The ability to identify someone at a moment's notice by snapping a photo of him or her, to trigger an immediate influx of data about the person behind the face, will forever change the world.

I've used a stylist twice, and that was when I didn't have time to go shopping or pick up an outfit for a photo shoot. I think you should dress yourself, have fun with it - it's only clothes.

I saw a photo of a Christian Lacroix couture dress when I was in my teens and decided right then that that's how I wanted to look on my wedding day. In my mind, that's what angels looked like.

Polaroids were the instant thing to get a photo back when I started it. You had to wait two days to get your film back if you had a real camera, and I was more of an instant-gratification guy.

I look at photos of the Sochi Olympics - even though it sometimes seems like it was just yesterday - that photo doesn't even look like me. It looks like a child. I don't even recognize myself.

I write in order to express what the photo itself cannot say. A photograph of my father doesn't tell me what I thought of him, which for me is much more important than what the man looked like.

The first few games that we played against some of the teams, the young guys, you know, want a stick sign or photo sign, and I think that they respect what I have achieved throughout my career.

Whenever I do someone's portrait, I'm trying to locate the photo in the lens while reaching into that person psychologically. There's the magic! I don't always achieve it. It's a hit or a miss!

In my writing with Extreme, there are heavy themes. The cover photo has me with a gun to my neck. I am not advocating suicide. I am taking the philosophy that man is the measure of his own fate.

I have been a big fan of Coco Rocha's for many, many years. I have seen her walk in runway shows, pose like no other in photo shoots, and naturally follow her every move on Twitter and Instagram.

I feel like I need to start wearing a T-shirt saying 'This is not a photo opportunity'. People are so lovely but you do find that when you're out you spend 40% of your time posing for photographs.

All I wanted to do was to perform my music, so I never really thought about photo shoots or music video shoots or interviews. You can't anticipate those things - you just can't plan this as a job.

God used me that day. Even though so much of my body was burned, my feet were not burned, and so I could run out and be there for that photo. It saved a lot of souls and brought an end to the war.

However, the thought hit me that this was a pretty pathetic way to kick the bucket - being accidentally poisoned during a photo shoot, of all things - and I started weeping at the idiocy of it all.

Dressing up and doing photo shoots was a side of the industry I really didn't think I would like. But now I've got a glam squad; I love trying on new outfits and experimenting with different looks.

When I post a photo from a 'good angle,' I receive criticism for looking smaller and selling out. When I post photos showing my cellulite, stretch marks, and rolls, I'm accused of promoting obesity.

I love unsalted almonds, especially if I'm about to do a photo shoot or compete. There's no mess, and they're so easy to pack in a little Ziploc bag to take with you. It's my number one go-to snack!

I've been working pretty much 12-16 hours a day, six or seven days a week since May of 2003, and every time I see a photo of myself, I realize that there is never a time when I don't look exhausted.

I don't speak up if I'm working. As a model, no one pays me for my opinion. I want to wear whatever will make a great photo, whether I like it or not. But if the shoes are too small, I will complain!

I mean, no one has ever gotten to see what it's like to be a WWE Diva. Yes, we are all a bunch of athletes and we have to get down on the ring, but we also have to attend photo shoots and red carpets.

I have the same friends I've had for years and the same family. Unless you love rock n' roll and Hollywood parties and having your photo taken, I don't think necessarily things need to change too much.

Any business that is trying to sell something should be willing to spend a couple dollars for a stock photo to not have ads in it and not distract the user from using the product they're trying to sell.

I'm not sure if I should say this, but after watching 'Bareilly Ki Barfi', I really wanted Rajkummar Rao to notice me, so I commented on all his photos. He's the only person I've asked for a photo with.

People think that when they come up to me, screaming things into my ear, that I will respond according to what they want. I'll turn around and smile and take the photo. But I'm not somebody's marionette.

I didn't really know what to expect. I had been told about the scale of Cannes, but nothing could have prepared me for just how many people would turn out for our photo calls or for the opening ceremony.

I would absolutely, definitely never sell my wedding pictures to a magazine. I'd like it to be a special day, not a photo shoot. And once you've done that, your marriage becomes everybody else's business.

