Quotes of All Topics . Occasions . Authors
A designer…has the true responsibility to give his audiences not what they think they want, for this is almost invariably the usual, the accustomed, the obvious, and hence, the unspontaneous. Rather, he should provide that quality of thought and intuition which rejects the ineffectual commonplace for effectual originality.
If I decided to send this to you, where would I send it? When I think of writing the whole address on the envelope I am paralyzed. It's too painful to think of you in the same place with your life going on in the same way, minus me. And to think of you not there, you somewhere else but I don't know where that is, is worse.
When you think of it, really there are four fundamental questions of life. You've asked them, I've asked them, every thinking person asks them. They boil down to this; origin, meaning, morality and destiny. 'How did I come into being? What brings life meaning? How do I know right from wrong? Where am I headed after I die?'
I think most Hollywood meetings are silly and I truly despise pitching. It's insane to expect someone to come in and tell you the story before they've written it, and buying an idea from someone who can explain it rather than write it is like choosing a mechanic based on his ability to draw a picture of your car's problem.
Perhaps you are thinking: 'But a tank costs several million dollars, not including floor mats. I don't have that kind of money.' Don't be silly. You're a consumer, right? You have credit cards, right? Perhaps you are thinking: 'Yes, but how am I going to pay the credit-card company?' Don't be silly. You have a tank, right?
We may think that justice is everyone being equal, having the same rights, sharing the same kind of advantages, but maybe we have not had the chance to look at the nature of justice in terms of no-self. That kind of justice is based on the idea of self, but it may be very interesting to explore justice in terms of no-self.
The average man never really thinks from end to end of his life. The mental activity of such people is only a mouthing of cliches. What they mistake for thought is simply a repetition of what they have heard. My guess is that well over 80 percent of the human race goes through life without having a single original thought.
I think I'm someone who is really prone to melancholy, and the super heavy, thick shows kind of spiral me out into not being able to be as happy a person as I think I deserve to be, so I tend to watch things like 30 Rock and The Unbreakable Kimmy Schmidt. Anything Tina Fey's involved in. And Parks and Rec. I love comedies!
There's that weird and cool line that music can cross where it still gives you the goosebumps and you think it's cool but on the other hand it's sort of like also letting you off the hook a little bit with the ironic aspects of the thing. I think that's the inexplicable, the smell of a movie. That's the taste of the movie.
It's been a long time since Roe v. Wade, and I do think most people are able to have respect for other people's choices. Most people, I think, have accepted that it's not up to them to control other people's choices, except, it seems, when it comes to Washington, D.C., where everyone has an opinion about people's uteruses.
I have a closet full of blazers and more striped shirts than any human could possibly wear. Somehow I think that I don't have striped shirts, and then I look at my closet and go, 'Oh, I have ten.' But then you always end up with your favourite striped shirt of the moment, and you don't end up wearing any of the other ones.
Somebody puts up some weird thing and somebody else thinks yeah maybe that's the way things work and pretty soon you have some cult going. Its not the fault of the internet, it's the fault of a social and culture system that doesn't educate people properly and in fact on purpose. They don't want to educate people properly.
People think focus means saying yes to the thing you've got to focus on. But that's not what it means at all. It means saying no to the hundred other good ideas that there are. You have to pick carefully. I'm actually as proud of the things we haven't done as the things I have done. Innovation is saying no to 1,000 things.
I think the global warming debate is now pretty much over and people recognize the need associated with providing sources which do not generate the heat that is currently provided by fossil fuels. I concur that climate change is beginning to [have an] effect on our natural resources and that now is the time to take action.
The factors that laid low so whooping and puissant an empire as the old Hollywood are many. I can think of a score, including the barbarian hordes of Television. But there is one that stands out for me in the post-mortem.... The factor had to do with the basis of movie-making: 'Who shall be in charge of telling the story.'
You need to not be able to do anything else, to be in this business. If you have other options, in those unemployed moments, those other options will take precedent. From a directorial standpoint, I think it's really Freudian, the amount of trust I have in filmmakers because I have such a trusting relationship with my dad.
