Moving Quotes - Page 218

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It is a delicious thing to write, to be no longer yourself but to move in an entire universe of your own creating. Today, for instance, as man and woman, both lover and mistress, I rode in a forest on an autumn afternoon under the yellow leaves, and I was also the horses, the leaves, the wind, the words my people uttered, even the red sun that made them almost close their love-drowned eyes.

In today's retail environment, competition comes from every conceivable retail format. To succeed, we have to operate more efficiently and compete more effectively against players at all levels of the retail demographic. There is no question that this is a bold and exciting move, and one I believe will have a positive impact on competitive retailing for American consumers in the longer term.

I don't think that stability and the status quo go together at all, not in a flat world where people are integrated, where women are assuming new roles, where young people want to be consulted and participate. I think the trick is to open up, move down the path of reform, do it in a way that is consistent with your own society's stability and culture, and just don't think you can do nothing.

That’s what it was like to be alive. To move about in a cloud of ignorance; to go up and down trampling on the feelings of those...of those about you. To spend and waste time as though you had a million years. To be always at the mercy of one self-centered passion, or another. Now you know- that’s the happy existence you wanted to go back to. Ignorance and blindness. -Simon Stimson, OUR TOWN

Taking a deep breath that smelled of rain, she was poised to move when a hand clasped her elbow. Memories of another hand grabbing her sent panic shooting through her veins. She swung around. "Whoa. You okay?" Lucas lightened his clasp around her arm. Kylie caught her breath and stared up at the werewolf's blue eyes. "Yeah. You just...surprised me. You need to whistle when you come up on me.

In a car you're always in a compartment, and because you're used to it you don't realize that through that car window everything you see is just more TV. You're a passive observer and it is all moving by you boringly in a frame. On a cycle the frame is gone. You're completely in contact with it all. You're in the scene, not just watching it anymore, and the sense of presence is overwhelming.

I think writing comics is predicated on being a fan - there's no either/or. I'd argue I'm an even bigger fan now than when I started because I know how the hot dogs get made. And I kinda always saw the moving parts. I think I appreciate the good ones more now that I realize how lousy the production process can be, how hard it can be, and how easily something good can get crushed in its cogs.

There are a million moving parts to raising kids, and you can't always anticipate them all, especially when they are teenagers and their peers play such a huge role in their lives. If you offer independence, there is one kind of pitfall; if you shelter them too much, there is another. And sometimes you do everything right and something bad just happens. It's as simple, and as scary, as that.

I mean, I understand that Scrubs was my big break, but sooner or later you have to move on. I've already directed a movie, which received very good reviews, so it just seems much more important to me now. I feel that in order to better foster my creativity as an actor and director at this point, I need to be surrounded by other talented, artistic individuals, instead of just goofy comedians.

In Alaska, the beaches are slumping so much, people are having to move houses. In Tuktoyaktuk, the land is starting to go under water. The glaciers are melting and the permafrost is melting. There are new species of birds and fish and insects showing up. The Arctic is a barometer for the health of the world. If you want to know how healthy the world is, come to the Arctic and feel its pulse.

Don't bring your sand toys to the park. That's another bad move. Because I go to the park, and I'm on the Vicodin and a little weed too - let's face it - and I go in there, and my wife's like, 'Bring the sand toys! Bring the sand toys!' And I know what happens every single time: I become sand toy repo man from the eight little kids that run off in nine different directions with my sand toys.

I wouldn't join the International Criminal Court. This is a body based in The Hague where unaccountable judges, prosecutors, could pull our troops, our diplomats up for trial. And I wouldn't join. And I understand that in certain capitals of, around the world that that wasn't a popular move. But it's the right move not to join a foreign court that could, where our people could be prosecuted.

As artists, we belong to an ancient and holy tribe. We are the carriers of the truth that spirit moves through us all. When we deal with one another, we are dealing not merely with our own human personalities but also with the unseen but ever-present throng of ideas, visions, stories, poems, songs, sculptures, art-as-facts that crowd the temple of consciousness waiting their turn to be born.

The gift moves towards the empty place. As it turns in its circle it turns towards him who has been empty-handed the longest, and if someone appears elsewhere whose need is greater it leaves its old channel and moves toward him. Our generosity may leave us empty, but our emptiness then pulls gently at the whole until the thing in motion returns to replenish us. Social nature abhors a vacuum.

It is well for civilization that human beings constantly strive to gain greater and greater rewards, for it is this urge, this ambition, this aspiration that moves men and women to bestir themselves to rise to higher and higher achievement. Individual success is to be won in most instances by studying and diagnosing the kind of rewards human hearts seek today and are likely to seek tomorrow.

If I was to see any of my films now I would feel, oh god you know it's awful I could do that so much better now. Look at all the terrible things I did and all the mistakes and all the compromises and all the blunders I made, and it would be such a terrible experience for me to see them. So it's better that I put it out and move on to the next thing and make it history as quickly as possible.

