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Quentin [Tarantino] called me and said: "Yeah, you've got to be in my movie. You've got to be in Death Proof." But he made me audition. I was like: "Dude, I don't even want to do this..." So I left the casting of Hostel: Part II to drive to Venice, where Quentin was holding his casting, and the person ahead of me was Derek Richardson from Hostel 1 and he was like: "Dude, what are you doing here?" I said: "Don't ask!"

One of the things that's funniest about the entertainment industry and comedy is that people go 'Oh, you're great, but I don't know what to do with you.' The great thing about the Internet is that nobody has to figure out what to do with you. You can figure out what to do with you, and you can say, 'I made this thing, and I'm going to put it out, and now if people want to come see me and buy things from me they can.'

I like street performance because it's garbage time. The subway is garbage time: no one can say I'm wasting their time because they've already thrown that time into the subway. If they don't want to see me they can go to the other end of the platform. But on the street I do feel this disgust towards the audience: why would you waste your time looking at me? Why are you being so respectful of me? You should attack me.

Here is an example: while resolving current issues, our American colleagues made a proposal on the Syrian settlement but then suddenly declared at the UN that they were not going to discuss anything with us. It is necessary to understand what people want in one department versus another department of the United States. Do they have a common position? And this happened many times on very many areas of our cooperation.

Before the United States, there wasn't really anyplace anybody could go. They had to seek refuge in other ways. After the United States was founded, it became the place you go, and the people who came assimilated into a single culture that was shared in a way. Everything the left claims to want is exactly what this country started out doing. It was multicultural, we had the Italians, we had the Irish, we had everybody.

No. You can't. And I can't do anything either, about my life, to change it, make it better, make me feel better about it. Like it better, make it work. But I can stop it. Shut it down, turn it off like the radio when there's nothing on I want to listen to. It's all I really have that belongs to me and I'm going to say what happens to it. And it's going to stop. And I'm going to stop it. So. Let's just have a good time.

I’m always looking to top the last match, I’m always looking to entertain the fans and steal the show. Before I always thought that it was a case of opportunities, but I’m learning that it’s all in my control and I just want to keep on doing what I’m doing by giving my best. I’ve got a couple more magical matches left in me and hopefully at some stage, I guess the biggest honour would be going into the TNA Hall of Fame.

I just want the songs to have the staying power as my favorite songs. If you listen to any Hank Williams song, when you're in a good mood, it's going to put you in a better mood. If you happen to be bummed-out, you're going to feel maybe a little more bummed-out and better at the same time. At any time in my life, his music has had meaning and value to me. If a song can shape-shift in that way, that's a sign of success.

In trading with each other cities can't be in too different stages of development, and they can't copy one another. Backward cities, or younger cities, or newly forming cities in supply regions, have to develop to a great extent on one another's shoulders. This is one of the terrible things about empires. Empires want them only to trade with the empire, which doesn't help them at all. It's just a way of exploiting them.

If you press-mold a pot or if you slab-build a pot, the work has got to take much, much, much longer than if you work on the wheel. And I to this day have the ideal that I want my work to be not too expensive, so that if people buy it and break it, it's not going to be the end of the world. I'm not interested in having things in museums, although some of our work has ended up there, but that's not what I'm striving for.

We feel that we have to be right so that we can feel good. We don’t want to be wrong because then we’ll feel bad. But we could be more compassionate toward all these parts of ourselves. The whole right and wrong business closes us down and makes our world smaller. Wanting situations and relationships to be solid, permanent, and graspable obscures the pith of the matter, which is that things are fundamentally groundless.

It would’ve been easier to die. It’s not that I want to be dead now. I don’t. I have a lot in my life that I get satisfaction from, that I love. But some days, especially in the beginning, it was so hard. And I couldn’t help but think that it would’ve been so much simpler to go with the rest of them. But you—you asked me to stay. You begged me to stay. You stood over me and you made a promise to me, as sacred as any vow.

He says he had to go help someone in a desperate situation. Who, exactly, he refuses to say. He doesn’t know when he’s going to be back, but suggests we put off the wedding for a few days. The rotter! How dare he just zoom off and not tell me where he’s going, or who he’s going to help, or what exactly he’s up to!” Yeah, how dare he go out and be all heroic and stuff when you want him here slobbering over your big boobs.

