Quotes of All Topics . Occasions . Authors
Disco is music for dancing, and people will always want to dance.
Myspace was always a bit edgy. People identified it with edginess and music.
People thought I disappeared, but I never went away. Music has always been a priority.
I always feel like young people are more emotionally in tune with new and timeless music.
I'm always flattered and honored when people cover my music or sing my songs, no matter where it is.
People always want to talk about who I was, but I've always been singing, always been experimenting with pop music.
I've always appreciated having a wide music taste, despite making what a lot of people would call electronic music.
I always say that the problem with jazz accessibility is not the content of the music, it's people's ability to access it.
My favorite music is never the music that anyone else likes, and other people's favorite songs are always my least favorite.
I've always loved to prove people wrong. I want to be able to cross color lines, because in music, there really is no barrier.
I've always been drawn to people who dance to the beat of a different drum; it didn't matter if they were in film or music or fashion.
Music is such a balm. Always has been. It's such a heartbeat, like blood thrumming through the womb. That's why music appeals to people.
I adopted this idea whether I was going to end up making music for three people in a bar or Wembley Stadium, I was always going to do music.
I want people to listen to my music and everyone to feel included, and I think it's kind of working because all my audiences are always so colorful.
I've always said that Adele has turned so many people on to British singers - whether female singers or just like music from this country in general.
When I do listen to music, I'm more prone to listen to the people I've always listened to: George Jones, Otis Redding, Alison Krauss and Emmylou Harris.
Honestly, I never felt like I wasn't an artist on my own. I always felt like the music I made was mine, whether it was part of a collaboration with people.
Music is always occurring. It is just a matter of marketing, attention, and many other factors, that determines whether people will hear these songs or not.
I've been wanting to do music since I was 14, but like I've really always enjoyed giving speeches and I enjoy talking to people, so I was like, maybe I can be a newscaster.
I've been performing since I was in high school, so I've seen people react to my music and my playing. I'm always appreciative when people like the music, but I'm not shocked.
I'm excited to be part of a movement that's progressing country music. There's always gonna be people saying, 'It ain't country anymore,' but I don't get into that whole deal.
I think that people will always want music; I think that the form that they will get it in, or distributed to them from, and the price they pay for it is what's up in question.
We were excited when we sold our first 10 records. I always felt that if we could get the music out there, and if people became accustomed to it, then a substantial number of them would enjoy it.
For the people that don't know it, we've had members come and go from this band since the beginning. It's always been about collaboration, and it's been about just playing music with our friends.
People are always defining and re-defining music. My style of playing has been characterized as smooth jazz and acid jazz. I listen as I play; I'm not caught up in defining the type of music I play.
I don't want to just do what people classify as 'neo-soul' 'cause everybody don't listen to neo-soul. I want to make music for everybody. I'm always trying to incorporate new elements into what I do.
Because I feel like I can do so many different things, and people like my music for different reasons, I don't feel pigeonholed. I think people are always going to appreciate whatever direction I take.
You can never judge any music by their audience. That's the main reason people in England have a prejudice against someone like Skrillex. You judge people by their music. That's always been first and foremost.
My music has a high irritation factor. I've always tried to say something. Eccentric lyrics about eccentric people. Often it was a joke. But I would plead guilty on the grounds that I prefer eccentricity to the bland.
I have always made commercial music. The people who vote for the Grammy nominees are mostly in their 40s and have other jobs or are musicians themselves. They like music that they can relate to - they like commercial music.
I think it's always interesting how music means different things to different people, and people who overthink it are looking to in some ways show off with music, versus people who just respond to a song and decide to sing it.
Recording in Jamaica is like nothing else. The studios are always closed in America. But in Jamaica, the studio doors are wide open, and there's music blasting out in the street. You can see the reaction of people immediately.
People called rock & roll 'African music.' They called it 'voodoo music.' They said that it would drive the kids insane. They said that it was just a flash in the pan - the same thing that they always used to say about hip-hop.
My thing has always been that the clothing we make is kind of like music. There are always critics that don't understand that young people can be into Bob Dylan but also into the Wu-Tang Clan and Coltrane and Social Distortion.
There are people who will always want the genre, whatever it is, to stay traditional, to stay what it was like when you were 15 years old, but I just don't think music does that. Music is always changing and evolving, just like us as people.
We always found that many people are robots without knowing it. The interpreters of classical music, Horowitz for example, they are like robots, making a reproduction of the music which is always the same. It's automatic, and they do it as if it were natural, which is not true.
I've always felt like there's a certain amount of doing what I do, and performing and making records and doing interviews and photo shoots and that, that are kind of a necessary evil of getting my music to people's ears to hear. Over the years, I've just become more tolerant of that.
We were always just a hardcore band that came out and said what we believed in, but we also talked about the streets and the stuff that we were into and the struggles and everything we were going through. Once people found out we were Christian, it was always, 'Is that Christian music?'
There's always this joke that I say in Israel: people don't really have discussions; they just try to convince the other people that they are wrong or they are right - they just try to impose their opinion on the others. Sometimes I think it's easier to avoid talking about things and just make music.
When I was first starting out in the music industry, I was always coupled in the same sentence with Jessica Simpson, Britney Spears and Christina Aguilera - and I was probably the worst of them. I think a lot of people back then thought, 'Mandy Moore... she'll probably go back to where she came from in a year.'
With moviemaking, the audience always has to keep asking, 'What happens next?' If you have the wrong piece of music over a scene, people aren't going to get the scene. If you have the wrong camera angle, people aren't going to pay attention. That's as much a part of the process as getting people to talk to you.
I've been a DJ since I was about 13, and I started out as a hip-hop DJ. So I was always playing records that would just get people going. I was just doing parties and high school dances and whatever, and then, progressively, I started making my own music, writing little songs here and there, but it was never anything crazy.