I've talked to people who say that their music and their creative work is a much needed and appreciated escape, where they don't have to think about the state of the world; they're not even thinking about themselves so much. They're not trying to express their own experiences of that day or relationship strife or anything.
Do you think you could put that boot back on?" he added mildly. "The window can only let in a limited ammount of fresh air and your socks are a tough ripe, to put it mildly." Oh, sorry!" said Horace, tugging the riding boot back on over his sock. Now that Halt mentioned it, he was aware of a rather strong odor in the room.
I'm a romantic, but I'm not a romantic in the traditional sense. I like to romanticize what happens to me. Whatever happens to me - you could quantify it as good or bad - I romanticize it. I think along the lines of 'When that thing happened, it made me who I am.' That kind of thing. It's a different way of being romantic.
Beauty and makeup are not things people should think of as vain. It's an expression of yourself and can be seen as an art form as well. Also, it just makes people feel good because they're taking care of themselves. Anything you do to take care of yourself will inevitably make you feel better. That's the effect makeup has.
I actually think that the Russians are exploring the idea: Is it worth ending this conflict in the Donbass in eastern Ukraine, creating peace, getting out, and what would that look like? I don't think they're committed to it yet; I don't think they've made a decision one way or the other - but I think they're exploring it.
I think that when we have a better educated society, when there is less violence in our cities, when people get back into the workforce and have the opportunity to take care of themselves and their families - that for me really is the kind of success and the kind of America that I think most of us still want, we aspire to.
I think what we're going to ultimately recognize is that capitalism was a transitional and immature system. It got the planet to be globalized and now something else has to emerge. We have to be the ones. We can't wait around. Nobody else is going to do it for us. We have to be the ones who create that new emerging system.
Get taken care of quickly, effectively and go about their business. And the government, we are going to pay the bill. That will totally reduce all of the waiting times, all of the problems. And I think it may actually get the V.A. to respond better to things because, you know, there is a little competition you would think.
And in England there has always been something deeply pro-Arab, of course, not among all Englishmen, and anti-Israeli, in the establishment. They abstained in the 1947 UN partition resolution... They maintained an arms embargo against us in the 1950s... They always worked against us. They think the Arabs are the underdogs.
I was fortunate enough to work at the peak of the great golden age of musicals. And then for awhile, I think they were being advanced in different ways. Andrew Lloyd-Webber brought the rock beat to musicals; people tried different things. The joy of musicals is that there is no perfect recipe; it is what you throw into it.
I think authenticity is important whichever homeland you're from but one of the lovely things about British cooking is that we adopt great food and dishes from all of the lovely people who come from overseas to live in our country. We're a magpie nation - we take the best bits of other cuisines and embrace them as our own.
I think there's an awful lot of noise about the Church being persecuted but there is a more real issue that the conventional churches face - that the people who are really driving their revival and success believe in an old-time religion which, in my view, is incompatible with a modern, multi-ethnic, multicultural society.
I think we're being laughed at all over the world. I think that if you look at our military, we can't beat ISIS, General George Patton, General Douglas MacArthur are spinning in their grave. We can't beat ISIS, okay? I think that our veterans are not taken care of, they're treated worse than illegal immigrants, by the way.
My first advice would be to read, read, read, which sounds interesting coming in a digital age, but it's so much easier to listen to a poem than it is to sit down and actually read it and to hear it in your head and that is something that every poet or aspiring poet needs to be able to do, I think to hear it in their head.
We have been accustomed to thinking that we have to get something from outside us in order to be happy, but in truth it works the other way: we must learn to contact our inner source of happiness and satisfaction and flow it outward to share with others-not because it is virtuous to do so, but because it really feels good.
I didn't want to be criticized for taking low-quality photographs, so I tried to reach the best, highest quality of photography and then to combine this with a conceptual art practice. But thinking back, that was the wrong decision [laughs]. Developing a low-quality aesthetic is a sign of serious fine art-I still see this.
If you're spending a lot of time in the writers' room and then you're also acting, you have your foot in both of those doors. I'd always say to the writers, "You can say whatever you want about your boss in front of me. I'm not going to think about it as my girlfriend." You've got to be able to trash your boss, in any job.