This is the mythosphere. It's made up of all the stories, theories and beliefs, legends, myths and hopes, that are generated here on Earth. As you can see, it's constantly growing and moving as people invent new tales to tell or find new things to believe. The older strands move out to become these spirals, where things tend to become quite crude and dangerous. They've hardened off, you see.

Aging gracefully is one thing, but trying to slow it down is another. Sometimes I use Botox. Compared to most, I use it very sparingly. One time I did too much, though. I feel weird if I can't move my face, and that one time I overdid it, I felt trapped in my own skin. I don't have a problem with any of that stuff; if it makes you feel better about yourself and it's done properly, then fine.

My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?

Lemurs are extraordinarily leapers. I mean they are just really going from tree to tree and then if there is not a tree, they just come down to the ground very gracefully. But it is the music that makes them seem to be dancing. They are basically getting from one place to another and that's just natural for them. They are just natural acrobatic dancers, just the way they move. It's beautiful!

digital hub (center of our universe) is moving from PC to cloud - PC now just another client alongside iPhone, iPad, iPod touch, ... - Apple is in danger of hanging on to old paradigm too long (innovator's dilemma) - Google and Microsoft are further along on the technology, but haven't quite figured it out yet - tie all of our products together, so we further lock customers into our ecosystem

If the poem is so moving that even if you have no experience in that particular setting be it 1920's Harlem let's say. You still are so moved that you can put yourself in that position. That means that the writer has managed to go beyond the personal and touch the humanity in all of us and it's really a blast to read it because I realize how that this does hold true for the truly great poems.

The simplicity of the law by which the celestial bodies move, and the relations of their masses and distances, permit analysis to follow their motions up to a certain point; and in order to determine the state of the system of these great bodies in past or future centuries, it suffices for the mathematician that their position and their velocity be given by observation for any moment in time.

I do music mainly just for myself in the beginning, and of course it's great when I get a reaction, but I'm more interested in hearing something unusual to my ears, and that's what I'm also looking for in other people's music. It's not interesting to look for a sound that is made to make everyone on the planet move - I wanna have both, I want something danceable but very creative and unusual.

When I think about sanctification, a couple things immediately pop into my head. One is how slow it actually is. I think everybody wants the silver-bullet, the thing that makes sanctification move like a superhighway rather than the dirt path that it is. The other is that, by in large, the greatest single asset in ongoing sanctification is a serious pursuit of joy in the face of Jesus Christ.

I feel like in American fiction we're moving out of a period of intense irony, and I'm very glad about that. I feel like irony is fine for its own sake but shouldn't be the sole reason to write a book. It has been an ironic world view: that's the best way I can describe it. I'm a fan of earnestness. I feel like there's a new wave of earnestness and I'd be happy if I'm some small part of that.

Precise, graceful, and generous, the poems in SuperLoop, seem to be born out of a deep, careful attention and a profound compassion. Sometimes the quiet observer, sometimes the kid in the center of the messed-up carnival, these poems are the fireflies you’ve missed all winter, the longed-for return of the bees. Unaffected and inherently hopeful, Callihan’s work is as merciful as it is moving.

God was on the move; God is on the move; and God will always be on the move. Those who walk with God and listen to God are also on the move. Reading the Bible so we can live it out today means being on the move—always. Anyone who stops and wants to turn a particular moment into a monument, as the disciples did when Jesus was transfigured before them, will soon be wondering where God has gone.

And it seems people should not build houses anymore it seems people should stop working and sit in small rooms on second floors under electric lights without shades; it seems there is a lot to forget and a lot not to do and in drugstores, markets, bars, the people are tired, they do not want to move, and I stand there at night and look through this house and the house does not want to be built

Dreams are a reservoir of knowledge and experience yet they are often overlooked as a vehicle for exploring reality. In the dream state our bodies are at rest, yet we see and hear, move about and are even able to learn. When we make good use of the dream state it is almost as if our lives were doubled: instead of a hundred years we live to be two hundred -- Tibetan Buddhist Tarthang Tulku from

Thanksgiving is a holiday that brought together two different cultures. The pilgrims came here with the best intentions. They decided to flee an oppressive people and move to a new land. Where they thrived. And became an oppressive people. You get certain people on the same continent, there's going to be a problem. Pilgrims and Indians. Protestants, Catholics. My family, anybody else's family.

Love, experienced thus, is a constant challenge; it is not a resting place, but a moving, growing, working together; even whether there is harmony or conflict; joy or sadness, is secondary to the fundamental fact that two people experience themselves from the essence of their existence, that they are only one with each other by being one with themselves, rather than by fleeing from themselves.

Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error, a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory.

I think what we want to do is - when we choreograph, when we design choreography, we try to take it from a character standpoint first. Obviously you write a script and it's like, a Jason Bourne or a John Wick or something like that, you don't start choreographing double twisting wire moves and backflips, or doing the splits. You try to keep it so it fits the character, or the tone of the film.