Did you ever see so many pee-wee hats, Carl?" "They're beanies." "They call them pee-wees in Brooklyn." "But I'm not in Brooklyn." "But you're still a Brooklynite." "I wouldn't want that to get around, Annie." "You don't mean that, Carl." "Ah, we might as well call them beanies, Annie." "Why?" "When in Rome do as the Romans do." "Do they call them beanies in Rome?" she asked artlessly. "This is the silliest conversation.

Tis a barbarous temper, and a sign of a very ill nature, to take delight in shocking any one: and, on the contrary, it is the mark of an amiable and a beneficent temper, to say all the kind things one can, without flattery or playing the hypocrite,--and what never fails of procuring the love and esteem of every one; which, next to doing good to a deserving object who wants it, is one of the greatest pleasures of this life.

I used to joke that one of the reasons there was a lack of classical work on my CV was because I couldn't operate in those kinds of trousers. Which is a joke, but it's actually also true - if I want to appear in public I want to look my best. If I'm onstage I like to do contemporary work, largely because of the trousers, because of the clothes. I like a decent, what we used to call a lounge suit. Then I can start to motor.

We like our current shareholders and don't want to entice anyone to become one. It would help current shareholders to hear our CEOs [of the Berkshireoperating subsidiaries], but we promised them they could spend 100% of their time on their business. We place no impediments on them running their businesses. Many have expressed to me how happy they are that they don't have to spend 25% of time on activities they didn't like.

I write in spurts. I write when I have to because the pressure builds up and I feel enough confidence that something has matured in my head and I can write it down. But once something is really under way, I don't want to do anything else. I don't go out, much of the time I forget to eat, I sleep very little. It's a very undisciplined way of working and makes me not very prolific. But I'm too interested in many other things.

In other ways, you constantly have to change people's opinion of you as one thing, especially if you want to play different roles. You have to shatter that image sometimes. I've had to do it before with stage roles, to get roles. I'm drawn to kind of darker, misfit things. I would like to, especially in film, play against type and do some heavier stuff. I'm intrigued by projects that deal with problematic people and things.

America is not big enough to shake her fist in the face of a holy God and get away with it, and as I read this I want to explain something. I'm going to read this and then I want to explain something. As America has permitted homosexuality to establish itself as an alternate lifestyle, it is also reeling from the frightening spread of sexually transmitted disease. Sin begets its own consequence, both on individuals and nations.

No, this is not what a fair God would do. And why does it not say anywhere in the Bible that slavery is wrong? It only says that you should treat your slaves well. Well, I don't care if you treat them well. How is it possible that it is not immoral to own another person? Why isn't that one of the Ten Commandments? 'Thou shalt not own another person.' You want to sit here and tell me that fornication is worse than owning someone?

We never really know what we want until after we get it. If after we get it, it makes life more miserable, we know that isn't what we wanted. If it makes our life wonderful, we know this is a strategy which will meet out need. That's why Paul Tillich, the theologian says we need to sin courageously. You ask for what you want, hoping to meet your needs. If you get it and it makes life worse, you learn that this isn't what I want.

I realized that I really, almost by accident, had fallen into a labyrinthine, very powerful paradigm for dealing with these things through genre films. And once I realized that and realized the power of it, and the fact that because horror films aren't, in general, studio products - studios back them sometimes, but they don't try to meddle too much, because they kind of don't want to sully their skirts - you have a lot of freedom.

You have to study composition to understand that things can be done backwards and forwards and upside down, inverted, but it's mainly just an inner valid intuitive thing. Where do you want to go? Ok this is busy, or this needs some space, or this is too much space so now I want to put more notes in there or something. It's all about contrast. High, low. Fast, slow, thick or thin or what have you. And it's the same with improvisation.

The hardest single part of building a software system is deciding precisely what to build the most important function that software builders do for their clients is the iterative extraction and refinement of the product requirements. For the truth is, the clients do not know what they want. They usually do not know what questions must be answered, and they have almost never thought of the problem in the detail that must be specified.

