Quotes of All Topics . Occasions . Authors
I went to an exhibition at San Francisco's Asian Art Museum about Shanghai, about how courtesans had been influential in bringing western culture to Shanghai. I bought a book and in it saw this striking group of women in a photograph called 'The Ten Beauties of Shanghai'.
One of the maddening things about being a foreigner in France is that hardly anyone in the rest of the world knows what's really happening here. They think Paris is a socialist museum where people are exceptionally good at eating small bits of chocolate and tying scarves.
We do have Museums of African American Art in the United States, and there is a National Museum of Women's Art. However, I believe Latinos are best served by displaying their art next to the art of other groups, particularly North American, European, and even Asian artists.
Art was not a thing for my family and is still not a thing for my family. My family will not go to a museum unless I say we have to go there. That's why I really feel like it was something I was supposed to do because there was no directive that pushed me in that direction.
Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
I created a successful outdoor youth festival - the Liverd festival - against all good advice. It was a great way to explore and investigate social sculptures. Having that as my kind of studio, outside of a museum or precious white-cube gallery, that was a kind of education.
Because of my job, I get a lot of opportunity to grab a few days here and there in many cool cities for press commitments, magazine shoots and premieres - Barcelona, Madrid, Rome, Paris, Stockholm, New York, Berlin. I always try to get to a gallery or museum if there's time.
You put on this set of goggles, and within seconds, your brain is convinced you're now in a different, virtual environment. You're somewhere else, and that somewhere else may be a video game, it may be in a real-time movie, a museum exhibit, or a medical surgical training app.
Writing a screenplay's not rocket science, but I was in a bar, and the bartender came up to me and said, 'I saw 'Night at the Museum,' and the thing about him and his kid brought me and my kid together.' Something like that... it's like, 'Oh, right. That's why we're doing it.'
The Museum of the Bible, the sprawling, 430,000-square-foot tribute to the good book, has been dogged by controversies long before opening day. It's been criticized for not including enough Jesus, for excluding various religious traditions, and for being evangelical propaganda.
The small amount of people that control the discourse around painting - I thought that the whole museum world was just a bunch of phonies, and I didn't really want to have anything to do with it. I guess I did installations, in a funny way, because they couldn't be commodified.
For a while I thought I would work in museums, so my first job after college was an internship at the 9/11 Museum. I quickly found out that I did not want to do that. So I signed up for culinary school, and directly following culinary school, I went to graduate school at McGill.
If I went to somewhere busy, I wouldn't last very long. I can't go to a museum - I'll last 10 or 15 minutes in a museum. The problem is that when one person asks for a photograph, then someone sees a flash goes off, then everyone else sort of... it's sort of like a domino effect.
The 'Robben Island Bible' has arrived at the British Museum. It's a garish thing, its cover plastered with pink and gold Hindu images, designed to hide its contents. Within is the finest collection of words generated by human intelligence: the complete works of William Shakespeare.
The need for reflection and restraint of power is what led Louis Freeh to order that all new agent classes visit the Holocaust Museum here in Washington so they could see and feel and hear in a palpable way the consequences of abuse of power on a massive, almost unimaginable scale.
The Web meant that I didn't have to schlep a whole bunch of stuff to a museum and fight with all their constraints and make something that, in the end, only 150 people would actually get out to see. Instead, I could put something together in my lab and make it accessible to the world.
Is keeping Big Oil happy with subsidies from the American people more important than addressing our deficit? Should a billionaire who makes a multi-million-dollar gift to a museum receive more tax bang for his charitable buck than a middle-class family who gives to their local church?
I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.
The fact is that the British Museum had a complete specimen of a dodo in their collection up until the 18th century - it was actually mummified, skin and all - but in a fit of space-saving zeal, they actually cut off the head and they cut off the feet and they burned the rest in a bonfire.
I think I was eight the first time I saw the Benin bronzes. I was taken to see them at the British Museum by my white, British mother, who felt it important that her half-Nigerian children learned about the artistic achievements of their forefathers. I've been entranced by them ever since.
Zaha Hadid's Maxxi Museum is proof that Rome and contemporary architecture are no longer a paradox. The building is characteristic Hadid - with curving lines and organic shapes - and the permanent collection already boasts works by Francesco Clemente, William Kentridge, and Gerhard Richter.
Marlins Park is what I call my office in Miami, because I work for the Venezuelan Museum of Baseball and Hall of Fame. My job is to go to all the MLB stadiums and to talk to and collect articles from all the Venezuelan players in the big leagues and those Americans that played in Venezuela.
I'm going to put a museum on my ranch and people keep saying, 'That's a huge idea.' Yeah, it's big, but not bigger than the average big movie. A hundred million dollars in the art world is a substantial amount of cash to do anything. That's maybe a big gallery's total sales for a given year.
