I actually want to do a theatrical adaptation of 'Hateful Eight' because I actually like the idea of other actors having a chance to play my characters and see what happens from that.

Reba McEntire came through town when I lived in Texas. She had this amazing theatrical show with, like, 13 different wardrobe changes. I was eight and I was like, Wow, I wanna do that!

I'm not really a 'puppet' person in particular; I think they are very theatrical, and I've found different uses for them in shows, but my true interest is in writing Broadway musicals.

The rule was, the kids in this agency had to do 15 commercials or something before they sent them out on a theatrical audition, for a television show. And I had only done two commercials.

As far as the theatrical experience is concerned, I will be highly disappointed if that goes away. I have grown up watching films in theatres so that community experience should never go.

I had done a lot of plays, particularly at my own theater in LA, and it was the first time in my theatrical life where I didn't feel that my role was also to keep everybody else working hard.

We all like all of that, from 'Rubber Soul' to 'The White Album' and all of that, but even before, we were into that theatrical element of things. We didn't want to do a 'Sgt. Pepper's' thing.

Growing up, my mom made us this amazing thing called The Mack Theatrical Wardrobe. It was a massive trunk filled with everything that you'd want as a kid if you were into imagination and play.

People always make that mistake when they talk about theatre - the notion of the 'theatrical' meaning something separate from life. If it doesn't relate to life, it doesn't relate to anything.

English dialogues are always just what you need and nothing more - like something out of Hemingway. In Italian and in French, dialogues are always theatrical, literary. You can do more with it.

I was in a band with a boy who was quite androgynous and a bit bisexual, and we used to play up to that a little bit to be provocative in a theatrical way, but I guess you either are or aren't.

'The Walking Dead' do such a great job with that world. It is real, but it's also otherworldly; it's strangely theatrical, and I suddenly did become quite invested in the whole zombie phenomenon.

I had a feeling it was gonna work out because not only did I enjoy the music and hit it off with the guys, but I was into theatrical rock and was willing to wear makeup and do anything to make it.

The Cause of God is not a theatrical display that is presented every hour, of which some new diversion may be asked for every day. If it were thus, the Cause of God would become mere child's play.

Oh, yeah, I like a high neck. And I like naked backs. It seems very sexy. Red carpets are about being a bit theatrical - having fun rather than being too safe. You have to be brave. Fashion is fun.

And as a filmmaker, I'm trying to unhook myself from this idea that unless you have a brilliant, long, enormously lucrative theatrical run, that your movie somehow failed. And I don't believe that.

If you think about it, if you've ever been to a Catholic service, it's practically a laser light show. It's very dramatic, very theatrical. The outfits they wear, it's all designed to be impressive.

I saw 'Six Degrees of Separation' because my brother was in it. It was a watershed experience. It was theatrical and scary, and New York functioned like a character. John Guare became a hero for me.

I didn't really have an act per se - a theatrical performance, as opposed to just: here I am, folks, and you're all supposed to be dead quiet while I sing eight or nine songs, then get off the stage.

Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.

I am not going to approve the home-screening format for my film just carte blanche in lieu of a theatrical screening when I cannot trust that it will ever be seen in the format that it's intended to be.

First of all, Craig Lucas' work, any of it, for any actor, is such good material. It's so alive in such a poetic, yet human way. It's theatrical, but it lets you emotionally connect with the characters.

I figured as I got older, the good roles for women would be in the theatre. So 15 years ago I started building a Broadway career to try and develop the chops to be accepted as a great theatrical actress.

Theatrical is fantastic. I don't think anything will ever replace the big dark room, the screen and the popcorn. You can kind of do it in your home if you have a nice screen, but it's not the same thing.

And, I may add, from what totally unexpected sources come many of those who from the comparatively modest beginning in the chorus rise to the heights of really great achievement in the theatrical profession.

In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.

If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.

