Quotes of All Topics . Occasions . Authors
Marty Stanovich was an honorable man.
My mother named me for Marty Robbins.
I love Marty Funkhouser - but what is he?
Marty Scurll is fantastic, and I am a big fan of his work.
I'm very close with Brian Davis, Thomas Hill, and Marty Clark.
Marty Russo was too good a golfer to be a servant of the people.
I love Marty Robbins, I love Glen Campbell, Loretta Lynn, Patsy Cline.
Marty Schottenheimer knows how to win, and that's what Redskins fans demand in a coach.
Marty Robbins once sang you give me a mountain, I've been given a few mountains in my life.
When Marty Short and I get together, I sit down at the piano and play the score of 'Godspell.'
I love watching Marty Scorsese's films, but they always make me feel terrible about being a man.
My goal was to try and kind of be our generation's Marty McFly. That was what my all-time goal was.
I'm a lover of old traditional country - George Jones, Merle Haggard, Tammy Wynette, Marty Roberts.
Willie Nelson, Marty Robbins, Merle Haggard and Keith Whitley - guys like that were huge influences.
Marty Richards is an angel on Earth. A producer that does what he says he'll do. He helped me greatly.
I grew up listening to my mother's collection of Hank Williams, George Jones and Marty Robbins records.
I don't see this as Marty [St. Louis] replacing me. I see this as Marty getting the opportunity he deserves.
My trainer, Marty Jones, was trained by Billy Robinson, so was Johnny Saint and a lot of great British wrestlers.
Titanic Thompson and Amarillo Slim would have run from a game with Marty Stanovich. Marty could really play, and he didn't cheat.
The single most exciting thing that happened for me was getting to spend some time in the studio with both Marty Stuart and Vince Gill.
If you're an actor from New York, and you're Italian-American, you grow up hoping Marty Scorsese knows your name at some point before you die.
I'd actually argue that the best thing to happen to the 'Washington Post' was hiring Marty Baron, maybe the greatest newspaper editor of his generation.
To be taught to coach by Marty Schottenheimer, to be able to go to an organization like the Steelers. I came there at 34, probably brash, ready to set my niche.
Our professor was Marty Scorsese. Marty was a graduate student, or Mr. Scorsese, which is what I had to call him, and still do when I see him 'cause he gave me a C.
Marty and I are playing with the same intensity. That's the beautiful thing, man, we're actually better now than ever, probably more intense now than ever, tighter now than ever.
Marty was an extraordinary person. Of all the boys I had dated, he was the only one who really cared that I had a brain. And he was always - well, making me feel that I was better than I thought I was.
First of all, Marty Foster is a really good fellow. No. 2, Google or YouTube the time he called Ben Zobrist out on a strike three against Joe Nathan couple years ago that gave Joe Nathan his 300th save.
Sometimes a producer and an artist get together and they make magic like Quincy Jones and Michael Jackson. As far as my own music career - you could liken my chemistry with Timbaland to Marty Scorsese and Robert De Niro.
I get tips from Bob Gaudio. And one of my songs somehow caught the attention of one of my idols, Marty Panzer, who wrote big hits for Barry Manilow. So two guys who inspired me to write lyrics are now teaching me to write.
Marty Baron, 'The Post's executive editor, stopped me in the elevator lobby late one debate night and suggested we look into the Trump Foundation specifically. I also became interested in researching Trump's broader history of charity.
I'm friends with Dierks Bentley. Aside from that, I don't really know anybody else in the country music field, really. I've met the Lady Antebellum people and I met Marty Stuart briefly once. He's really nice, but I don't know any of them, really.
I think the worst thing you could ever do is label comedy. I'm a fan of the broadness of Lucille Ball, the subtlety of Peter Sellers and the oddballness of Fred Armisen and the wittiness of Marty Short. I'm a fan of all of it, and I want to do all of it.
I traveled to Israel in a small party assembled by Marty Peretz, the editor-in-chief of 'The New Republic.' Other guests included Senator Al Gore and his wife, Tipper. Like every tourist group, we climbed Masada, floated in the Dead Sea, and visited a kibbutz.
In 2006 or something, I was recording the voices for this short, 'The Real Animated Adventures of Doc and Mharti.' I was having fun doing these really crappy Doc Brown and Marty McFly impressions. During the middle of a line, a burp came out naturally. It was just so funny and gross.
I was raised with 'Laurel and Hardy' and 'I Love Lucy' and Jerry Lewis, and I just loved it. And I had a friend in high school and we would just laugh all day and put on skits. You know, it's the Andy Kaufman thing or the Marty Short thing where you're performing in your bedroom for yourself.
Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.