has been demoted, but the truth is quite the contrary. By giving up his role as deputy White House chief of staff, Rove has been freed to do what he does best: shape big issues and develop strategies to win elections.
'The Lunchbox' is the kind of cinema that is true to its word and not cluttered or corrupted by some of the mainstream pre-requisites. I love the way I make movies, but there are certain stories that need to be told in a certain way, and 'The Lunchbox' is that movie, and I'm so proud to present this movie.
I think more people in the mainstream, folks like Nancy Wilson and Luther Vandross, they have openly expressed their love for God, and when mainstream artists start expressing their love for God openly in their concerts and including gospel songs in their concert, and, you know, people started embracing it.
The majority of people are straight, and movies, with their bigger budgets and burdensome marketing costs, will try to appeal to as many people as they can. As the means of production and distribution become more democratized with advances in technology, more gay stories will make their way to the mainstream.
I feel like I am just an entertainer. It does not matter what form I take to perform and entertain. I think I deserve being called a performer because you don't call Tyler Perry a drag queen. You don't call Will Smith a drag queen and all the other mainstream artists who use the aesthetic of drag to entertain.
It's seldom that you find great moments in television. Usually you remember - in 'Breaking Bad' or any of these other great shows - you remember situations or characters. Not moments. But I have to say, I can make the same argument for mainstream movies, which have bad narratives and also no memorable moments.
Look at 'Avatar:' the foreign ticket sales were over twice the domestic returns. The mind boggles at those kinds of numbers, but that's what you get when you effectively reach out to a global audience. If that kind of thing came to comics, it would undoubtedly change how people perceive the mainstream industry.
I think it's good for 'Drag Race' to be moving toward the mainstream. I'm grateful for the move to VH1. I'm glad that one million people watched the first episode of Season 9. Our message is one of love and acceptance and truth and strength and perseverance, and I believe it should reach everyone, near and far.
I'm interested in exploring the places where all media meet. As TV, Internet, art, games and movies all start moving towards the same point, I want to be part of inventing that space. I'd like to explore media that are traditionally seen as part of the mainstream but not necessarily utilize mainstream formulas.
You know, I am mainstream America, and it really doesn't matter what party you're in. When you call your children and you say 'How are you?' - and what you are really asking is, 'Do you still have your job? And are you able to make the mortgage payment?', That resonates across the state, not across party lines.
I think for diners, it is about crafting an identity around food which we have not really had in a mainstream way in this country. So there is a mass movement of people who identify themselves through their food preferences or even just that they prioritize food - that's where we get this idea of being a foodie.
There are people so alienated from the mainstream of American culture that it's like a parallel universe. They don't expect anything but trouble from the square world. Every time they interact with that world, they're given a ticket, sent to jail, drafted. It's never good. So they live by a separate value system.
Rather than embracing mainstream, majority-held positions, 2020 Democratic presidential candidates have made it exceedingly clear that they will sacrifice themselves on the altar of the radical left - endorsing positions held by a select few and fueling an unstoppable tailwind behind President Trump's reelection.
Minister and writer Barbara Kaufmann has addressed the subject of guerrilla decontextualization on both the 'Voices Compassionate Education' website and on 'Inner Michael', where she offers the kind of insights into the spiritual aspects of Michael Jackson's creative artistry that mainstream media mostly ignores.
I would say that everyone that you see who is successful in the mainstream, at the top of Billboard, who has a Top 40 hit... at some point, unless they're a complete fabrication of the industry with no identity of their own and a carbon copy clone of someone else, they in themselves started out being underground.
Primarily affecting low-information voters and members of the mainstream media, Obama Worship Syndrome attributes impossible capabilities to Obama's political opponents, finds excuses for every Obama failure in everyone around him and praises the president as the finest politician - nay, human being - of our time.
I think filmmakers in general are, as the tools become more and more advanced, you're able to tell stories in a way that I think is more realistic. The technology just wasn't there up until pretty recently, and it takes a bit of time for the normal artistic way of approaching something to become a mainstream thing.
I don't really know what 'selling out' is exactly. I would sell out if I could, but nobody's buying it. I would love to go mainstream, but my comedy is too edgy. It's always too dirty. It's always too filthy. I'm dying to sell out. But I love doing comedy, I love touring, and I think I would do everything for free.
I don't think the mainstream media understands people of color are multidimensional. For some reason, there's an idea that only white people are relatable. I don't think it's necessarily racist. But it's odd, because the people who watch the most television are black women, so we should be represented in more ways.
In Britain, British history is naturally a mainstream subject. Step outside your own narrow specialism, and you can find yourself treading on someone else's toes. But in America, British history is an eccentric, minority pursuit, and while this can be intellectually isolating, it also permits extraordinary freedom.
But I do think it's unwise, and it - to build a mosque at the site where 3,000 Americans lost their lives as a result of a terrorist attack. And I think to me it demonstrates that the - that Washington, the White House, the administration, the President himself seems to be disconnected from the mainstream of America.
The distinctions of what makes a book one genre or another can sometimes be a bit muddy, but generally it's a matter of projecting who the audience will be, which is a judgment that's based on the subject matter. 'Mainstream' is the cleanest label for a book that draws readers of both sexes and from a wide age-range.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Fans tend to think that if you fall in love with an artist... and then he gets bigger, and he grows, and he starts to make a different sound, 'He's changing on us.' But with me, I created all types of sounds from the get go, so you can never say I'm changing; you can never say I'm going mainstream or I'm selling out.
Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.
The counterculture has nothing to do with Dolce & Gabbana having a 'Hippy Summer' or something. Street kids, and kids who want to live in any sort of counter-cultural experience other than what's being presented by the mainstream media or political climate, or 'normal' cultural climate, are never going to look like that.
Until part of your paycheck is regularly paid in Bitcoin, I'm not sure how it would really go mainstream. I can imagine places in the world where there are not functioning banking systems or payroll systems, where it could go mainstream first because you're not trying to replace the way people are already doing something.
Skills-building opportunities should be extended to people outside of the mainstream talent pool. That might include at-risk youth, veterans returning to the workforce, or immigrants struggling to make a life for themselves in a foreign culture. The process for creating wealth must begin with creating opportunity for all.
I don't think I'm an angry person. I think I'm a person who's angry. I'm angry at the Bush administration; I'm angry at the right wing media. And by that I don't mean the media is right wing. I mean, there is a part of the media that's not the mainstream media. That's Fox, that is 'The Wall Street Journal' editorial page.
The mainstream media today has the biggest disconnect with its audience that it's ever, ever had. And as the disconnect grows and as more and more people distrust them, then the media digs in more and more and says you don't know what you're talking about, you don't know how we do our jobs, you don't know what's important.
I think there is some truth to the fact that yeah, okay, cool, obviously the more mainstream kind of easier-to-grasp-onto dance music has become popular, but that holds true with almost any genre. It wasn't like the Sex Pistols hit the radio. It was poppier versions of that is what hit. It's never, like, the true core stuff.
One of the reasons why I created the podcast called the 'The Call-In' that we do through Array - because as a black artist, every time I sit down with mainstream media, I'm asked about issues of race, identity and culture. No one asked what they ask my white male counterparts, which is: 'Where do you like to put the camera?'
Social-enterprise employees earn wages and pay taxes, reducing their recidivism rates and dependence on government assistance. They also receive crucial on-the-job training, job-readiness skills, literacy instruction and, if necessary, the counseling and mental-health services they need to move into the mainstream workforce.