Quotes of All Topics . Occasions . Authors
The greatest thing to me about Obama is not the individual, it does not have to do with Obama himself - it's really about the people who have elected Obama. It demonstrates that people are ready for change, and I think Obama knows that, because he really came up from the people, the young generation especially. He motivated a lot of African Americans who never voted before to go and vote.
I think my weight-training proved to me more than anything that I can do anything in life if I really put my mind to it. I saw me bring myself from 137 pounds to 175 pounds over a seven-year period. That alone said to me that all you have to do is really stick with something, and you can accomplish anything you want. It's brought me great self-esteem because I know I did it. I changed me.
First and foremost, I want people to have a good read, because I want everything I write to entertain people. There are always different layers to the story, though, so if you want to think about social justice, or sexism or racism or homophobia, or really drill down into why the world is a better place when the police force looks like the people they are policing, then that's there, too.
How you prepare for a role is entirely your business in my point of view. There is little enough mystery anymore left in the world in the part of our profession, which should be clouded in mystery because it isn't in the public. You don't want the magician to show his tricks or how he did them do you? So I do think that is a very private thing that we actors should protect ourselves from.
It is hard to compare cultures without overgeneralizing, but I think a lot of American poetry has an assertiveness - an upbeat quality - that's less typical of Canadian poetry. Of course there are poets in both countries to whom that generalization does not apply. Speaking broadly, I'd describe Canadians as being a bit more reserved than Americans. Not less opinionated - just less direct.
Donald Trump understands sense of belonging. And a lot of people think globalization, any time you make any particularity, you're sort of offending some other group. And a lot of people in this country think they belong to America anymore, and he at least appeals to some sense of belonging. I like the idea that we belong to Western traditions, so I'm glad he appeals to that sort of thing.
Medicine is often conservative and slow to incorporate something that wasn't there before and that we're afraid people are going to laugh at us for. But, the beauty of music is - well, a couple things. There are no side effects that are harmful. Music doesn't do that. It doesn't have any negative effects whatsoever. So I do think it's going to come, but I think it's a new idea for people.
I think the dyed-in-the-wool, hard-core liberal - and remember, the more dyed-in-the-wool, the more hard-core, the more ignorant they are, and yet they don't know that. They think they're the opposite of ignorant. They're the last to fall, and some of them have dug themselves so deep now here in opposition to [Donald] Trump I don't think that they can ever in their minds with credibility.
Even as a woman who has a voice in the world, I struggle to find it, to use it, to keep it, to stretch it, to take risks with my words. And I don't think I'm alone. I think the most powerful women among us struggle with how to use their voice. Because I think what every woman knows, is that when she speaks her truth she is at risk - whether it's Hillary Clinton or a rural woman in Rwanda.
In America, we need to go forward in nationalizing several large corporations: I think that's possible; we nationalized General Motors; we nationalized several of the big banks, de facto; we nationalized Chrysler; we nationalized AIG. I think there will be more crises, and at some point, rather than being bailed out by the government, the public may keep the corporations it has to rescue.
Stammering is different than stuttering. Stutterers have trouble with the letters, while stammerers trip over entire parts of a sentence. We stammerers generally think of ourselves as very bright. My own private theory is that stammerers have so many ideas swirling around their brains at once that they can't get them all out, though I haven't found any scientific evidence to back that up.
You have to communicate on a much greater scale. With a camera, you can use the flick of an eye. On stage, a lot of other things are happening that can pull focus or energy. You're always thinking the same way, but you have to amplify your thoughts with the volume of your speech and the ways you use your whole body to communicate what you're feeling. It's a little bit different from film.
People already think the court is there to become the final word on controversial political questions. So everybody looks to the Supreme Court as the final word on abortion or immigration or what have you. It's not what it's for. It's never intended to be such. It's just another institution that has been corrupted and it's facing total corruption depending on the outcome of this election.
Fear arises through identification with form, whether it be a material possession, a physical body, a social role, a self-image, a thought, or an emotion. It arises through unawareness of the formless inner dimension of consciousness or spirit, which is the essence of who you are. You are trapped in object consciousness, unaware of the dimension of inner space which alone is true freedom.
For a long period of time, the media covered rap music and hip hop the same way they cover a lot of black people, people of color, you know, the bad news happens to be news. They used to have these little stupid colloquialisms that pop up like, "You know what? No news is bad news!" They trick the masses into thinking that any news is great for you. And I just think that's a piece of crap.
I you're writing memoir, but it even comes up in fiction. People just assume that you're writing thinly veiled autobiography. And particularly, I think, for people of color, our work is always seen as kind of anthropological artifact regardless. So, there's always going to be that assumption, but even more so in a memoir because often the names aren't even changed. It is easier to verify.
