I was in a Broadway musical called Big Time Buck Wright.The play didn't make it but I was a success. It lasted six days but I sung four songs and there were critics, seriously, in New York who said that my part was perfect. So I can beat Joe Frazier singing.

It happened in New York, April 10th, nineteen years ago. Even my hand balks at the date. I had to push to write it down, just to keep the pen moving on the paper. It used to be a perfectly ordinary day, but now it sticks up on the calendar like a rusty nail.

I use New York to talk about home, but the ideas in 'Colossus' could be transferred to other cities. The story about Central Park is really about the first day of spring in any park. The Coney Island chapter is really about beaches and summer and heat waves.

I learned how to get rid of the Southern accent when I was, like, 11 years old and living in New York for the summer doing modeling and commercials and auditioning for Broadway. The mother I lived with for the summer taught me how to drop my Southern accent.

I wrote my graduate thesis at New York University on hard-boiled fiction from the 1930s and 1940s, so, for about two years, I read nothing but Raymond Chandler, Dashiell Hammett, James Cain and Chester Himes. I developed such a love for this kind of writing.

It is Hillary's [Clinton] star power that radiates to every corner of the ballroom. New York bigwigs, such as financial-media impresario Michael Bloomberg, attorney and labor mediator Theodore Kheel, and District Attorney Robert Morgenthau, crane to see her.

When I was younger, I was ready to go off at any time. My wife, Linda, and I would go out to the Limelight in New York, and I would see people and be able to freeze them with a look. People were even too scared of me to tell me that people were scared of me.

Folks, we're starting to learn more and more about that man arrested in the New York SUV car bombing case. His name is Faisal Shahzad. He's from Pakistan. What tipped off the authorities he might be the bomber? His name is Faisal Shahzad. He's from Pakistan.

I always remember to go on the Staten Island Ferry because it's the most amazing view of New York. And it's free! You see Ellis Island, and it conjures up something of that great moment: you know, the huddled masses yearning to breathe free. It's staggering.

Just because life is hard, and always ends in a bad way, doesn't mean that all stories have to, even if that's what they tell us in school and in the New York Times Review. In fact, it's a good thing that stories are as different as we are, one from another.

I was born the day before the March on Washington. I grew up in Brooklyn, New York. Everybody in my neighborhood was a Democrat. We just didn't have any Republicans, because anyone running as a Republican was very out of touch with what our community needed.

I've been acting since second grade, and I just remember when I first moved to New York and I was living in Washington Heights with three other actors in this tiny apartment and busting my butt to get to the subway, walking to, like, five auditions in a day.

When I was a kid in New York I used to go to the zoo. I always liked the zoo. I grew up within walking distance of the Bronx Zoo. And then when my first two children were young, I used to take them to the zoo. Zoos are always interesting. And I make pictures.

9 saw the first direct-dialed long-distance telephone call, between New York and San Francisco. Of course, back in that primitive era the parties had to speak to each other manually; today one or both ends of the conversation would be carried on by a machine.

Even though everybody who looked at me would call me a Chinese artist, that's the 1980s. New York in the '80s was not so interesting. I think it's quite narrow-minded. There wasn't much encouragement or opportunities for any artist - not just Chinese artists.

If you've ever tried to move from L.A. back to New York, that's a pretty hard move. You forget how cramped things are in New York. You forget how dirty it is in New York. But, it's been the best move of my life, not necessarily for my career, but for my soul.

I'm from New York, and I started in New York, which I think is a huge advantage because I wasn't overwhelmed by the city. I understood the city. All of the distractions that could come with somebody that started comedy in New York didn't really happen for me.

It was really interesting to be editing the film [Trust] in New York and directing the play in Chicago, and one definitely informed the other. The play probably benefitted more because I realized what scenes could be cut, and I cut those scenes from the play.

I dug it, New York City, all-the streets and the snows and the starving and the five-flight walkups and sleeping in rooms with ten people. I dug the trains and the shadows, the way I dug ore mines and coal mines. I just jumped right to the bottom of New York.

I can show bands how to produce themselves. In the same way, many bands think you can't make it without some fat cat in London or New York to manage you. Thats just crap. All you need is someone a bit older than you with a bit of business nous whom you trust.

Sometimes people ask me to do stuff in New York, like "Can you read at this thing?" And I say, "Nooo, I can't just get on a plane with these two screaming children - I can't just get rid of them on such short notice and take vacation and fly over to New York."

I did not move to New York with a plan. The first time I moved to New York, I just popped up. My sister was living here in New York. I just popped up. She had her baby and a husband, and I just popped up. 'Hey, what's up? I got $200 and dreams. Let's do this.'

I moved to New York and was told, "Go back home. We don't need you. Go pump gas. You're from Vermont. We've got no use for you. You're not drawing guys in tights." So, I learned how to draw guys in tights, and I put them in as many crime situations as I could.

I actually wanted to publish [ interview with Donald Trump about Citizen Kane] in the New York Times, but the circumstances under which I did that movie made me vulnerable to a lawsuit and at this point in my career, I don't want to go there. But it's amazing.

After living and working in Milan and Paris, I arrived in New York City 20 years ago, and I saw both the joys and the hardships of daily life. On July 28, 2006, I was very proud to become a citizen of the United States - the greatest privilege on planet Earth.

