Quotes of All Topics . Occasions . Authors
I think it has been a weird mistake to have people with their own music careers going on and judging people because when they're too critical, it affects them. They don't want to be that honest, because they need to keep their appearance up.
In comedy, I often see so many weird race jokes, and it's like, there is no racial diversity in your show to even make those race jokes. The problem is that there is no one in the back to say, 'Hey, that race joke is not really appropriate.'
It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
When I was a freshman in high school, I read a book about the making of Disney's 'Sleeping Beauty' called 'The Art of Animation.' It was this weird revelation for me, because I hadn't considered that people actually get paid to make cartoons.
For me, books were my source of affirmation. Alice Walker, Audrey Lord - it was these authors who wrote about their experiences. It was this weird thing where I was censored in terms of what I could watch but not in terms of what I could read.
I was a weird teenager. My mother was actually worried because I didn't have any interest in dating in my teenage years. I had all this desire to pursue my passions like ballet, then sailing, then music, so I didn't have any emptiness to fill.
It's weird to have people so interested in your personal life. It's a part of the business that grosses me out. I'm always bummed out for people who just happen to be dating a celebrity, and they're also famous, and they can't live their life.
I don't have a place that I call home at the moment because there's no point. I mean, I'm a traveling circus for a while. It's weird. Like, if I wanted to go home, there's nowhere to go. I just go to a hotel. But I've kind of gotten used to it.
I'm still getting used to changing earrings - It still feels really weird to be pushing bits of metal through holes in my earlobes that weren't there a few weeks back, and actually seeing and feeling the holes in my lobes is still a bit freaky.
I cannot stand Hollywood child performances. It just reeks of artifice, and it's weird that, for some reason, Hollywood feels they have to make their child characters smarter than adults, and suddenly kids have the vocabulary of a college grad.
My first experience of doing martial arts was weird, real traditional, strange smell with incense burning. We did a lot of bowing, it was a lot of path of least resistance and go with the flow... Really good stuff for when you're at a young age.
I had my father on the Under-21 team and during the World Cup in France in 1998 - and also in AC Milan for four months. So it was a weird experience, because having your father as a coach is pretty weird, and I was the captain. But he was great.
I only box. It's the only thing that keeps me sane. I can't just go to the gym and run. I'd rather die. I played volleyball and rode horses my entire life, so just, like, moving to a city and having to go the gym was just, like, so weird for me.
'Jaws' was the definitive filmmaking turning point for me. It came out in the summer of '75 and I saw it an obsessive 55 times. They even ran a very embarrassing article about me in the local paper, about the weird kid who's seen 'Jaws' 55 times.
Nothing is a calling card. Everything is what you do. If you do it in order to get somewhere else, you're not actually doing it. If you're thinking, 'What is the weird thing I want to make with my friends?' money and other things will come later.
I used to live next door to a farm, so every day for awhile, I used to walk over and fed the cows, when I was in school. This was weird because I lived in sort of a subdivision, but this one holdout in our neighborhood in Kansas still had a farm.
It's weird, for me as a fan, to have a fan tell me that I'm their favorite singer. It's still a little awkward for me. I love to hear it, but I don't know how to respond to it. It's a very awkward thing to interpret what somebody else sees in me.
The 'Friday sessions' refer to something that you're not paid for and not supposed to do during your professional life. Curiosity-driven research. Something random, simple, maybe a bit weird - even ridiculous. Without it, there are no discoveries.
But honestly, it's pretty weird; there are girls who'd do absolutely everything just to get a backstage pass. I don't know what it is, but really, when you're on national TV in America the girls love you. They all want you! And I'm not complaining!
I'm weird. I'm not too focused on the physicality of a man. They just have to become my best friend, and then I start to get attracted to them. I've never been in a bar and just hit on a guy and started kissing him; I've never done that in my life.
It's weird, because everywhere I go, people yell, 'Grasshopper!' or 'Bill!' but down there in Mexico or Colombia or anywhere in South America or most of Europe, people will yell, 'Serpent's Egg!' And I'll go, 'Wow, man, these people are really hip.'
It seems like there's a lot of people who just do not understand satire. They think it's weird. There's people who just don't understand you portray something or just explore a character, it means you're condoning it, saying this is the way to live.
I used to wear boxers and a tank top, but now I sleep in the nude. It's kind of weird, because I used to have to wear something to bed, whether it was a tank top or whatever. And now if I have any clothes at all on, it's really hard to get to sleep.
As I went through 'This Progress,' one of two performance pieces by Tino Sehgal that transform Frank Lloyd Wright's emptied-out spiral into a dreamy Socratic-purgatorial journey, the museum literally fell away. I was suspended in some weird nonspace.
When you're 22, 23, living in New York, you're just scrambling to live on people's couches and in rooms that you're sure you're not supposed to be in. You're not on the lease; you're paying weird amounts of money every month trying to make it happen.
