Quotes of All Topics . Occasions . Authors
you are on the freeway threading through traffic now, moving both towards something and towards nothing at all as you punch the radio on and get Mozart, which is something, and you will somehow get through the slow days and the busy days and the dull days and the hateful days and the rare days, all both so delightful and so disappointing because we are all so alike and so different.
We all have that moment in life when something terrible happens for the first time. Something so unexpected, so awful, that it takes the magic out of the world. Life becomes harder, colder. And everything we do in our lives, from that day on, is our way of coping with that one moment. We stop living and we merely exist. We either choose to move on from that, or we let it consume us.
PRETTY LITTLE LIARS works as a metaphor for our central human experience: we have no way to objectively know about anything, no way to move forward with certainty, and yet move forward we must. We stumble through life, trying to find our own way, not knowing whom to listen to, whom to trust, whom to suspect, what to believe. But in that process we discover our most authentic selves.
I listened more than I asked. There's a lot of information online, so many Youtube videos, countless interviews with all those obvious questions that were all answered for me. I just wanted to absorb her essence. I wanted to see the details, she has such mad style. I just wanted to see - the way she communicates with her hands, these gestures, her smile, how she moves through space.
Putin is a despot, and he's a very good despot. And he will see things in a narrow way. What is good for Russia? That is what he will do. If that's represented by a move toward the Baltic, that would be very dangerous, but he would do it, on the assumption that he would ask himself the question: I am prepared to fight for Estonia. Is the United States? Is Germany? Is Britain, France?
It is as though the practices organizing a bustling city were characterized by [city practitioners', everyday citizens'] blindness. The neworks of these moving, intersecting writings compose a manifold story that has neither author nor spectator, shaped out of fragments of trajectories and alterations of spaces: in relation to representations, it remains daily and indefinitely other.
All over India, all over the world, as the sun or the shadow of darkness moves from east to west, the call to prayer moves with it, and people kneel down in a wave to pray to God. Five waves each day - one for each namaaz - ripple across the globe from longitude to longitude. The component elements change direction, like iron filings near a magnet - towards the house of God in Mecca.
Popular success is a wonderful gift if it happens, but like money, it's not the motivation. The effort to create a work of art that is true and potentially lasting, that is the very best work of art you can create at that point in your life - a book that may only reach or move a few people but will seem to people somehow transformative. That's the ideal; that's always the motivation.
Those of us that get to a certain level, we have to start giving back to our communities, giving information it's something that you have to do. It's either realize that you're a great individual by nature and move towards that or just accept the white man telling you: 'you're never going to prosper, this world isn't meant for you to prosper, we have privilege, you don't, that's it.'
But sometimes, maybe most times, it isn't that clear. It is dark and you are near the edge of a cliff, but you're moving slowly, not sure which direction you're heading in. Your steps are tentative but they are still blind in the night. You don't realize how close you are to the edge, how the soft earth could give away, how you could just slip a bit and suddenly plunge into the dark.
Don't settle down and sit in one place. Move around, be nomadic, make each day a new horizon. You are still going to live a long timeand it would be a shame if you did not take the opportunity to revolutionize your life and move into an entirely new realm of experience.My point is that you do not need me or anyone elseThe only person you are fighting is yourself and your stubbornness
I kept the fingers of my left hand crossed all the time, while on my right-hand fingers I counted anything at all—steps to the refrigerator, seconds on the clock, words in a sentence—to keep my head occupied. The counting felt like something to hang on to, as if finding the right numbers might somehow crack the code on whatever system ran the slippery universe we were moving through.
If two or three hundred years from now an earthbound civilization is dying ... and they look back at the opportunity that we have here at the close of the twentieth century to move out into space and they see that we didn't do anything with it ... I don't want history to judge us on having blown this opportunity, and I think history will judge us on this more than on any other issue.
What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there.
The industry in Japan moving toward CGI is not as severe and extreme as in the U.S. The animation industry in the U.S. is firing 2D animators and closing those studios, but I think it's possibly because the national traits of the U.S. prefer super-realism. Since Japan is a country that prefers plane vision, I don't think we will leave 2D and substitute hand-drawing with CGI entirely.
Sometimes it happens that you become one, in some rare moment. Watch the ocean, the tremendous wildness of it--and suddenly you forget your split, your schizophrenia; you relax. Or, moving in the Himalayas, seeing the virgin snow on the Himalayan peaks, suddenly a coolness surrounds you and you need not be false because there is no other human being to be false to. You fall together.
In contrast to the knowledge that keeps man in a passive quietude, Desire dis-quiets him and moves him to action. Born of Desire, action tends to satisfy it, and can do so only by the 'negation,' the destruction or at least the transformation, of the desired object: to satisfy hunger, for example, the food must be destroyed or, in any case, transformed. Thus all action is 'negating'.
