Musical theatre is now a worldwide conversation.

I have a Bachelor's of Fine Arts in Musical Theatre.

I was a musical theatre geek in high school and college.

My mum raised us on classic movies and a lot of musical theatre.

My desire was never to put out albums; it was to do musical theatre!

Musical theatre is something I'm familiar with, I've been doing that.

I collect musical theatre anthologies. I have a whole library of them.

Having grown up in musical theatre, I know what works and what doesn't.

I think you need to be very careful of getting 'stuck' in musical theatre.

I love musical theatre because I love doing a live performance eight times a week.

Obviously musical theatre is not my thing, but dramatic theatre is much more up my alley.

I did commercials and voice-overs as a kid, and it just lead to musical theatre opportunities.

I have a major love for musical theatre, including a lot of stuff I don't get to do very often.

I've done a lot of musical theatre, but I equate 'Mr. Cinders' a lot with why I became an actor.

My first ambition was musical theatre, but I realised quite early on that I wouldn't make the grade.

I love the intimacy of making movies. The focus is deeper and much more intense than musical theatre.

I have a degree in vocal performance, I'm a classically trained singer, and I studied musical theatre.

I did a lot of musical theatre when I was younger, so I would love to go back and do that again someday.

I have a camp fascination with all things musical theatre - I've even got the box set of 'Britannia High.'

I grew up in Los Angeles, and my first musical theatre experiences were at the Music Center in downtown L.A.

In the world of musical theatre, if everyone says it's a good idea, you wonder why nobody has done it before.

I am in musical theatre, but it isn't necessarily what I listen to in my leisure time, do you know what I mean?

It's been in my musical DNA since I was a little kid. I think musical theatre has really influenced everything I've done.

My mother was majorly into musical theatre - that's how this happened. That's how I became the gayest person in the world.

Got a degree in acting and actually double majored in musical theatre. And then I came straight to New York and started working.

I'm trained in musical theatre and 'Pitch Perfect' is the first movie where I get to really belt out. I beat Adele for that role.

Neil and I are most thrilled that we were able to bring musical theatre to the enormous audience that 'The Sound of Music' reached.

I majored in musical theatre performance at college, then went through years of waiting tables and temping while looking for acting work.

I came to musical theatre from straight acting, and a lot of my friends have a real prejudice about musical theatre - one I probably shared.

I grew up doing certain little things in the musical theatre realm, but I didn't really understand that you could... make a career out of it.

I'm very driven, and I always have been. So I'd like to release a successful album, continue in musical theatre, and be more involved in business.

I teach a lot of young musical theatre actors, and I notice that a lot of them say that they have a harder time connecting the classic repertoire.

I'm grateful to be working. The most exciting thing for me is that I never get bored - I've done comedy, drama, musical theatre and now Shakespeare.

Honestly, I actually would really love to see more musical theatre actors do the movie adaptations of shows - I think that would be really great to see.

I have written a lot of musical theatre over my life - two Olivier Award-winning musicals - and I still don't think I'm ready to be the boss in the room.

Physical comedy and musical theatre were never actually in my main focus at school. I was more of a dramatic actor. I always thought I was better at that.

I'm an obsessive musical theatre person, so some of the most formative albums for me were, you know, the 'Phantom Of The Opera' soundtrack or 'Into The Woods.'

There is genuine healing in a beautifully crafted musical theatre song, like Stephen Sondheim's 'Losing My Mind,' or a pop music gem like Joni Mitchell's 'Help Me.'

After high school, I went to the University of Wisconsin Stevens Point for a year, and I studied musical theatre. By that point, I was like, 'This is what I want to do.'

I trained in musical theatre and when I left drama school I worked on a lot of productions like 'Greece' and 'The Secret Garden' before landing the part in 'EastEnders.'

I have fallen deeply in love with songs - musical theatre songs included - over the years, and this experience has taught me to hear and honor the writer's voice in my soul.

I started dancing at age three and then got involved in musical theatre and acting around age seven. I think I've probably known since then that I want to be a professional actor.

My father was a classical singer of baroque music, and my older sister was in musical theatre, and I thought about doing the same thing but then realised straight acting was for me.

Musical theatre is something that I always wanted to be a part of, and my first ever role on the West End as Joseph in 'Joseph And The Technicolor Dreamcoat' gave me a taste for it.

Every step is basically a word, especially with musical theatre, because you're not doing it for dance's sake, you're promoting a story - and, more than that, a moral. You're propelling a story.

As we get older... I don't know a single person who has devoted their life to musical theatre who hasn't had a couple of misses as well as a bunch of hits. The misses, we learn a great deal from them.

I can never say that I will never return to musical theatre. There may be a part in the future that I really want to do. I love plays as well. I am very open to ideas. I hope to do many things in the future.

I started off doing stuff in theatre in Letterkenny from quite a young age. It was just a hobby, something I enjoyed. Some kids like tennis or guitar. I just enjoyed musical theatre so my parents got me into classes.

There's a lot of great, talented, passionate musical theatre practitioners and directors here. But it's very hard to suddenly start building great musicals in a town like Sydney where there hasn't been any great musicals built.

There was a saying going around the theatre: It's a train, and you can jump on at any point whether you're a lover of musical theatre or a lover of theatre or a lover of hip-hop or a lover of history - there was a way to jump on the train.

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