I had friends who were jocks or whatever... Then, around 12 or 13, kids get cliquish and cruel, and that disgusted me. It seemed a reprehensible use of one's arbitrary social status. So I got really aggressive about it and became more of a weird kid.
I have never had so much fun as in Montreal. I taught the kids French, I baby-sat, I went to school, I was a receptionist at a hairdresser's, I danced and drank all night. I found that the more you do, the more you have time to do... it's weird, non?
I had been plunged into a different world. I found myself spending half my time answering weird questions on book tours in the Midwest. People would stand up and explain to me the situation in their office and ask me whether they should resign or not.
I train all the time and the weird thing is I'm in the gym with people between 20 and 25 years old and I look in the mirror and I look better than they do and they are young kids - either they haven't trained hard enough or they aren't serious enough.
It's really nice meeting people after a concert. Still, it's very weird to be at the center of a group of 30 people all listening to what you're saying. When that group turns into 300 people, it goes on from weird. Some people revel in it, and I don't.
A weird thing is a strange loop, what some of us call 'an object.' Thus it is looked down on by the constructivist spokespeople of anti-art, which is also an anti-products movement - the dominant mode of high art since the inception of the Anthropocene.
The problem with the screenplay is that it's not literature, and it's not a film. It's a very weird, technical kind of blueprint that will be absolutely transformed into something else that is not that, you know? Honestly, a screenplay is no literature.
I guess I was always a ham, and I was anxious to try doing different things. I started doing impressions to make friends at school. I would do them during recess. Maybe some of the kids thought I was being weird, but everyone seemed to have a good time.
I came to America to become an architect. And somewhere along the line while I was still in school, I was lured into theater, and that's how I became interested in theater. My first play was something called 'A Banquet for the Moon.' It was a weird play.
After a couple of failed attempts, I came up with a weird tuning where I was dropping the G string down a step so that it became a seventh, and it got me to a place where I could play all these figures fairly easily. It was not an easy thing to work out.
I tell my staff, we're riding a tour bus around, and we're going to stop and look at some weird stuff - but we're taking our viewers around safely. They're just looking out the window at it. I'm trying to create a sense of comfort for my center audience.
A lot of people have said that I'm trying to be like Justin Bieber by wearing a hat all the time. But the truth is, I don't like the way my hair looks. It's kind of weird, so I wear a hat all the time to cover it. I've been doing it since I was thirteen.
You don't pay the same price for a Ferrari as you do for a Honda Accord. But for some reason, for movie tickets, you're asked to pay the same price for 'Avatar' as you are for some $2 million movie, which is kind of a weird thing when you think about it.
I do all kinds of roles - nerd, psycho, nerd, psycho, nerd, psycho - and occasionally someone kind of normal. It's weird, when I lived in Austin I was always cast as pretty normal people. But when I moved to Los Angeles I was immediately branded a psycho.
When I was a kid, I collected cactuses. I had hundreds of different kinds in my room. I was a weird child. Everyone was playing football, and I was collecting cactuses. I spent all my money on them. I had so many colors and shapes. I even gave them names.
Zappa was very technical and impressed by things that were musically challenging - weird time signatures, strange keys, awkward chord sequences. Zappa was important to me as an example of everything I didn't want to do. I'm very grateful to him, actually.
I am trying to be the girl I didn't have. That's important to me. I have to be conscious of that. In this weird, dark, small, very intimate way, there's a girl out there who relies on me. And that's super important to me, and I don't want to let her down.
It's a weird place to be in because my dreams in life have surpassed what I could have ever imagined. I just hope I can continue to write stand-up, but I would say my big dream is to build an amazing family. It's so boring and cheesy, but that's my focus.
The bad guy in any good storytelling is always, in some weird way, a mirror for your hero's journey and for the challenges that they are facing and is some weird physical externalization of that fear that the character is holding onto and has to overcome.
Spiritual life can certainly follow the pattern one sees in the fake martial arts, with most teachers making nebulous and magical claims that never get tested, while their students derange themselves with weird ideas, empty rituals, and other affectations.
You love all your characters, even the ridiculous ones. You have to on some level; they're your weird creations in some kind of way. I don't even know how you approach the process of conceiving the characters if in a sense you hated them. It's just absurd.
I would say I've actually done a lot more comedy than I've done drama. It's weird the way that worked out, because when I came out of theater school I took myself way too seriously, so it's kind of ironic that I ended up sort of going down the comedy path.
My sister was a twin, and the other baby died in childbirth, and I was three at the time, and I always kind of thought it haunted me. It was a weird thing. My dad was an ob-gyn, and so it was confusing that the other baby didn't come home from the hospital.
I like to be able to come and go as I please, and I don't really like having my face and name plastered around. I think it's a bit weird to have your name plastered on every page in a magazine, where in each case you're using a different piece of equipment.
If people are talking about you, that's great. You start making more money, that's great. You get to go to weird places, that's great. The music industry is weird, especially with the Internet. People are calling you all kinds of weird stuff, like 'jangly.'