It's true that the level of scientific knowledge among adults is very low, but that's not because there isn't a natural interest. I think most kids are fascinated by the natural world. I've often said that if you could quantify the mental power involved in all the dinosaur names correctly known and correctly spelled by 5-year-old kids in America, you could move any mountain on earth.
The only dating advice I have to offer is: Expect the guys in your life to be kind and respectful. Don't make excuses for garbagey behavior-'Oh, that's just what guys are like.' It isn't true. Expect them to be good, treat them like they're good. And if they're garbagey, move on. Don't let your world get cluttered up with people who think they have some gender-based right to be awful.
To enjoy your goals, think of them as signposts, pointing you in a certain direction. They give you a focus and help your energy to get moving. The way you go is up to you; you can get very uptight focusing only on getting to your goal or you can relax and enjoy the entire journey, appreciating every unexpected bend and turn of the road, every new opportunity for learning and feeling.
Suppose a number of equal waves of water to move upon the surface of a stagnant lake, with a certain constant velocity, and to enter a narrow channel leading out of the lake. Suppose then another similar cause to have excited another equal series of waves, which arrive at the same time, with the first. Neither series of waves will destroy the other, but their effects will be combined.
Dominion does not mean domination. We hold dominion over animals only because of our powerful and ubiquitous intellect. Not because we are morally superior. Not because we have a "right" to exploit those who cannot defend themselves. Let us use our brain to move toward compassion and away from cruelty, to feel empathy rather than cold indifference, to feel animals' pain in our hearts.
And for those of us who have, you know, looked in sort of the established order of the political fray over the course of the past several years, it looks like chaos. But to the people I think it looks like democracy. And I think that that's something that really is moving us to a new reality, where the parties are going to have to retrofit themselves and adapt to this new realignment.
Well, the task I've set forth will long outlive our own generation. But together, we too have come through the worst. Let us now begin a major effort to secure the best- a crusade for freedom that will engage the faith and fortitude of the next generation. For the sake of peace and justice, let us move toward a world in which all people are at last free to determine their own destiny.
You have to be very productive in order to become excellent. You have to go through a poor period and a mediocre period, and then you move into your excellent period. It may be very well be that some of you have done quite a bit of writing already. You maybe ready to move into your good period and your excellent period. But you shouldn't be surprised if it becomes a very long process.
I think Donald Trump should be delegitimized for many reasons. And his response to this hacking is also cause for delegitimization. But to say we should move on, when the bedrock of American democracy, the sanctity of our elections, has been messed with, just raises suspicions. His denial of it happening or its seriousness shows that there is something really amiss from his end of it.
The universe seems to me infinitely strange and foreign. At such a moment I gaze upon it with a mixture of anguish and euphoria; separate from the universe, as though placed at a certain distance outside it; I look and I see pictures, creatures that move in a kind of timeless time and spaceless space, emitting sounds that are a kind of language I no longer understand or ever register.
Not ever having been an agent myself, my sense is that upper-level agents who have the most power, who can move people through the system more easily, are less willing to take on the volume of work to break somebody new. And then lower-level people, if they are willing to take on somebody new, they don't necessarily have as much sway, and it's harder for them to push somebody through.
I'm quite optimistic. I'm also a realist. And I hope, you know, things work out. I don't think that the world will ever know peace. Complete peace in all countries. I think perhaps that's not in our makeup to do this although we can pray for it and work for it. But I think that the building blocks of peace are moving into shape, and I think that the world is going to be a better place.
The challenge has always been to wrest emotion out of a [doll's] face that we think of as only having one emotion. It's moving a light, moving my camera; it's just this mental investment that I make, and suddenly, everything changes. Parenthetically, I have to say, I don't particularly like dolls, nor have I ever liked them. That's something I really wanted to get out there right away.
If you look at the Gulf War or new military technologies, they are moving towards cyberwars. Most video-technologies and technologies of simulation have been used for war. For example, video was created after the Second World War in order to radio-control planes and aircraft carriers. Thus video came with the war. It took twenty years before it became a means of expression for artists.
The point is, I can’t tell you how to succeed. But I can tell you how not to: Give in to the shame of being rejected and put your manuscript—or painting, song, voice, dance moves, [insert passion here]—in the coffin that is your bedside drawer and close it for good. I guarantee you that it won’t take you anywhere. Or you could do what this writer did: Give in to your obsession instead.
He reached across and fingered the pendant; I felt it move against my skin. "Willow, look," He said. "We haven't talked much about what might happen, but...you know that I always want to be with you, right? I mean--no matter what." And I had known it; I felt it every time he held me--but even so, actually hearing the words made my heart catch. "I want that, too," I said. "Always, Alex.