Take note, theologians, that in your desire to make matters of faith out of propositions relating to the fixity of sun and earth you run the risk of eventually having to condemn as heretics those who would declare the earth to stand still and the sun to change position-eventually, I say, at such a time as it might be physically or logically proved that the earth moves and the sun stands still.

Photography is essentially an act of recognition by street photographers, not an act of invention. Photographers might respond to an old man’s face, or an Arbus freak, or the way light hits a building—and then they move on. Whereas in all the other art forms, take William Blake, everything that came to that paper never existed before. It’s the idea of alchemy, of making something from nothing.

An important part of building a new culture was allowing people to complain about their past. At first, the more they complained, the worse the past would seem. But by venting, people could start to resolve the past. By bitching and bitching and bitching, they could exhaust the drama of their own horror stories. Grow bored. Only then could they accept a new story for their lives. Move forward.

Those then who know not wisdom and virtue, and are always busy with gluttony and sensuality, go down and up again as far as the mean; and in this region they move at random throughout life, but they never pass into the true upper world; thither they neither look, nor do they ever find their way, neither are they truly filled with true being, nor do they ever taste of pure and abiding pleasure.

In case you haven't noticed, they're moving a lot faster. I don't know about the laws of physics on your planet, but where I come from an object moving at subclass speed can't catch up to one running at starclass. But if you know something about turbines, thrusters and engines, quantum or classical physics that I've somehow missed, then please enlighten me. - Caillen Dagan to Desideria Denarii

As I have come to realize that we all live and move and have our being in God, the names of each person, species, creature, and element are superimposed over God's name. God is reality; God is the source of reality of each of us. Panentheism seeing the world as in God - puts God's "name" first, but each of our names are included and preserved in their distinctiveness within the divine reality.

We can assume that most people, most of the time, are moral creatures. But imagine that this morality is like a gearshift that at times gets pushed into neutral. When that happens, morality is disengaged. If the car happens to be on an incline, car and driver move precipitously downhill. It is then the nature of the circumstances that determines outcomes, not the driver's skills or intentions.

The apex of perfection in equestrian art is not an exhibition of a great deal of different airs and movements by the same horse, but rather the conservation of the horse's enjoyment, suppleness and finesse during the performance, which calls for comparison with the finest ballet, or performance of an orchestra, or seeing a play by Racine, so moving is the sight of perfectly unisoned movements.

At any rate, if evolution turns out to be true, then the Christian should embrace it as one dedicated to following the truth wherever it leads. This might mean reworking his interpretation of Genesis on the subject-much like Christians have had to rework their interpretation of biblical passages referring to the sun rising and setting, the earth not moving, or the earth resting on foundations.

If you never left anything or anyone there would be no room for the new. Naturally, to move on is an infidelity -- to others, to the past, to old notions of oneself. Perhaps every day should contain at least one essential infidelity or necessary betrayal. It would be an optimistic, hopeful act, guaranteeing belief in the future -- a declaration that things can be not only different but better.

Being alive is so extraordinary I don’t know why people limit it to riches, pride, security—all of those things life is built on. People miss so much because they want money and comfort and pride, a house and a job to pay for the house. And they have to get a car. You can’t see anything from a car. It’s moving too fast. People take vacations. That’s their reward—the vacation. Why not the life?

I'm representing the United States. And I'm representing the United States, and my office is representing the United States day after day in front of the court. And I think it's the right thing to do, to carry that out with some dignity and some respect for the process and respect for the institution. And so that led me to just, you know, move the dial a little bit in the direction of calmness.

Oil platforms are a technology for floating permanently on the high seas, and cruise ships are a technology for self-governance on the high seas, and if you combine these two technologies, imagine cruise ships that never dock but float permanently. Imagine if they were 10 times as big. Imagine if they were modular and could move about and you could choose the neighbours you wanted to live with.

It's possible at any time during a player's career to get into top physical shape or to try to win every game! But you can't teach skills to an old player. Youth coaches should keep in mind that individual skills need to be nurtured at an early age. Players who haven't mastered the fundamental skills become frustrated because the game gets too difficult for them as they move into higher levels.

Every time the tour guide told a story, he would build it up to the point where he'd say, "And there was Bloody Joe, and his young ghost son walked into the room." He would build it up, and then it was just "the ghost walked into the room." And he would say, "Let's move on," and that would be it. It's like, wait, what happened to the bloody ghost? That's it? We knew he was making some of it up.

Like running the hurdles. Work so hard, jump over every one, fast, high enough but no higher, because you can't afford to hang in the air. And then, when the race is over, you're dripping with sweat, either they beat you or you beat them ... and then a couple of guys come out and move the hurdles out of the way. Turns out they were nothing. All that work to jump over them, but now they're gone.

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