Quotes of All Topics . Occasions . Authors
Now, Richard Pryor was unique. Many misunderstood his humor. He lit up the hallway, but they didn't understand his use of profanity. He didn't use it just to be using it; he used it in the context of his satire.
I think satire suffered under Obama, but not because of Obama. People are more sensitive now than ever, and strong satirical voices are stifled because of that. I don't think a Clinton presidency would change that.
I grew up in Nagpur, and I first started enjoying the author Harishankar Parsai. He wrote mostly satire, essays on the current situation and social issues. He wrote many books and I think he was my first influence.
Obviously, I'm a fan of satire. I'd debate anyone, but it would have to be the actual person. That would be my only hesitation about debating Stephen Colbert. If he were playing a character, it wouldn't really work.
What a newspaper needs in its news, in its headlines, and on its editorial page is terseness, humor, descriptive power, satire, originality, good literary style, clever condensation, and accuracy, accuracy, accuracy!
The importance of satire is bringing more people to the table. There are a lot of average citizens who aren't interested in politics and would be more interested if it's brought to them in a comedic, funny, satirical way.
Among the writers of antiquity there are none who instruct us more openly in the manners of their respective times in which they lived than those who have employed themselves in satire, under whatever dress it may appear.
'Newton' is a black comedy, a social satire. Amit Masurkar is directing the movie, and Drishyam films is producing. Rajkummar Rao is in the movie. I am playing a very important character. It is a very interesting project.
Wyndham Lewis is basically a pessimist, thinking of human beings as doomed animals or determinist machines. His theory of satire is based on this view, and he finds plenty of evidence to support it in contemporary practice.
The mark of a really great satire is its ability to seem prophetic, and I think that the television culture that film predicted really came true in the age of reality television and is a testament to how great it really is.
We live in an age that's very suspicious of preachy political rhetoric, which means that there's room for art that approaches these issues from the side - as satire, as parody, or as a kind of outlandish speculative proposition.
The British ballads became a new kind of form in their hand. And out of them came the blues, a new kind of song of commentary and satire, a song form which, after all, has become the main musical form of the whole human species.
Satire is, indeed, the only sort of composition in which the Latin poets whose works have come down to us were not mere imitators of foreign models; and it is therefore the sort of composition in which they have never been excelled.
'As Long As I Know I'm Getting Paid' is a satire. Lyrically, I want to be direct. With my history in Fall Out Boy, there's some expectation that I'm going to be lyrically obtuse. But that song is a straight-faced satire of consumerism.
I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
If all you have is satire, your show will close. Even if all you have is comedy, your show will close. The hardest thing is not making people laugh: the hardest thing is building an emotional story. Any child can make a group of adults laugh.
In TV writing, Armando Iannucci's satire 'The Thick of It' is brilliant - equal parts hysterically funny, terrifyingly believable, and Oh-my-God-I-can't-believe-he-actually-said-that - and it's got the most satisfyingly creative insults ever.
Good satire comes from anger. It comes from a sense of injustice, that there are wrongs in the world that need to be fixed. And what better place to get that well of venom and outrage boiling than a newsroom, because you're on the front lines.
I was watching the devastations of the Kashmir floods, and a reporter was asking a local, who had just lost her house and her son, how she was feeling. I was stunned at the insensitivity. I did a 10-15 second satire on it and put it up on Facebook.
It seems like there's a lot of people who just do not understand satire. They think it's weird. There's people who just don't understand you portray something or just explore a character, it means you're condoning it, saying this is the way to live.
It's a one-day story of a guy called Newton Kumar, and the backdrop is election: how the most powerful tool we have as citizens is vote but how we don't utilise it. We really don't give importance to it. It talks about democracy; it's a satire, a black comedy.
It's an old Elizabethan idea. The fool is the only one who is allowed to make fun of the king because he is a fool. I can say whatever I want about anybody else because I'm just an idiot talking - I'm not insisting that I'm any smarter than anyone else. It's satire.
Magoo's appeal lies in our hostility toward an older generation. But he's not only nearsighted physically. His mind is selective of what it sees, too. That is where the humor, the satire lies, in the difference between what he thinks he sees and reality as we see it.
On the other side of that coin, and far outweighing it, is the fact that I've been able to use genre of Fantasy/Horror and express my opinion, talk a little about society, do a little bit of satire and that's been great, man. A lot of people don't have that platform.
In the old days of literature, only the very thick-skinned - or the very brilliant - dared enter the arena of literary criticism. To criticise a person's work required equal measures of erudition and wit, and inferior critics were often the butt of satire and ridicule.
I'm looking at some comedic horror films because I have often been accused of being too dark. I'm not dark, not compared with 'Saw' or anything like that. So I'm looking at live-action horror films, but not slasher ones - ones that have humor and maybe some social satire.
