Even Photoshop couldn't change me.

DRS is like giving Picasso Photoshop.

I love retouching images on Photoshop.

I hate when people say I Photoshop myself.

I love Photoshop more than anything in the world!

I was having chest pains. Photoshop made it glamorous.

Alcohol is really just the liquid version of Photoshop.

You can Photoshop something, put it out, and everyone believes it.

You become a model once you go through hair, makeup, and Photoshop.

Photoshop came out of painting, and now it's going back to painting.

You can hardly turn around and not see something that was done in Photoshop.

It is so much better to get the right exposure than to have to mess around later with Photoshop.

To teach consequential photography, don't bother with Photoshop or f-stops. Create a craving for images.

I've always been into taking my photos, cropping them square, putting them through a filter in Photoshop.

Photoshop makes things look beautiful just as you have special effects in movies. It's just a part of life.

The computer has played a role in destroying creativity with the Photoshop. Everybody thinks they're a designer.

My longing to improve my looks via The Body Shop is being replaced by my longing to improve my looks via Photoshop.

Somehow Photoshop and the ease with which one can produce an image has degraded the quality of photography in general.

I do think that the desire to permanently alter your body is triggered by this easy access to Photoshop on your phone.

I'm pretty adept with computers and Photoshop for my blog, and I found my style with a conversational voice and an image-ready column.

I find a place I love and want to tell people about it. Same thing with Photoshop tips. When I discover a cool tip, I can't keep it to myself.

Don't focus on your body. Love it, but know it'll never be up to society's standards because it's all Photoshop and exclusivity. And that's okay!

I do all my coloring on PhotoShop - it's good and bad: It helped refine my color, but I do miss the texture and organic quality of the traditional.

Digital photography and Photoshop have made it very easy for people to take pictures. It's a medium that allows a lot of mediocre stuff to get through.

I could Photoshop for hours. I spend way too much time making thumbnails. I spend, like, two hours on my thumbnails sometimes just because it's, like, fun.

When it's time to let go, I don't look back, and I start another project as soon as possible. One thing I remind myself is that I don't want to Photoshop my past.

Photoshop should be a free-to-play game. There's not really a difference between very traditional apps and how they enhance productivity and wandering around a forest and killing bears.

When Photoshop came around, I thought I'd died and went to heaven. When I hear artists say, 'Oh, the good old days' or 'I'm old school,' I just want to puke. There's no tool I won't use.

Old typography or letter woodblocks that are hand-carved, cracked, and worn are especially beautiful. I love that aged, handmade effect, and that's why I don't muck around much with Photoshop.

I find the sneeriness about 'selfie-culture' quite boring - I'm excited by young people taking control of their own images and finding out for themselves how much Photoshop has done for models.

I have equal parts film and digital cameras in my collection. I think that there are ways to Photoshop photos so that they look like you shot them on film, but is that as rewarding? It just depends on the person.

I don't love Photoshop; I like imperfection. It doesn't mean ugly. I love a girl with a gap between her teeth, versus perfect white veneers. Perfection is just... boring. Perfect is what's natural or real; that is beauty.

I was working in a gaming company, but I really wanted to make animation. I didn't really have anything special, no special tools at my disposal, so I used what I had on hand like Photoshop, and that's really how I started.

When Thomas and John Knoll launched Photoshop 1.0 in 1990, the software couldn't even handle color images. But their offerings got the startup noticed by Apple and Adobe, both of whom became key to the fledgling company's later success.

The fashion world tells me how much they love my work, but they don't hire me very often. Tom Ford did, and he hated it. Naturally, he wanted to Photoshop away the imperfections, which is perfectly understandable. They want their vision.

NAPP was created as a resource for people who are serious about Photoshop. NAPP is designed to keep our members on the cutting edge of the latest developments, tips, and tricks used by some of the most accomplished Photoshop professionals.

I'm staying with film, and with silver prints, and no Photoshop. That's the way I learned photography: You make your picture in the camera. Now, so much is made in the computer... I'm not anti-digital; I just think, for me, film works better.

I'd like to be able to design as easily as if I was using Photoshop. I'd like to be able to create a multicolumn layout and control source order without having to do advanced mathematics or hire Eric Meyer or Dan Cederholm to figure out the CSS, because I can't.

I was a fashion editor for years in London before I came to 'Vogue,' and I spent my life arranging the folds of a ball gown skirt for a picture and pinning fabric and using all those stylist tricks. And you don't have to do that now because they can do it in Photoshop.

If you were a new guy at ILM, they put you on the night crew - my shift was from 7 P.M. to about 5 A.M. In my free time, I was working on an idea with my older brother, a software engineer getting his doctorate at the University of Michigan. Ultimately, it developed into Photoshop.

Before I start, I search the internet for hours looking for inspiration - I look at horror movies, special effects, everything. Then, I take a bunch of screenshots, and pile them together in Photoshop to create a story for myself. I plan it out in my head, but I don't ever practice beforehand.

Technology has already opened the door a bit wider for filmmakers, with smaller digital cameras making production less cumbersome. Social media is allowing self-distribution, and girl groups like Spark Summit are leading the way in calling for fewer Photoshop image alterations of girls in print media.

Color always vexed me because I would fight with the media I was using. I love coloring in Photoshop, and it's freed me to pursue ideas and techniques I wouldn't have otherwise attempted. Since I get to take an assignment from concept to final execution, I have more freedom in my idea-making processes.

I'd always vaguely expected to outgrow my limitations. One day, I'd stop twisting my hair, and wearing running shoes all the time, and eating exactly the same food every day. I'd remember my friends' birthdays, I'd learn Photoshop, I wouldn't let my daughter watch TV during breakfast. I'd read Shakespeare.

It's a dirty little secret that I'm pretty self-conscious about coloring my own work. I just see so many people who love color more than me that I get freaked out every time I hit Photoshop. Black and white? I know exactly what to do, but color offers a million solutions to problems I don't even know exist.

I'm honest. If someone asks about my weight loss, I tell them I have five people working on me, plus there's Photoshop. I tell them I can't eat everything and look good. I was unhealthy when I was fat, and now I'm a normal body type. I'm not special; I'm just an actress, and boys and girls are intelligent enough to recognise that.

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