Synchronicities, epiphanies, peak, and mystical experiences are all cases in which creativity breaks through the barriers of the self and allows awareness to flood through the whole domain of consciousness. It is the human mind operating, for a moment, in its true order and moving through orders of increasing subtlety, reaching past the source of mind and matter into creativity itself.
Jenny Offill's Dept. of Speculation resembles no book I've read before. If I tell you that it's funny, and moving, and true; that it's as compact and mysterious as a neutron; that it tells a profound story of love and parenthood while invoking (among others) Keats, Kafka, Einstein, Russian cosmonauts, and advice for the housewife of 1896, will you please simply believe me, and read it?
Not only does a journey transport us over enormous distances, it also causes us to move a few degrees up or down in the social scale. It displaces us physically and also for better or for worse takes us out of our class context, so that the colour and flavour of certain places cannot be dissociated from the always unexpected social level on which we find ourselves in experiencing them.
The heavy is the root of the light. The unmoved is the source of all movement. Thus the Master travels all day without leaving home. However splendid the views, she stays serenely in herself. Why should the lord of the country flit about like a fool? If you let yourself be blown to and fro, you lose touch with your root. If you let restlessness move you, you lose touch with who you are.
When you achieve it fully, you create something that's transparent - that people can move into and through their own experiences. As a writer, I don't want people spending time thinking, "What does she mean?" I want, in a way, my text to go away. So that the words on the page become a door to one's own internal investigation. It's just a passage. If the work does its job, it just opens.
In the spiritual world there are no time divisions such as the past, present and future; for they have contracted themselves into a single moment of the present where life quivers in its true sense. The past and the future are both rolled up in this present moment of illumination, and this present moment is not something standing still with all its contents, for it ceaselessly moves on.
I think there is just this inherent understanding between us at a subconscious level when we play. It's like we anticipate each other's next move before it's made and we all land together somehow. It's that "something" that really good bands have that makes what they do unique. It's also something that is easy to take for granted, especially as the years spent performing together go by.
We should prepare to go over to the offensive. Our aim is to smash Lebanon, Trans-Jordan and Syria. The weak point is Lebanon, for the Moslem regime is artificial and easy for us to undermine. We shall establish a Christian state there and then we will smash the Arab Legion, eliminate Trans-Jordan; Syria will fall to us. We then bomb and move on and take Port Said, Alexandria and Sinai.
The Greeks had two words for time. Chronos is the time we usually keep an eye on. Kairos was our participation of time. Time that moves us so that we lose our sense of time; timeless time; moments at which the clocks seems to stop; feeding, renewing, more motherly time. It's the time with which we feel one instead of outside of it, the self, the tao, the love that connects us to others.
It's such a bullshit move. Transparently so. It's obviously supposed to give succor to people who feel pissed off because someone from another country got a job that they feel should've been given to them. But that's what people voted against here. They voted against the movement of labor - that kind of fluidity - because they want a Britain that no longer exists, and they can't get it.
It's like everybody's sitting there and they have some kind of veil over their face, and they look at each other through this veil that makes them see each other through some stereotypical kind of viewpoint. If we're ever gonna collectively begin to grapple with the problems that we have collectively, we're gonna have to move back the veil and deal with each other on a more human level.
You know I told the Lord, "Why can't I just move in healing and forget talking about all that other stuff." He said: " Because, Todd, you've got to get the people to believe in the angel". I said, "Why do I want people to believe in the angel. Isn't it about the people believing in Jesus?" He said, "The people already believe in Jesus but the church doesn't believe in the supernatural."
Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
If you lack initiative, recognize that the problem comes from the inside, not from others. Determine why you hesitate to take action. Does risk scare you? Are you discouraged by past failures? Do you not see the potential that opportunity offers? Find the source of your hesitation, and address it. You won't be able to move forward on the outside until you can move forward on the inside.
I told Hugh Hefner, "I have this crazy boyfriend." And Hef was like, "You're not going anywhere with a crazy boyfriend," and so he put me in a mansion in Bel-Air with an opera singing Chinese maid, and I was driving a Bentley, and a friend of mine came by and was like, "What is going on? Why are you living in this mansion?" And I was like, "Isn't this what happens when people move to LA?
Popular piety is one of our strengths because it consists of prayers deeply rooted in people's hearts. These prayers even move the hearts of people who are somewhat cut off from the life of the Church and who have no special understanding of faith. All that is required is to 'illuminate' these actions and 'purify' this tradition so that it may become part of the life of the Church today.
Every reader of the Conversations with the God is invited to self-select, that is, to choose themselves, to be among those who commit to moving forward their own individual and personal evolution by embracing and demonstrating behaviors that serve to awaken the species to who and what human beings really are Individuations of Divinity, and how that may be made manifest in our experience.