I can't save you like that Ty. What you did to me wasn't this brilliant thing, like you think it was. You took me away from everything - my parents, my friends, my life. You took me to the sand and the heat, the dirt and isolation. And you expected me to love you. And that's the hardest bit. Because I did, or at least, I loved something out there. But I hated you too. I can't forget that.
The thing that really got me about Janis the most, was how liberated she was. She stood in that power even though it was kind of that platform of blues of being completely tormented, that enabled her to just stand there and let it go at a time when woman were not doing that...she just came out in the completely undone, unwrapped way and I think spoke right out of a woman's soul. Directly.
If I wrote about "being [abstraction]" I would be ignoring existential issues (such as death, limited-time, the arbitrary nature of the universe, the mystery of consciousness) that I feel affect me most in my life and think about most of the time. Another reason is that it doesn't seem specific or accurate, to me, to write about "being [abstraction]." I think there are some other reasons.
I think what's exciting about doing it as found footage - if we all are being honest, found footage gets a little bit of a bad rap sometimes, but I think that there's a lot of potential in the medium in taking it seriously and in treating the audience with respect and in treating the characters with respect in terms of, why is the camera really on? Where would the camera be when it is on?
God is okay. He's got big shoulders. He's okay with our - with our questioning and our - you know, I think the bigger the question, the bigger the answer, you know? It may be sickness, it may be loss, it may be disappointment, but sometimes you feel like heaven's silent, that "God, how-how can this be love?" But actually, if you go back to the Word, you know, it just underpins everything.
I explained to Amazon that I don't like outlining or projecting what something's going to be. I like to allow a story to arise as I'm writing scripts. I find it horrible when I try to think of something for the plot without really being on the ground and seeing where it goes. I was really resistant to do the mini-bible. So I gave them something, but I really didn't want to do it that way.
If you can't be pretty, you have to learn to make yourself attractive. I found that all the pretty girls I went to high school with came to middle age as frumps, because they just got by with their pretty faces, so they never developed anything. They never learned how to be interesting. But if you are bereft of certain things, you have to make up for them in certain ways. Don't you think?
You know the best thing about aeroplanes? Apart from the peanuts in little silver bags, I mean. It's looking out of the windows at the clouds and thinking maybe I could go walking in there. Maybe it's a special place where everything's okay. Sometimes I do go walking in the clouds but it's just cold and wet and empty. But when you look out of a plane it's a special world... and I like it.
And what is a good citizen? Simply one who never says, does or thinks anything that is unusual. Schools are maintained in order to bring this uniformity up to the highest possible point. A school is a hopper into which children are heaved while they are still young and tender; therein they are pressed into certain standard shapes and covered from head to heels with official rubber-stamps.
I think that "Arabs coming out in droves" is so violative Jewish values that non-Jews admire so much about Jewish people throughout history, of welcoming the stranger, of standing up for the outsider, of defending the marginalized. This was classic us against them. This was the narrowest and meanest of politics, to which Jews, sadly and tragically, around the world have been subjected to.
People always ask about young people like me being forced into things. I play tennis because I love it. I think Russians might be tougher than other people. When I arrived in America I was young, but I already knew what I wanted. I think that when you start from nothing, when you come from nothing, it makes you hungry. I am proud of where I came from and I know what I want. I want to win.
I think a lot of people have the idea of an editor being someone who comes in like a dictator, and says, "You can't have that scene." And it never is like that - or perhaps some editors are like that and they're assholes, and they're not good editors. A good editor actually says, "I respect you" and they understand that you have a vision and they're actually trying to help you realize it.
Looking back, I feel like I was really young, and at the time I didn't think that I was that young. It was extremely traumatic and awful and horrible. At the same time, it turned out for the best. I'm glad that I'm not there. I'm glad that it didn't happen when I was 50. I'm glad I didn't have kids. And I got that out of the way. Hopefully. Like, that's probably not going to happen again.
I think you are looking at sexuality and not attributes, and I think it's odd because the conservative mantra is a meritocracy. And I think what you're suggesting is the fact that being gay parents makes you not as good as others. And I would suggest that a loving, gay family with a financially secure background beats the hell out of Britney Spears and Kevin Federline any day of the week.
Although my parents have never been the kind to hint around about grandchildren, I can think of no better tribute to them than giving them some.... I can't help thinking that the cycle is not complete until I can introduce them to a child of their child. And I can think of no better comfort when they are gone than to know that something of them lives on, not only in me but in my children.
I think that it is useless to fight directly against natural weaknesses. One has to force oneself to act as though one did not have them in circumstances where a duty makes it imperative; and in the ordinary course of life one has to know these weaknesses, prudently take them into account, and strive to turn them to good purpose; for they are all capable of being put to some good purpose.
I think that’s a responsibility that I have, to push possibilities, to show people, this is the level that things could be at. So when you get something that has the name Kanye West on it, it’s supposed to be pushing the furthest possibilities. I will be the leader of a company that ends up being worth billions of dollars, because I got the answers. I understand culture. I am the nucleus.
