Quotes of All Topics . Occasions . Authors
The way I'm doing it is I'm trying to think to myself, "Okay, I have the name Superman, and he's going to be a guy that deserves the name 'Superman.' I'm trying to forget about Krypton, about The Daily Planet what would I do if I was thinking it up?" I can do it any way at all..I can make him an Eskimo midget who's toothless and blind... I can do anything. It's difficult .
You can't just repurpose old material created for one platform, throw it up on another one, and then be surprised when everyone yawns in your face. No one would ever think it was a good idea to use a print ad for a television commercial, or confuse a banner ad for a radio spot. Like their traditional media platform cousins, every social media platform has its own language.
The fact is, though, what I think we really like is Marlon Brando, Al Pacino, Robert De Niro and James Gandolfini. We like what the media has created of the mob bosses in movies and TV and books, because it's something the average person never comes into contact with, it's almost as outwardly outlandish as a sexy vampire, and so we can romanticize it, it's non-threatening.
It's both a blessing and a curse. It's great having that goal and never settling, but at the same time I am rarely satisfied with things. I usually walk off stage thinking I can do better next time, it has to be more, more, more. Sometimes you have to just sit down and be like, "I'm in New York right now doing what I love." Look at all these things - I won a EMA last week.
There's a lot of people that don't understand liberalism, there are a lot of people that I think, by definition, still need to be informed and educated that it isn't the soft, loving, compassionate stuff that it's portrayed to be. Trump speaks for himself. Who Trump is and what he's doing is not a mystery to anybody. It's the exact opposite of a mystery. It's in your face.
With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary.
I think the ultimate sense of security will be when we come to recognize that we are all part of one human race. Our primary allegiance is to the human race and not to one particular color or border. I think the sooner we renounce the sanctity of these many identities and try to identify ourselves with the human race the sooner we will get a better world and a safer world.
People who have no secrets from each other never want for a subject of conversation. They do not weigh their words, for there is nothing to be held back, neither do they seek for something to say. They talk out of the abundance of their heart, without consideration they say just what they think. Blessed are they who attain to such familiar, unreserved intercourse with God.
I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first eight to 10 scripts were pretty horrendous, but I stayed at it, stayed at it, and stayed at it, until I eventually found a voice and a subject like Rocky that people were interested in.
...the Lord of the Universe carries the entire burden of this world. You imagine you do. You can hand all your burdens over to His care. Whatever you have to do, you will be made an instrument for doing it at the right time. Do not think you cannot do it unless you have the desire to do it. Desire does not give you the strength for doing. The entire strength is the Lord's.
I think jazz was just seeking respect and validity because a lot of people didn't believe it was a viable art form, and then they got a lot of attention in Europe. A lot of bands that can't catch flies in the US have these followings in Europe, [but] it's less and less the case. American audiences are way more sophisticated and adventurous than anyone thinks that they are.
So that's one of the reasons why we took time between the last one and this one, was to make sure that we could do something that we believe could be equal if not better than the last one. In this case we already have ideas of things we're talking about, and I think in a perfect world it will not be a four year break and it will come out significantly sooner than the last.
I can't wait to tell him one day," she says with a giggle. "'Hey, Chaz, guess what? We knew where your precious car was all the time.' I'd like to take a photo of his face. What do you think?" "I reckon I'd smile really nicely in the photo," Santangelo says behind me, yanking me out of the way, "knowing that you'll be keeping it under your pillow for the rest of your life.
There's somewhat of a real fascination with American bands and American mythology in London, so I think we've tapped into some of that. Maybe because of the way the press works or whatever, they have extremely knowledgeable music fans over there. People who will sit there and talk to you about some record that came out in 1967 out of Memphis that you've never heard before.
I'm thinking of doing everything now, including this stupid act of waiting for someone in front of their house so you should do the same. You have no thoughts of becoming the little mermaid, so that's why I'll be come the little mermaid instead. I'll be right next to you as if I am not there and disappear like foam. So right now, I am the one shamelessly hanging on to you.
Calling something exotic emphasizes its distance from the reader. We don't refer to things as exotic if we think of them as ordinary. We call something exotic if it's so different that we see no way to emulate it or understand how it came to be. We call someone exotic if we aren't especially interested in viewing them as people - just as objects representing their culture.
I think that's such an important message, especially for younger women, to know, 'I don't have to come out of the womb painting like Frida Kahlo. My very first thing that I make isn't going to be an around-the-world sensation.' You have to paint a hundred really ugly, barfy, diarrhea paintings before you come up with that one where you start to really get into your groove.