For me, to have had an impact with anything that you've done, whether it's a painting, a photo, a poem, or something that you've created, just that experience is enormous. You don't get that all the time.

Building outrageous expectations about the next big thing - be it a personal video chatting service or venue-based photo sharing app - can create all sorts of complications when things don't go as planned.

It is clear that the photo ID requirement is not a solution to a problem but is instead a political ploy to prevent traditionally disenfranchised populations from voting for the candidates of their choice.

It's rare that I turn down a photo or autograph, because these are the people that support me, so why not support them. I love it and I invite it. I love what I do and the whole 'celebrity' life and all that.

The word 'Playboy' alone doesn't exactly give most women a warm, fuzzy feeling, yet many of the Playboy photos end up in the most praised photo and art magazines and in critically acclaimed photo exhibitions.

I'm so lucky because I get to have all of these memories. I can have all of those pictures and different sorts of films and stuff. Some people have only one photo, and I'm really glad that I have all of that.

If you use Facebook - as I do - Facebook in all likelihood has a unique digital file of your face, one that can be as accurate as a fingerprint and that can be used to identify you in a photo of a large crowd.

I became very famous, as a teenager, and my name and photo were splashed in all the media. They made me larger than life, so I wanted to live larger than life, and the only way to do that was to be intoxicated.

When I started, there was a very strong image of what the ballerina was supposed to be in her tights and her costume, and then I started doing photo shoots in bomber boots, and it wasn't seen as the done thing.

I didn't like my hair and makeup one time on a photo shoot, and my publicist told me, 'You should just be happy with it - they haven't had a black girl on the cover since forever.' She's no longer my publicist.

People may not have the right to know about your personal, private life or any detail about any potentially embarrassing photo, but they do have the right to know whether you are honest, candid and forthcoming.

I keep three framed photographs on my desk: the latest school picture of my daughter; a photo of my wife getting her diploma from the University of Chicago; and Lytton Strachey, looking serenely self-possessed.

I'd become a bit of a joke. People would make memes, chopping my head off in a group photo and putting a monster or ET on there. I'd be in live Q&As and these things would pop up and I'd have to just sit there.

If I were talking to someone, I'd look at their eyes, not at the blemish on the side of their face. But as soon as you open up that photo on a 30-inch monitor, you'd say, 'Oh my gosh, where did that come from?'

People challenge my nerd cred all the time. I just show them the photo of me winning my middle-school science fair, wearing my Casio calculator watch and eyeglasses so big they look like they can see the future.

I used to work in a clothes store, played cricket for money, did photo shoots. It was that period of struggle which gave me the experience to be an actor. The emotions have to come from the raw material of life.

We used to have a photo of me in full clown makeup taken when my son was 5. And when he was 17 or 18, he said, 'Yeah, that thing used to scare me. I hated that photo.' So it is scary; clowning is scary to people.

Fashion is a huge part of music and of who you are. It really sets the mood for a show, and it's fun to play around with it. You can get really creative in photo shoots as well. You know, just having fun with it.

The first time I looked at Yammer, I thought I was on Facebook. Work is not a social network, with serendipitous communications and photo collections. Work is about managing tasks and responding to things quickly.

If you think about photo sharing sites, the mobile photo sharing and social, there's no competitive advantage, there's no obvious business model, so I never play with anything like that. I avoid it like the plague.

Dropbox, with its emphasis on good old-fashioned hierarchies, is superb at automatically saving one original of each photo I take, whether shot with a phone or a fancy camera. No loops, no duplicates, no confusion.

I've realised that there's art in everything we do in London. Suddenly, a photo of two boys sitting on a wall in tracksuits with a dog can go online and be considered a sick photo. That's what we've done to London.

We made this really dumb decision to put on the cover nothing from South Park but just a real life photo of a piece of pooh dressed up like Mr. Hankey, and a lot of people didn't, they didn't even know what it was.

I used to have the most visceral response to having my photo taken. I felt like instantly bursting into tears and running out of the room. I hated all the attention, which is such a stupid thing for an actor to say.

Share This Page