New York, home of the vivisectors of the mind, and of the mentally vivisected still to be reassembled, of those who live intact, habitually wondering about their states of sanity, and home of those whose minds have been dead, bearing the scars of resurrection.

I spend the majority of my time in New York and LA. I feel like a large part of my following and my fans are probably in New York and LA because of the work that I do is very New York-LA-centric. So people do recognize me. But it's nothing overwhelming at all.

I really like the idea of restaurant life, especially in New York where everyone has small apartments - that restaurant culture where you sit at a table for a long time and the afternoon goes by and you're kind of living there. I like that more than nightlife.

In dress, habits, manners, provincialism, routine and narrowness, he acquired that charming insolence, that irritating completeness, that sophisticated crassness, that overbalanced poise that makes the Manhattan gentleman so delightfully small in its greatness.

According to the Rand McNally Places-Rated Almanac, the best place to live in America is the city of Pittsburgh. The city of New York came in twenty-fifth. Here in New York we really don't care too much. Because we know that we could beat up their city anytime.

In New York, if you weigh under 200 pounds and decline so much as a cookie at a co-worker's party, women will flock to your side, assuring you of your appealing physique. This is how skittish we are about the dangers of anorexia and the pressures of body image.

Each neighborhood of the city appeared to be made of a different substance, each seemed to have a different air pressure, a different psychic weight: the bright lights and shuttered shops, the housing projects and luxury hotels, the fire escapes and city parks.

My first tattoo is a full-on Sailor Jerry situation on my hip - it's a swallow with big spread wings. When I got it I was 20 on St. Mark's Place in New York; I just walked in in a frenzy. It's still there 17 years later and it's not a terrible thing to look at.

What we love about the character Katie, played by Katy Mixon, is that she feels very universal and very relatable. And what we love about 'American Housewife' is that it feels like it could speak for housewives from New York to Los Angeles, from Boise to Miami.

I learned to drum and I'm very excited today. Well, first of all I got to...I learned when I was in New York I sort of did some prepping with just learning basic stuff like beating my couch next to my drum teacher, who's this incredible guy named Charlie Green.

When I came to New York, I began to meet the people who became the most famous artists of our time. I was insecure about my own level of ability, I didn't know whether I could compete with these people and, at the same time. I was wondering what is this anyway?

I was talking to my friend from New York yesterday, and I used the expression, 'You can't polish a turd'. He looked at me, disgusted, and said, 'No, you can't, but you can roll it in glitter'. He's a lovely guy but I wouldn't want to go to a craft fair with him

If you're writing a book that takes place in New York in the moment, you can't not write about 9-11; you can't not integrate it. My main character's view is the Statue of Liberty and the Trade Center. It doesn't have to take over, but it has to be acknowledged.

In 1966, I attended Marquette University and graduated from the University of California at Santa Cruz in 1970. I received my doctorate in English from the State University of New York at Buffalo, where I wrote my dissertation on William Faulkner's early novels.

Cities are like gentlemen, they are born, not made. You are either a city, or you are not, size has nothing to do with it. I bet San Francisco was a city from the very first time it had a dozen settlers. New York is "Yokel", but San Francisco is "City at Heart".

I'm, like, the only actor in New York who's never, ever been on any 'Law & Order.' And I've auditioned for so many. The sad thing is I love 'Law & Order.' I'm really obsessed with it. And they always said to me, 'You seem like you're making fun of the material.'

My whole family was - we grew up in New York, but all my relatives and all my father and stepfather's family, they were all from the South. So I like that old Black voice, and I love the sort of old Black man with a corncob pipe, sitting there telling a whopper.

I could count my modeling jobs on my hands and toes. When I graduated from college, I moved to New York specifically to study acting, and I needed to pay the bills, and it's better to make a couple thousand dollars in one day than to wait tables six days a week.

I love my life. I can't believe I work in New York and Paris. That I work for Louis Vuitton. That I work for Marc Jacobs. It seems really weird every time I say my full name - like, that's me, and every time I hear the receptionist say my name, it's still weird.

What had brought me to New York in the autumn of 1972 was a letter of recommendation written by Norman Mailer, the author of 'The Naked and the Dead' and American literature's leading heavyweight contender, to Dan Wolf, the delphic editor of 'The Village Voice.'

Today's announcement projects a picture of profound weakness in U.S. diplomacy. It should not have been a heavy lift for our diplomats in New York and in foreign capitals to recruit the necessary 96 affirmative votes to seat the United States in the new council.

My only bookings this week came from within my friends. Trans people have been central to New York’s art and fashion scene for nearly as long as those ‘scenes’ have existed as we know them. It’s about time that this reality was represented on the city’s runways.

I worked as a teacher in the public school system in New York City for several years, and I was a victim of the layoffs, you know, in the mid-'70s. And then I worked as a sales engineer for a company in New Jersey that was selling industrial filtration equipment.

Capricorns like to stay in one place. I have to go to work in places like New York, but basically, I don't want to go anywhere. One time, I got a trip around the world for doing something on television, and the travel agent was so excited, I gave her the tickets.

Growing up in New York has influenced my style so much, and I have an amazing relationship with my stylist, Estee Stanley. We have so much fun with the whole process. She picks out dresses, I try things on and play dress up, and we get creative to see what works.

Share This Page