Camping is nature's way of promoting the motel business.

I grew up in the motel business, and it evolved into hotels.

When I grow up, I want to have an exhibit called 'American Motel.'

At Motel 6 in Amish Country I wonder if they leave the light on for you?

I played the Holiday Motel on the circle in 1970. I know the Jersey Shore.

There is an audition floating around somewhere that I did for 'Bates Motel.'

Doug Motel makes 'conscious comedy'. He makes me laugh, and he makes me think.

A 'farm' today means 100,000 chickens in a space the size of a Motel 6 shower stall.

It will never be mistaken for a high school gymnasium or a meeting room in a Midwestern motel.

But I can also write in crappy motel rooms, while standing in line, or sitting in the dentist's chair.

And takin' a bath in the creek. That's the stuff that really made it worthwhile. Anybody can stay in a motel.

Paris is a Roach Motel for top American journalists: They check in, having won the plum foreign posting, but never leave.

I love 'Bates Motel.' I'm a huge Vera Farmiga fan, and I'm a huge Freddie Highmore fan. In fact, that entire principal casting.

I am a Chicagoan. I feel like I've simply been on vacation for 10 years in Los Angeles. But Chicago is a real place, and L.A. is a motel.

People assume that I'm this trashy motel girl, and that those are the only roles I can play, but I really take it seriously, and I know that I can do more.

There is something uniquely American about the motel: It speaks to the transient nature of America itself, one enabled and encouraged by our roads and highways.

We'd be working in our motel room through the night, and I'd come up with an idea at two in the morning, and he'd start jumping up and down, pacing across the room, or whatever.

These men both publicly and privately have done so much for me. Without Nathan Lane and Matthew Broderick I would be living in a little motel just around the corner here, trying to make ends meet.

If you got up this morning and had fruits for breakfast, it was probably picked by the bent back of an immigrant worker. If you slept in a hotel or motel of the nation, you probably had your room done by an immigrant worker.

I'm real. I believe what I'm saying. If Motel 6 wasn't the type of operation they say it is - and I stay at them when I travel - I wouldn't do their commercials. That comes through on the radio, and that's what it's all about.

My parents worked harder than anyone I have ever met. They had so many businesses. There was the motel, but throughout my childhood, they also had a drive-through dairy, a gas station, a clothing store, a computer reselling business.

When I was a kid, I worked as a clerk at my parent's motel. From when I was eight or nine, I rented rooms, helped with laundry, folding tons of towels. And then I also worked at my dad's gas station more as a young adult and as an adult.

There is a certain kind of respect for authenticity today that there wasn't back in the days when they did 'Cleopatra,' where everything looked like a giant motel. People want to have it be authentic in the look, and authentic in the way people behave.

I don't know of any wrestler who hasn't, at one time or another, been with a fan. One time I met a woman at a match in Tennessee, and afterward we went to a little roadside motel. We checked in, went to the room, and enjoyed each other for an hour or so.

People feel vulnerable when they travel. Nobody wants to be taken advantage of or talked into something they don't want. Staying at Motel 6 makes you feel smarter. In fact, I think it actually means you are smarter, but I have no hard data to support that.

I'm happy to report you still get nothing you don't need at Motel 6, and, therefore, you don't have to pay for it. I don't need valet parking. If I can drive the old crate 300 miles to the hotel all by myself, I can certainly handle the last nine feet to the parking space.

My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.

You cannot hear the name Martin Luther King, Jr., and not think of death. You might hear the words 'I have a dream,' but they will doubtlessly only serve to underscore an image of a simple motel balcony, a large man made small, a pool of blood. For as famous as he may have been in life, it is - and was - death that ultimately defined him.

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