My past films came out on home entertainment in the U.S., so the next question was, how do we get a theatrical in the U.S.? Well, you put a monster in it. That will do it, because people love monster movies.

People don't understand that when you come into any theatrical experience, you've got to come locked and loaded, that you're a part of the experience, too. You can't come with your arms crossed. Be open to it.

My mum is a theatrical person. I saw a tape of a theatre project she did when I was a kid. I was really affected by the idea that my mum could turn herself into someone else for the purpose of telling a story.

There is something about New York City that in and of itself is so theatrical hat I use to think... I use to feel when I walked out of my apartment on the way to school or anywhere that I was walking out on stage.

A solid theatrical education can only improve a screen performance. It gives you a fuller capacity to read a script and understand a character, for one thing. It's important to alternate between the two activities.

I love theatrical props: a cup filled with solid fake tea, say, or a collection of fake food, including a rubber turkey, which, during the holidays, I wrap in tinfoil so it appears to have just come out of the oven.

I am so used to seeing the sort of play which deals with one man and two women. They do not leave me with the feeling I have made a full theatrical meal they do not give me the experience of the multiplicity of life.

Console game publishing has become more like theatrical release film-making and it is very hard if you are not one of the major publishers, and even for them it is hard unless they are working with major game brands.

My own journey as a writer has been the discovery of different theatrical voices. Chekhov was a revelation. Tennessee Williams was another one. We read 'The Glass Menagerie' in high school, and I still remember the cover.

I got into my very theatrical phase. I wore only black: a big black hat and wild hair and wild black clothes, and I carried a sword stick. I went there still looking like Miss Florida, and I came back looking very different.

As an audience, if you see 1800s or something, it more often seems that the actors are carrying the weight of the time. It always has a Shakespearean tone to it. To me, that always feels very theatrical and very unrelatable.

The word 'theatrical' makes me cringe, because it suggests a performance is staged, put on, rehearsed. And while all this is true for an opera, I believe the act of singing and performing should always be honest, raw, guttural.

I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.

I used to do karaoke with Patrick Woolf in a karaoke box, and he would ring me up and say, 'Come down and do karaoke with me here,' and then we'd sing Kate Bush songs and get really, really emotional and theatrical in the booth.

The more film festivals, theatrical shows, and music performances and visual arts we have, the less chances there are for war. Art is hope, and it is found in hope, and that's why we need to share our experiences and cherish art.

What I took back, because of my exposure to the Jewish music of the 30s and the 40s in my upbringing with my father, was that kind of theatrical songwriting. It was always a part of my character. This desire to make people laugh.

For the theatrical experience to survive, spectacle films need to expand their definition of what they can be. They need to be unique and true voices of the filmmakers behind them. They can't just be copying what came before them.

Peter Brook's 'Midsummer Night's Dream,' I remember seeing. That was pretty early on. And suddenly, I realized how theatrical Shakespeare is, how alive, how wonderful it is when it's opened up by a great director and a great company.

I don't think any of the early Romantic composers knew how to write for the piano... The music of that era is full of empty theatrical gestures, full of exhibitionism, and it has a worldly, hedonistic quality that simply turns me off.

My attitude goes back to my childhood. I used to audition for theatrical roles, and you can't stand out in a room full of ambitious eight-year-old girls by acting the wallflower. I realised then that I couldn't do things half-heartedly.

I was a little boy who watched 'Solid Gold' every week and wanted to be a 'Solid Gold' dancer. And I would do very in-depth reenactments of 'Grease 2' and 'West Side Story' with my sister Natalie in our garage. I was a very theatrical kid.

I've always been aware that probably writing songs - stupid songs or, at least, theatrical songs - is, I dunno, I certainly don't think about that, about my persona on stage. In fact, I work really hard not to address it too much in my head.

Pop is a little bit theatrical. That's the whole vibe. That's the point - is that it's great music, great melodies, great hooks. But, on top of it, it's a presentation. There's a showmanship about it. And that's why I wanted to be a pop star.

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