My approach has always been to put 100% into the movie I'm making right now. I think sometimes filmmakers put too much thought into the grand franchise they're going to build. And guess what? If the first movie doesn't work there is no franchise, so I'm always concentrated on making the best, best possible movie right now.
But you were a goody-goody, you said.' 'Even goody-goodies think about such things. In fact, I would say that's what defines us. We're always thinking about the things we don't dare do, figuring out where the lines are drawn, so we can go right up to the edge of things, then plead innocence on the ground of a technicality.
I dont think any actor has the luxury of knowing exactly what scripts are going to turn out well and what ones arent. It would be wonderful to have that particular skill, and maybe people like Tom Cruise have it more than most, but you go into each project hoping that a good, if not great, film will come out the other end.
Honestly,I don't think we could be here only by myself and SS501. It's all your love and support that put us here. I've always thought that I am much more loved than I deserve,so I always think 'I should've done better' to you guys and I tried but it is much smaller than the love TripleS give us. I'm very sorry about that.
I really believe that you can. Not only do I think it is a part of public service to help young people find their way, just as professors had helped me find mine, but I've been very involved in K-12 education issues. I started a program back in 1992 called the Center for a New Generation, an afterschool enrichment program.
I don't necessarily think there's a difference in terms of how the film industry and the ad industry view visual effects. If visual effects (or the lack thereof) are used as a tool to strengthen an idea, they're great. If they are meant to carry more of a load in the absence of a concept, they're a waste and a distraction.
Even when I go shopping, I don't shop as a woman. The only time I shop is when I need something, and I'm in and out in less than 30 minutes, so I have no energy to look at 50 million gowns and styles and make sketches and think about heels. I'm not girly in that way. I'm relying on the stylist to do 99 percent of the work.
Just think, you're here not by chance, but by God's choosing. His hand formed you and made you the person you are. He compares you to no one else - You are one of a kind. You lack nothing that His grace can't give you. He has allowed you to be here in this time in history to fulfill His special purpose for this generation.
I think that relations between professors and grad students can be messy and not entirely boundable. Part of the problem is that those boundaries become eroticized. I don't think people are quite so managerial with their sexuality. By suggesting that sex can be successfully regulated, we're imposing stupidity on the issue.
I do think that it's really important for leaders of countries to be very clear and careful in the statements they make because their words are weighed extremely carefully by other countries, and you have to create a continuity of seriousness and of credibility in order to be able to be taken seriously and get things done.
If you want to pontificate, I'm certainly willing to pontificate. That's why Joely was laughing because you don't know what you asked for. Malcolm Gladwell, in his newest book "David and Goliath," writes about how sometimes things that we think of as handicaps often times are just the opposite. Or the reverse is also true.
I think Anarky's age is right now. He looks like a street protester. He looks like Anonymous. He's like one of these guys who wants to go out there and change the world to what he believes is the better, and I think of all the Batman enemies, and one of the reasons I'm most excited about Anarky, is he feels relevant today.
I am oblique; I think that has to do with my own nature. I like trying to do things which work on many levels, because I think it is terribly important to give an audience a lot of things they might not get as well as those they will, so that finally the film does take on a texture and is not just simplistic communication.
Lisp was far more powerful and flexible than any other language of its day; in fact, it is still a better design than most languages of today, twenty-five years later. Lisp freed ITS's hackers to think in unusual and creative ways. It was a major factor in their successes, and remains one of hackerdom's favorite languages.
One of the many characteristics of the new is that, at first, it's very hard to recognize it for what it is. We're lucky if we recognize something as being new when it first appears. Usually I think we don't have that privilege. It's usually after the fact that we suddenly turn around and say, 'Wow, this thing is amazing.'
My favourite song is Someone To Love. That is more like me than the other stuff, as it was the only one I was actually able to create from the bottom up. I call it an homage, not a remake. It is an homage to Freddie Mercury, because I don't think people can really remake Freddie Mercury. That's why we did a gospel version.
[Sundance] still feels significant. I don't think you can help but come here and not feel that sense of history and its significance in influencing film. And I think it still does. Some of that is based on history, but it's also based on really incredible programmers who are showcasing such an incredible variety of cinema.