Poverty, we may say, surrounds a man with ready-made barriers, which if they do mournfully gall and hamper, do at least prescribe for him, and force on him, a sort of course and goal; a safe and beaten, though a circuitous, course. A great part of his guidance is secure against fatal error, is withdrawn from his control. The rich, again, has his whole life to guide, without goal or barrier, save of his own choosing, and, tempted, is too likely to guide it ill.
The missionary is no longer a man, a conscience. He is a corpse, in the hands of a confraternity, without family, without love, without any of the sentiments that are dear to us. Emasculated, in a sense, by his vow of chastity, he offers us the distressing spectacle of a man deformed and impotent or engaged in a stupid and useless struggle with the sacred needs of the flesh, a struggle which, seven times out of ten, leads him to sodomy, the gallows, or prison.
I am no preacher of the old legal Sabbath. I am a preacher of the gospel. The Sabbath of the Jew is to him a task; the Lord's Day of the Christian, the first day of the week, is to him a joy, a day of rest, of peace, and of thanksgiving. And if you Christian men can earnestly drive away all distractions, so that you can really rest today, it will be good for your bodies, good for your souls, good mentally, good spiritually, good temporally, and good eternally.
At least when the Emperor Justinian, a sky-god man, decided to outlaw sodomy, he had to come up with a good practical reason, which he did. It is well known, Justinian declared, that buggery is a principal cause of earthquakes, and so must be prohibited. But our sky-godders, always eager to hate, still quote Leviticus, as if that looney text had anything useful to say about anything except, perhaps, the inadvisability of eating shellfish in the Jerusalem area.
In her own special, provocative language, Tonya Bolden gives a voice to the voiceless, a name to the nameless. Revelations abound in Strong Men Keep Coming, her singular take on the endless parade of black men who have fought, sung, cajoled, tricked, worked, wrote, or roped their way into the American experience . She has assembled a most rewarding cast, a phenomenal coterie of role models and phantoms, and she has done a splendid job of telling their stories.