I feel all agitated, like one of those snow globes you see resting peacefully on shop counters. I was perfectly happy being an ordinary, dull little Swiss village. But now Jack Harper’s come and shaken me up, and there are snowflakes all over the place, whirling around until I don’t know what I think anymore. And bits of glitter, too. Tiny bits of shiny, secret excitement.
I went to film school when I was 17, and of course when you are very young you think that there is nothing else in the world except film. At some point I started getting hungry to see something else. For five years I didn't make any films, I was traveling around the world, writing for newspapers, working in theater, working in opera, I thought I would never return to film.
I think that if you have a single payer system and an opt-out for people who want to pay more [for better service, etc.], I think it would be better - and I think we'll eventually get there. It wouldn't be better at the top - [our current system] is the best in the world at the top. But the waste in the present system is awesome and we do get some very perverse incentives.
I wanted to pay homage to someone who was such an important literary figure in my life. I think Langston Hughes would be proud of the picture Black Nativity, yet it's a contemporary story about a family living in Harlem. I named the lead character Langston, put a little bit of poetry in there, and some Langston Hughes quotes, and, of course, his stage play, Black Nativity.
Fairfield Porter who has been my model for art writing all along, said that if the most interesting thing about a work of art is its content, it's probably a failure. I think it's true that if you find yourself thinking about the meaning in an author's message, it's probably not very interesting as art. Obviously, this is a tough concept, because if you withdraw intention.
I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.
I don't record (any type of genre of music) that I didn't hear in my family's living room by the time I was 10. It just is my rule that I don't break because ... I can't do it authentically ... I really think that you're just hard-wiring (synapses) in your brain up until the age of maybe 12 or 10, and there are certain things you can't learn in an authentic way after that.
I think that the movement against the World Bank, against the globalization process that is happening, is very positive. We need a globalization, a globalization of people who are committed to social justice, to economic justice. We need a globalization of people who are committed to saving this earth, to making sure that the water is drinkable, that the air is breathable.
There was a band very early on in our class, and I played in that band and as a teenager, I continued. It was more from my own relationship with the instruments at this time, figuring out the instrument and then having to learn different pieces that I really got into music. I really discovered the almost transcending power of music. And I think that is why I am so into it.
I still think of myself as a house. Ravan tried to fix this problem of self-image, as he called it. To teach me to phrase my communication in terms of a human body. To say: let us hold hands instead of let us hold kitchens. To say put our heads together and not put our parlors together. But it is not as simple as replacing words anymore. Ravan is gone. My hearth is broken.
"Freedom" is probably the word he said more than any other. He used the word freedom constantly. I think for some his frequent calls for freedom became a cliché because he did it so often. They didn't get it, but Reagan certainly did. He thought deeply about the relationship between God and human freedom and the nonrelationship between atheistic communism and that freedom.
Whether on the ground of materialism, or of intellect, or of spirituality, the compensation that is given by the Lord to every one impartially is exactly the same. Therefore we must not think that we are the saviours of the world. We can teach the world, a good many things, and we can learn a good many things from it too. We can teach the world only what it is waiting for.
Meditation is one of the rare occasions when we're not doing anything. Otherwise, we're always doing something, we're always thinking something, we're always occupied. We get lost in millions of obsessions and fixations. But by meditating-by not doing anything- all these fixations are revealed and our obsessions will naturally undo themselves like a snake uncoiling itself.
Maybe a hundred years ago our people should have run away from this place, I said... And then run from the next place and the next place and the place after that? You run once, what makes you think you won't have to run all the rest of your life?... We love moment to moment... Everything changes. One minute we are part of the river, and the next we are joined with the sea.
What man needs is not philosophy or religion in the academic or formalistic sense of the term, but ability to think rightly. The malady of the age is not absence of philosophy or even irreligion but wrong thinking and a vanity which passes for knowledge. Though it is difficult to define right thinking, it cannot be denied that it is the goal of the aspirations of everyone.
I have spent my life watching, not to see beyond the world, merely to see, great mystery, what is plainly before my eyes. I think the concept of transcendence is based on a misreading of creation. With all respect to heaven, the scene of the miracle is here, among us. The eternal as an idea is much less preposterous than time, and this very fact should seize our attention.
If you do not take the distinction between good and bad very seriously, then it is easy to say that anything you find in this world is a part of God. But, of course, if you think some things really bad, and God really good, then you cannot talk like that. You must believe that God is separate from the world and that some of the things we see in it are contrary to His will.
I think the simplest way to break the ice is probably to try playing on the same level, to discuss everything in normal life. So, for example, with Katie Holmes, we just spent one hour talking about her daughter. Or with Madonna, when we were working on the event in New York, we spent hours deciding every single aspect together, from the dishes to the flowers to the cards.
