Quotes of All Topics . Occasions . Authors
My friends are much more dangerous than my enemies. These latter - with infinite subtlety - spin webs to keep me out of places where I hate to go, - and tell stories of me to people whom it would be vanity and vexation to meet; - and they help me so much by their unconscious aid that I almost love them.
Usually, those people don't even like actors and they can't wait until they get in the cutting room. They kind of break down in categories: directors who like to be surprised and some of them abhor being surprised. As far as directing, we all direct when we're acting in movies... every single one of us.
There are so many things I'd like to change in the industry. Everything from the reliance of style over substance to their reluctance to hire me for big budget blockbusters, but the thing I would love most would be if they understood people don't have to be Hollywood beautiful to be sexy or interesting.
I really just enjoy listening to talk [to John Hurt and Charlotte Rampling]... not even about acting or anything. It's interesting because I felt really connected to all these people very easily. They're all very open emotionally, like we're in the scene together, so you never feel like anyone's acting.
I've heard people say that God is the gift of desperation, and there's a lot to be said for having really reached a bottom where you've run out of any more good ideas or plans for everybody else's behavior; or how to save and fix and rescue; or just get out of a huge mess, possibly of your own creation.
People have to follow their own strangeness. The minute they start making their own vision of the world flattened out so everyone can read it, they lose. I encourage people to be as awkward and odd on the page to capture their own way of seeing the world and not trying to see the world for other people.
The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.
Hire inexperience. This year we plan to hire 200 engineers - half of whom are recent grads. Young people are not burdened by years of experience. They haven't learned - or been told - what is right or wrong. With engineering, there is no tried and tested path. You try, and fail, and fix, and fail again.
If all the people around you are happy with you, you are not doing great work. When you stop being like other people, they stop liking you. That's just how it goes. There's no escaping it. And it's okay. What you need to understand about that disapproval is that it's a sign you're doing something right.
Most people recognize me from The Shawshank Redemption, but there is this subculture of people who have collected all 13 episodes of Greg The Bunny. And I'm still close to a number of the creative people, Dan Milano particularly, who created Warren The Ape and Greg The Bunny and all of those characters.
President's personal staff has a unique role. They're his intimate personal advisers, and the tradition and the precedent has been, even when I was national security adviser, that people in that position do not testify before the Congress. They talk to the Congress. They have meetings with the Congress.
I've always had a real fascination with Alice in Wonderland and really related to it in some way. And since I was little, people always nicknamed me Alice, even total strangers. I do know I'm always in Wonderland. And I'm definitely just as curious. I don't mind being amongst the mad people, I enjoy it.
Most people with a big idea, great talent and/or something to say don't get lucky at first. Or second. Or even third. It's so easy to conclude that if you're not lucky, you're not good. So persistence becomes an essential element of good, because without persistence, you never get a chance to get lucky.
I have done much more dramatic work than comedic work, but I think comedy is harder than drama in a way. I think it's one of those things that's constantly discussed - people who do comedy think it's harder, people who do drama think it's harder. Usually drama is the one that gets this highbrow respect.
You can see why there are more people wanting to come from economically-distressed areas, and they can't all come to America. So it gets into the valid, legitimate debate over immigration as to how do we choose. Do we have a diversity lottery and take people from everywhere, do we base it more on merit?
One thing I've always struggled with in life is loving people too much. It's painful when that love is not reciprocated. But one thing I always comfort myself with is the fact that Allah will always show greater love to those who love Him. Allah doesn't disappoint you so keep your heart attached to Him.
There is no reason for you to try to become like white people and there is no basis whatever for their impertinent assumption that *they* must accept *you*. The really terrible thing, old buddy, is that you must accept them. And I mean that very seriously. You must accept them and accept them with love.
Are you saying we shouldn't be prepared? And I'm asking you that right now, Daniel. ... Why would you be against people being able not only to be prepared to have food and water for their friends, but to defend themselves from looters and some of these degradation of society that happen in these crises?
Fear of what other people will think is the single most paralyzing dynamic in business and in life. The best moment of my lifewas the day I realized that I know longer give a damn what anybody thinks. That's enormously liberating and freeing, and it's the only way to live your life and do your business.
There are no conservatives in the United States. The United States does not have a conservative tradition. The people who call themselves conservatives, like the Heritage Foundation or Gingrich, are believers in -- are radical statists. They believe in a powerful state, but a welfare state for the rich.
New immigration plan is about legal education. It allows educated people who want to become Americans to stay and become Americans. It was nothing but common sense. It went over the heads of the media because their prejudicial bias did not permit them to even understand this was about legal immigration.
I think more than being a woman is the fact that i'm an introvert. In the environment I work in people forget that i'm a woman which is wonderful it just shows what a wonderful environment i work in, no one treats me differently. They don't think that because i'm a woman i'll make decisions differently.
I don't want to carry big things around with me. I'm lazy. The snapshot camera, you just carry it around and take the picture. You don't need to think about anything. People in the street are not going to wait for you with a big camera. They would freak out. With a snapshot camera, they are comfortable.
It seems absolutely wrong that people should be able to profit in this cynical way from an event that is designed to highlight the need for action on poverty in Africa, and for which so many artists and others are donating their valuable time for nothing [on people selling Live8 concert tickets on eBay]
It isn't that it's questionable when you speak up for the right of people with different sexual orientation. People took some part of us and used it to discriminate against us. In our case, it was our ethnicity; it's precisely the same thing for sexual orientation. People are killed because they're gay.