There's certainly satire written about techies, but it's so snarky and snide and doesn't treat him as a whole person. The people I worked with at Twitter - they're very analytical, but they're also deep and thoughtful - I feel like they deserved a charismatic spokesperson.
I'm a satirist, so I've got boxing gloves on if the person is worthy of satire. But I'm not an assassin. If that ever happens, it's only because something happened during the interview that got me going, and then I had to translate my feelings to the mouth of the character.
My show in Egypt was called, 'The Show,' or, 'Al Bernameg' in Arabic. Basically, it was a political satire show. It started on Internet by three, four-minute episodes, and then it evolved into a live show in a theater, which was something that was unprecedented in the Arab world.
Political satire is a serious thing. In democratic newspapers throughout the world there are daily cartoons that often are not even funny, as is the case especially in many English-language newspapers. Instead, they contain a political message, and the artist takes full responsibility.
Appointments' is largely just derived from pieces of dialogue with another person, and then also what's going on inside of my own mind, or a person's own mind. They're intended to be a little bit exaggerated and a satire of things that we're not sure are entirely true, or maybe biased.
life becomes satire in real time, what good is the premiere satire magazine? It might as well just be the newspaper. You could pick up The Wall Street Journal and be like, "Oh, what a funny Onion headline!" And then the editor of The Onion is like, "Huh. I guess you won't be needing me anymore."
For my wife Mary Corliss and me, 'Colbert' has been destination viewing. Even in the early years, we never took the show's excellence for granted, agreeing that someday we'd look back on the double whammy of 'The Daily Show' and 'The Colbert Report' as the golden age of TV's singeing singing satire.
Jaspal Bhatti saab was the one who uplifted the image of Sikhs on the national and international stage. There used to be a lot of satire on Sikhs earlier. A guy wearing a turban was portrayed as a joke, but since Bhatti saab entered cinema he changed the entire perspective and idiom of Sardar jokes.
AJ' is a very special movie to me. I have been watching Dinesh and Rajkumar from their initial days, and have witnessed their evolution. The film talks about the bond shared between a father and a son who wants to fulfil his father's dreams. It's a cross between a comedy of errors and a political satire.
I wrote my first play as extra credit for my fourth grade English class. 'Can Helen Stop Smoking' was a satire on the ill effects of cigarette smoking. My friend Vicki Haugabrook played as Helen and I directed the show. At the time, my brother Vince was leading the campaign to get our grandmother to quit.
'Halal in the Family' will expose a broad audience to some of the realities of being Muslim in America. By using satire, we will encourage people to reconsider their assumptions about Muslims, while providing a balm to those experiencing anti-Muslim bias. I also hope those Uncles and Aunties out there will crack a smile!
Popular culture bombards us with examples of animals being humanized for all sorts of purposes, ranging from education to entertainment to satire to propaganda. Walt Disney, for example, made us forget that Mickey is a mouse, and Donald a duck. George Orwell laid a cover of human societal ills over a population of livestock.
I realized over the years if I'm writing about humor, irony, satire, I much prefer to do that in English. And if there is sorrow, melancholy, longing, I much prefer to do that in Turkish. Each language has its own strength to me, and I feel connected and attached to both Turkish and English. I dream in more than one language.
I started off at the Second City in Chicago... It's an improvisational theater that ostensibly does social and political satire, but when I was there, we generally didn't. We did character work, and we did just the silliest things we could think of. We weren't all that concerned with, you know, changing the world through mime.
I didn't invent satire. I didn't come up with it. And it will continue to be a very powerful tool to disrupt political taboos and social taboos and religious taboos, because those taboos are always used to control and to curb people's way of creativity and thinking, by making them feel guilty because they want to make a change.
We fear the arrival of immigrants that we have drawn here with the wealth we stole from them. For much of the rest of the world we must be the focus of bitter amusement, characters in a satire we don't understand. It is British people that don't learn languages, or British history. Britain is the true scrounger, the true criminal.
To a child, 'The Little Prince' is the story of a boy who falls from the sky, meets lots of funny people on his travels, and then returns to his star. But take a closer look and you find as clear a commentary on everything that's wrong with modern life - and what can be done to fix it - as you would in the most biting social satire.
It's harder to take politics seriously, to understand the issues, than it is to drown it all in a sea of scorn. And while the world cries out for greater analysis and insight, we are distracted by bread and circuses, aka the 'Great British Bake-Off' and 'Tumble.' We should rediscover our tradition of satire. Of speaking truth unto power.
I think a playful critique is good for all of us, and that's basically how I see satire functioning. But I'm not interested in a kind of contemptuous satirical vision; I try always, even when I'm knowingly being satirical, to also be humane, but I mean, let's face it: there's plenty in American life to make fun of, and we all participate in it.