Even if you can't afford to travel the world, you can take your children to the museum, zoo or local park. And don't be afraid to take them to grown-up spots. Eating out in a restaurant teaches children how to be quiet and polite and gives them the pleasure of knowing you trust them to behave.
The idea of the museum is to show my work since the start, and I wanted to show all of it, not just to choose between different pieces. They are grouped together in themes - minimalism, androgyny, black and white, graphic, flowers, and so on - from the earliest designs to the most recent ones.
I first thought about doing a project about Anna Wintour and 'Vogue' when I read an article in 'New York Magazine' about the Metropolitan Museum Costume Institute Ball, the annual fundraising gala that Anna oversees. It created such a fascinating portrait that I couldn't help but be compelled.
I left Kurdistan in April 2003 with the peshmerga, following their excited advance as Saddam's forces crumbled. First Kirkuk, then Mosul - where looters broke into the city museum and seized its Parthian sculptures - then Tikrit. I reported from Baghdad in month-long stints until the end of 2004.
I'll be giving a speech at the randomest place, like a bank or something, and a guy in a suit will say, 'I'm totally freaked out that I'm talking to the girl from 'Cremaster.' For the rest of my life, that movie will be playing in a museum somewhere. I never could have expected that huge response.
I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!
Until the Eighties, Oslo was a rather boring town, but it's changed a lot, and is now much more cosmopolitan. If I go downtown, I visit the harbour to see the tall ships and the ferries, and to admire the modern architecture such as the Opera House or the new Astrup Fearnley Museum on the water's edge.
Once they have actually left office, we seem to grow fonder of our ex-presidents - and they of each other. That's why so many sighed in approval at Michelle Obama's public display of affection with George W. Bush at last month's dedication of the National Museum of African-American History and Culture.
We would go in there with our parents once in a while for - actually go into Manhattan for dinner, weekends occasionally to a museum, but most of my memories of traveling into Manhattan was with the school trips and then later on as we got, you know, into high school, kind of on our own and with friends.
I bought a year's production of flax from a single field owned by a Dutch producer. That's 10,000 kilograms of flax, enough to enable industrial level production. Now, I'm weaving it into tablecloths, tea towels, and other items at the Textile Museum in Tilburg. I'm producing hundreds of grown-up products!
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
There are hundreds of Frank Lloyd Wright buildings around the United States and in other countries, too. Wright lived into his 90s, and one of his most famous buildings, the Guggenheim Museum in New York, was completed just before his death. Wright buildings look like Wright buildings - that is their paradox.
You may not see massive UFO exhibits at your local science museum, but there's no dearth of saucer stories infesting my email. Every day, I receive several reports of alien sightings, extraterrestrial plans for Earth, and agitated screeds about the reluctance of scientists to take the whole subject seriously.
Against expectations I was charmed by Gehry's Edgemar development, which housed the Santa Monica Museum of Art, and positively awed by the Bilbao Guggenheim. That Gehry is a great artist I have no doubt, but talent and determination are no warrant against confusion, nor are they a guaranty to produce great art.
The whole experience co-curating the Biennial was a learning experience. The Suburban and The Poor Farm are not institutions. They are not by design, organized around power structures. Because I am someone who thrives on delineating context, seeing up close the inner workings of the museum was not wasted on me.
If you see a wonderful archaic Greek marble object in a museum, it's not only that it's beautiful, but what comes to your mind is the fact that it's 2,600 or so years old, and it was done by a human being at that time who you have such a limited ability to grasp - and yet you have this enormous ability to grasp.
There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency.
I do try to get to a new part of London every week, visit a museum once or twice a week if possible.
Museums are tombs, and it looks like everything is turning into a museum.
I'd like to design something like a city or a museum. I want to do something hands on rather than just play golf which is the sport of the religious right.
A museum is a spiritual place. People lower their voices when they get close to art.
I also got a chance to go to the American Museum in New York, which helped my interest.
What I hope is I'll eventually be seen as an actual individual, not as some abstraction - an art dealer running a museum.
I would like to bring people who have never been to a museum into a museum. And I would like to bring museum goers into libraries. I think there ought to be this cross-fertilization.
I do not think that a museum needs to engage with pop culture in order to make itself interesting to museumgoers. Museums are already interesting and engaging with pop culture for its own sake is just a quick way to seem and become dated.
That which, perhaps, hears more nonsense than anything in the world, is a picture in a museum.
I went to art school... but I worked at the Museum of Modern Art. I worked in fundraising at the information membership desk. I ended up, over a period of time, doubling the amount of membership revenue that came in through people entering the museum, so people would ask me to come and work for them.