What came up at age 49 is I realized that of all the things I'm interested in, the thing I'm most interested in is figuring out what makes people tick, why people think the way they do, why they act the way they do. And I realized that music is such a great way to investigate why people do what they do.
hat made me feel uncomfortable. People would be like, "Woah, that's crazy!," or they'd look at me really funny, but it also helped because that's how people look at Emily. I was like, "Come on, be sensitive! I have a scar on my face. It's not nice to just stare at somebody." That was really interesting.
Everybody has a camera on their phone these days, everybody wants a selfie or a picture, and the moment one person starts taking a picture everybody congregates around so I've become quite a fast walker. I don't like saying, "No," to people but by walking fast one might be able to avoid the first photo.
Irish is harder to pull off. I know southern people and I really like the midwest, so I can tap into that a little bit. It's easier to sound angry with southern than it is Irish. Yelling Irish you can sound like an angry Leprechaun. I think me screaming like I am going to kill you in Irish doesn't work.
My feeling is... when you show up to a movie set where there's, like, 50 people standing around and months of preparation gone into it, you want to be as prepared as possible, so you should make a million baguettes. That might not actually help in any explicit way, but it'll make you feel more prepared.
Rational people, anti-religionists, must end their timidity and come out of the closet and assert themselves. And those who consider themselves only moderately religious really need to look in the mirror and realize that the solace and comfort that religion brings you actually comes at a terrible price.
The notion that before you even set out to go to Thailand, you say, 'I'm not interested,' or you're unwilling to try things that people take so personally and are so proud of and so generous with, I don't understand that, and I think it's rude. You're at Grandma's house, you eat what Grandma serves you.
All art is fundamentally subversive, because it upsets people's perceptions, their notions about society. Therefore, art is dangerous, but good art is always making us reassess our thoughts and feelings about how we relate to other people. There are always people who fear that and want to suppress that.
Theatre supposes lives that are poor and agitated, a people searching in dreams for a refuge from thought. If we were happier and freer we should not feel hungry for theatre. A people that is happy and free has need of festivities more than of theatres; it will always see in itself the finest spectacle.
Open the GIFTS actually came out of this quest. I ended up going into a pretty deep depression that people don't know about, and now I'm talking about it. I was too focused on, If I'm not working, who am I? Why am I not doing that thing that I want to do the most? Why am I not successful in this moment?
There will be scenes in a movie where people are walking through the park, or through a forest, and you're seeing the flickering leaves around them, and they're walking, but you're also hearing their words. It's an interaction between where they are and what they're saying that's both visual and verbal.
Really it becomes a question of architecture. How do you move people through a space and allow them to have an experience? I, probably more than most people, suffer from museum fatigue. I always want to just stay still or sit in a chair and look at one thing, but that's not the experience of the museum.
Every people, every society, needs a culture of resistance, a culture of being difficult and disobedient, that is the only way they will ever be able to stand up to the inevitable abuse of power by whoever runs the state apparatus, the capitalists, the communists, the socialists, the Gandhians, whoever.
I find myself feeling like Oscar in 'Sweat' just by virtue of cleaning the tables, wiping the bar down and picking up everybody's glasses - and not making eye contact, because that's the character. These are working-class, blue-collar people. These are the people I grew up with. It gets under your skin.
No matter where its seed fell, it made a tree which struggled to reach the sky. It grew in boarded-up lots and out of neglected rubbish heaps, and it was the only tree that grew out of cement. It grew lushly, but only in the tenements districts.... That was the kind of tree it was. It liked poor people.
To know people is wisdom, but to know yourself is enlightenment. to master people takes force, but to master yourself takes strength. to know contentment is wealth, and to live with strength resolve. to never leave whatever you are is to abide, and to die without getting lost- that is to live on and on.
My stories are not Christianized at all. I don't even have any Christians in my stories. What they are, are stories about ordinary people going through extraordinary circumstances in which I'm exploring truth. How light overcomes darkness in a way that's unmistakable to anyone who has any kind of faith.
The most fascinating part of movies is the organism of the movie - it's such a bizarre thing to do, to make a movie. To see these people come together, band in unity, to create this thing that almost doesn't exist. It only exists because it's projected on a screen, but other than that, it's an illusion.
For over ten years, bombs rained down on every village and hamlet in South Vietnam, and no one budged. It took the coming of a Communist 'peace' to send hundreds of thousands of people out into the South China Sea, on anything that could float, or might float, to risk dehydration, piracy, drowning . . .
I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.
There's a thing when you're always working on something you really love, and this one we loved so much, it feels like you have a secret, and you can't wait to let people in on the secret. But at the same time, there's that moment where, "What if they get the secret and they think the secret is stupid?!"
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
It is an honor and a privilege to be of service and support; however, I realize people are not putting their confidence in me. Instead, they are actually learning to trust themselves. My job is to affirm and support them in the process and teach them to do what I do when I need strength: I begin within.
Loyalty, Signor Molteni, not love. Penelope is loyal to Ulysses but we do not know how far she loved him...and as you know people can sometimes be absolutely loyal without loving. In certain cases, in fact, loyalty is form of vengeance, of black-mail, of recovering one's self-respect. Loyalty, not love.
Architecture is inherently a totalitarian activity. One thing we hate about it is that when you design a space, you're probably designing people's behavior in that space. I don't know if we know how to change that, but our goal is to make spaces for people rather than people being subservient to spaces.