Words fail me sometimes. I have read most every word in the Webster’s International Dictionary of the English Language, but I still have trouble making them come when I want them to. Right now I want a word that describes the feeling you get – a cold sick feeling deep down inside – when you know something is happening that will change you, and you don’t want it to, but you can’t stop it. And you know you will never be the same again.

But then why is it so terrible for me to be with the girl I love? Everyone one is permitted to have what they want, express their love as they please, without fear of harassment, ostracism, persecution, or even the law. Even emotionally abusive, adulterous relationships are often tolerated, despite the harm they cause others. In our progressive, permissive society, all these harmful, unhealthy types of "love" are allowed--but not ours.

The lesson for Asia is; if you have a central bank, have a floating exchange rate; if you want to have a fixed exchange rate, abolish your central bank and adopt a currency board instead. Either extreme; a fixed exchange rate through a currency board, but no central bank, or a central bank plus truly floating exchange rates; either of those is a tenable arrangement. But a pegged exchange rate with a central bank is a recipe for trouble.

Of course there are collaborations. But in official meetings with Western diplomats from the US and the European Union, the major issues of our relationships are simply not discussed. The topics are on climate change or any other issues they want us to agree with them on. But they never discuss how we could develop an equal relationship. They should stop using pompous orchestrated summits and begin a serious dialogue with small meetings.

Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.

When we love others, we naturally want to talk about them, we want to show them off, like emotional trophies. We invest them with a power to do to others what they do to us; a vain hope, as the lovers of others are rarely of much interest to us. But we listen in patience, as friends must, and as Isabel now did, refraining from comment, other than to encourage the release of the story and the attendant confession of human frailty and hope.

Of course life frightens me sometimes. I don't happen to take that as the premise for everything else though. I'm going to give it hundred percent and go as far as I can. I'll take what I want and leave what I don't want. That's how I intend to live my life, and it things go bad, I'll stop and reconsider at that point. If you think about it, an unfair society is a society that makes it possible for you to exploit your abilities to the limit.

In a typical 401k plan, when you first become eligible you get a big pile of forms and you're told, fill out these forms if you want to join. Tell us how much amount you've saved and how you want to invest the money. In, under automatic enrollment you get that same pile of forms but the top page says, if you don't fill out these forms, we're going to enroll you anyway and we're going to enroll you at this saving rate and in these investments.

Knock! knock! who's there? me! me who? that's right? what's right? meehoo! that's what I want to know! what's what you want to know? me who? yes, exactly! exactly what? yes, I have exactlywatt on a chain! exactly what on a chain? yes! yes what? no, exactlywatt! that's what I want to know! I told you-exactlywatt! exactly what? yes! yes what? yes it's with me. what's with you? exactlywatt-that's what with me. me who? yes! go away! knock knock...

It isn't really important to decide when you are very young just exactly what you want to become when you grow up. It is much more important to decide on the way you want to live. If you are going to be honest with yourself and honest with your friends, if you are going to get involved in causes which are good for others, not only for yourselves, then it seems to me that that is sufficient, and maybe what you will be is only a matter of chance.

By the grace of God I want to impart the Word, and bring you into a place where you will dare to act upon the plan of the Word, to so breathe life by the power of the Word that it is impossible for you to go on under any circumstances without his provision. The most difficult things that come to us are to our advantage from God's side. When we come to the place of impossibilities, it is the grandest place for us to see the possibilities of God.

I want stuff to play as wide as possible. I want to be able to see... if I could play the whole thing in a master and it could be compelling enough, that'd be great. Then it simplifies my day, it simplifies life for the actors when you could just focus on that. But by the same token I don't want to be forced into coverage. So I want it to be as good from every angle and I need to get as many of the kind of shadings that I want from every angle.

There is never a sudden revelation, a complete and tidy explanation for why it happened, or why it ends, or why or who you are. You want one and I want one, but there isn't one. It comes in bits and pieces, and you stitch them together wherever they fit, and when you are done you hold yourself up, and still there are holes and you are a rag doll, invented, imperfect. And yet you are all that you have, so you must be enough. There is no other way.

Know that wherever you are in your life right now is both temporary, and exactly where you are supposed to be. You have arrived at this moment to learn what you must learn, so you can become the person you need to be to create the life you truly want. Even when life is difficult or challenging-especially when life is difficult and challenging-the present is always an opportunity for us to learn, grow, and become better than we've ever been before.