When I care about something, I care about something. I think I have an obligation as an American to - and as a citizen, as - as a human being, to help others. Smoking is going to kill a billion people this century. I've put six hundred million dollars from my own money into trying to stop the tobacco companies from getting kids to smoke and convincing adults that it's not in their health.
As for the Folsom Prison show, ... would anybody have the guts to do that show now 50 Cent, maybe I think the whole idea of even playing to a crowd of people like that is so politically unfavorable now - it's like, 'What are you doing, singing for these people Do they deserve it' There's such anger in our culture right now, that kind of grace and forgiveness, we don't see that very often.
Tell the Queen that there's been a robin red-breast hanging about Kotir grounds. It flies down low and vanishes near the floor. Cludd thinks it might be something to do with those woodlanders. Now, I'm to say nothing to Fortunata or Ashleg... 'I must tell the Queen that a robin has seen Cludd hanging about. No, that's not right. I must tellt he robin taht Cludd has been hanging the Queen.
The worst, most dangerous person to America is clearly Paula Deen. She revels in unholy connections with evil corporations and she's proud of the fact that her food is f---ing bad for you. If I were on at seven at night and loved by millions of people at every age, I would think twice before telling an already obese nation that it's OK to eat food that is killing us. Plus, her food sucks.
Too often we are scared. Scared of what we might not be able to do. Scared of what people might think if we tried. We let fears stand in the way of our hopes. We say no when we want to say yes. We sit quietly when we want to scream. And we shout with the others, When we should keep our mouths shut. Why? After all, we do only go around once. There's really no time to be afraid. JUST DO IT.
One of our continuing myths was summed up in Huckleberry Finn: Our escape, what we think of as our escape, is that we can always light out for the territories. Well, we really can't, not anymore, but that's part of the American character - that belief that at any moment, I could just drop the coffee cup and disappear. And it makes for a different self-image and a different story, in a way.
I suspect that, though Craig indulges in a bit of wishful thinking, playing taps for various critical approaches still quite far from death's door, he may well be correct that New Testament scholarship is more conservative than it once was. This has more than he admits to do with which denominations can afford to train the most students, hire more faculty, and send more members to the SBL.
I think that kind of balance comes with the process of growing together as a band, the Little Dragon. We love to write, we love to create, we love to play live, and I think we love and appreciate what we have together. How that evolves, and how we balance it, is something that's come with time. At the start we were all like, "Tour tour tour. We just want to play. That's all we want to do."
Normally if you're dating, you're looking for compatibility, and then the moment that there's incompatibility, you're like, "Well, swipe left on that, let's just keep looking." In some ways I think the same lessons apply to people that apply to objects. It's just much easier to see that lesson in things because they're these fixed intangible lumps of stuff. People are not. They can change.
Being fearless means busting down those walls of fear and being who you are, not who someone else thinks you are. People like to put others in a box and tell them what they can and cannot do or who they can and cannot be. No one can tell you who you are and what you are made of, only you yourself know what you are made of, and only you yourself can do the work to become who you want to be.
We do not take into account the value of the stream. We see the number of streams as a measure of consumer demand, not the value. As it is, we think streams are under-monetized, and we are complaining loudly about that. If the value of a stream changes, we won't alter the count because we don't want to alter the history of the program because that would impact these milestone achievements.
See, I think our whole society is much too problem-solving oriented. It is far more interesting to participate in 'problem creation'... You know, ask yourself an interesting enough question and your attempt to find a tailor-made solution to that question will push you to a place where, pretty soon, you'll find yourself all by your lonesome - which I think is a more interesting place to be.
Amazing. You were so attached to it, and it still disappeared for you." “Attached! I was whocking that cloud with everything I had! Fireballs, laser beams, vacuum cleaner a block high...” “Negative attachments, Richard. If you really want to remove a cloud from your life, you do not make a big production out of it, you just relax and remove it from your thinking. That’s all there is to it.
No scientist or student of science, need ever read an original work of the past. As a general rule, he does not think of doing so. Rutherford was one of the greatest experimental physicists, but no nuclear scientist today would study his researches of fifty years ago. Their substance has all been infused into the common agreement, the textbooks, the contemporary papers, the living present.
I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
I would urge the government to allocate more funds toward fighting cancer. My own situation, it made me think. It made me think about the potential of dying. I wouldn't say I was scared. I'm more scared of how it will happen than of it happening. I'm not scared that I'm going to die. I think of how I'm going to die ... I don't want to linger. That scares me a little. The idea of lingering.
I love good momentum. It makes everybody happy and in this time that we're living in, especially musically speaking, if you can make a record that has more than 4 or 5 songs deep and it has a good variety of songs. You don't frontload it with those first couple of songs. You continue the record taking the listener on a journey, musically speaking. I think you've really got something there.