...to live differently, to love differently, to think differently, or to try to. Is the danger of beauty so great that it is better to live without it (the standard model)? Or to fall into her arms fire to fire? There is no discovery without risk and what you risk reveals what you value. Inside the horror of Nagasaki and Hiroshima lies the beauty of Einstein's E=MC squared
African-American women are the most loyal constituency of the Democratic Party, and we need to do more to make sure that we engage them, that we don't take them for granted. We need to be there. And again, I keep thinking about that woman I met in Detroit shortly after my election, who said, "You've got to stop showing up every fourth October and telling me that you care."
I think I'm just as good as anyone. That's the way I was brought up. I'll tell you a secret: I think I'm better! Ha! I remember being aware that colored people were supposed to feel inferior. I knew I was a smart little thing, a personality, an individual - a human being! I couldn't understand how people could look at me and not see that, because it sure was obvious to me.
I've always been a fast reader. Now I had to do it slowly, discussing each sentence. And every time I wanted to change something I had to come up with an intelligent defense I could be pretty sure that they would turn my suggestion down, as they had so many aspects to keep in mind. However, if I argued well, I could have a chance. I had to think of every comma, every word.
Miss Wynter, I think you should be the evil queen,” Harriet said. “There’s an evil queen?” Daniel echoed. With obvious delight. “Of course,” Harriet replied. “Every good play has an evil queen.” Frances actually raised her hand. “And a un—” “Don’t say it,” Elizabeth growled. Frances crossed her eyes, put her knife to her forehead in an approximation of a horn, and neighed.
Where some people may see loving grandparents, I see a pair of feckless boobs who can't drive, take way too long to shop, and don't even have the most basic grasps on the new technology. As a staunch supporter of the principles of Darwinism, I think that advances in modern medicine are starting to overrule the survival of the fittest, and it's to our [youngers'] detriment.
Descartes' immortal conclusion cogito ergo sum was recently subjected to destruction testing by a group of graduate researchers at Princeton led by Professors Montjuic and Lauterbrunnen, and now reads, in the Shorter Harvard Orthodoxy: (a) I think, therefore I am; or (b) Perhaps I thought, therefore I was; but (c) These days, I tend to leave that side of things to my wife.
The failures are not due to any injustice, but to an inner defect. It is always caused by the person himself. Yes, I know, you think you are doing an act of justice. But they will only suck you dry, wear out your energy, nourish themselves on your ideas. After being the most compassionate man in the world, I say to you today: Let the weak ones die, let them commit suicide.
One of the things that I think makes it hard in this society for us to tell the truth is the kind of conventional relationship to adversity. Things aren't always easy and rather than being taught to have kindness to ourselves and others in the light of that we're taught something very different; that it's wrong and rejected - that's a lot of conditioning to step away from.
I'm not the "not-working" type. I derive pleasure from my work. Work gives me relaxation too. Every moment I am thinking of something new: making a new plan, new ways to work. In the same way that a scientist draws pleasure from long hours in the laboratory, I draw pleasure in governance, in doing new things and bringing people together. That pleasure is sufficient for me.
The point of Silicon Valley at least when I moved here was we're all trying to do stuff and none of us quite felt like we fit in anywhere else. But we were all trying to do good things. And the money was just the byproduct of good things. The idea that there's an obligation to have that thing happen in four years or five years or six years, I think we need to disavow that.
When I was 8 years old, it mattered what my favorite singer said and wore and expressed opinions about. And if I have a chance to matter to the growth and hopes and wishes of little girls, that's something I can't take lightly. So I do factor them in when I'm thinking about what to wear, and what to say, and whether or not to go out to bars even thought I'm not twenty-one.
I think because I do model for brands but it's never without input, ever. With AG I front their campaign, and obviously designed the collection for them. I did the same back in the day with Madewell. Even with Longchamp, there's a certain amount of collaboration on deciding on photographers and stuff like that. It's something that I'm accustomed to doing behind the scenes.
The customer is always what inspires me first! I love talking to everyone on Instagram and seeing feedback on SnapChat! I can ask a question like "What product do you wanna see next??" and they give you immediate answers. I will never make a product I personally wouldn't wear every day! But I think it's important to be in tune with your audience and see their expectations.
Why don’t I know You?” “Does anyone ever really know someone else?” “You think your cute,” she told him. “You think your gorgeous. But I’m the one guy here who knows better.” “So I’m not gorgeous?” Macey challenged. “Of course you are,” He started away, turned back at the last minute. “But I’m the guy who figured out that’s not all you are." — Double Crossed by Ally Carter