We say that if a temple, or a symbol, or an image helps you to realize the Divine within, you are welcome to it. Have two hundred images if you like. If certain forms and formulas help you to realize the Divine, God speed you; have, by all means, whatever forms, temples, whatever ceremonies you want to bring you nearer to God. But do not quarrel about them; the moment you quarrel, you are not going Godward, you are going backward towards the brutes.

We have been trying to point out that this concept of an indefinitely favorable future is dangerous, even if it is true; because even if it is true you can easily overvalue the security, since you make it worth anything you want it to be worth. Beyond this, it is particularly dangerous too, because sometimes your ideas of the future turn out to be wrong. Then you have paid an awful lot for a future that isn't there. Your position then is pretty bad.

If you want to remain totally free, then don't choose. That's where the teaching of choiceless awareness comes in. Why the insistence of the great masters just to be aware and not to choose? Because the moment you choose, you have lost your total freedom, you are left with only a part. But if you remain choiceless, your freedom remains total. So there is only one thing which is totally free and that is choiceless awareness. Everything else is limited.

The offer of certainty, the offer of complete security, the offer of an impermeable faith that can’t give way, is an offer of something not worth having. I want to live my life taking the risk all the time that I don’t know anything like enough yet; that I haven’t understood enough; that I can’t know enough; that I’m always hungrily operating on the margins of a potentially great harvest of future knowledge and wisdom. I wouldn’t have it any other way.

Do you like him? Ty asked. "Not that I care." "I do," I said, because it was true. Even though it didn't matter anymore. "Not that I care you don't care. Though you clearly do care, and I don't care about that either." "Well, I don't care that you don't care that I don't care. In fact i'm glad. Because, um, if I were seeming someone that I liked, I'd want you to be happy for me.""Are you seeing someone?" I asked, pretty sure he wasn't. "Not that I care.

The list of things about which we strictly have to be agnostic doesn't stop at tooth fairies and celestial teapots. It is infinite. If you want to believe in a particular one of them - teapots, unicorns, or tooth fairies, Thor or Yahweh - the onus is on you to say why you believe in it. The onus is not on the rest of us to say why we do not. We who are atheists are also a-fairyists, a-teapotists, and a-unicornists, but we don't have to bother saying so.

Luckily for [Barack] Obama, the Russians came along and rescued him with this proposal [to confiscate Assad's chemical weapons] which he quickly accepted - it was a way out of the embarrassment of facing likely defeat. They still have the option of bombing if they want to. And incidentally, to add one comment about this, you'll notice that this would be a very good moment to institute a call for imposing the Chemical Weapons Convention on the Middle East.

I want you to forget all your insecurities. I want you to reject anyone of anything that's ever made you feel like you don't belong or don't fit in or made you fell like you're not good enough or pretty enough or thin enough or can't sing well enough or dance well enough or write a song well enough or like you'll never win a Grammy or you'll never sell out Madison Square Garden, you just remember that you're a goddamn superstar and you were born this way!

This concern with the basic condition of freedom -- the absence of physical constraint -- is unquestionably necessary, but is not all that is necessary. It is perfectly possible for a man to be out of prison and yet not free -- to be under no physical constraint and yet to be a psychological captive, compelled to think, feel and act as the representatives of the national State, or of some private interest within the nation, want him to think, feel and act.

You deserve to die," I whisper, suddenly realizing Iv'e said the words aloud. "Excuse me?" "Nothing." "Not nothing. You just told me that I deserve to be maggot feed." "Not maggot feed, just-" "Dead!" "Forget it" "I don't know why I said that. Just daydreaming, I guess." "Daydreaming about my death?" "Forget it", I repeat. "Are you sure you aren't still mad that I wouldn't let you borrow my vintage fishnet leggings?" "More like I didn't want to borrow them.

When you stand in your own authority, based in your own direct experience, you meet that ultimate mystery that you are. Even though it may be at first unsettling to look into your own no-thingness, you do it anyway. Why? Because you no longer want to suffer. Because you're willing to be disturbed. You're willing to be amazed. You're willing to be surprised. You're willing to realize that maybe everything you've ever thought about yourself really isn't true.

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