Quotes of All Topics . Occasions . Authors
I kind of rode this weird line between athlete and artist. It was a little different because most of the athletes were total jocks, and most of the artists dressed in black and were kind of considered a little on the fringe. But I hung out with both crowds in my high school.
I actually ended up going through a vocal change. It started about two years ago, and it's only been recently that I found my balance again. Vocally, I couldn't figure out what was going on. My lows were getting lower, and my highs were getting higher; everything felt weird.
Everyone, it's okay to say the word 'bitcoin' and acknowledge that it is the actual platform that is driving this innovation that we're all building on. It's also okay to say 'the bitcoin blockchain,' or 'the blockchain,' if you're afraid that people will think you're weird.
I think people are turning inward more now cause the world's got in such a weird, crazy state. I think its making people think more about their life and what it is really that they are doing. And how do we interact with a world that's going crazy? It's a very important time.
If you manifest your true self through nature and your normal surroundings, I find that the most eerie. Like when you see birds suddenly start flying in a different direction or when you see moths forming weird shapes, I think that's the weirdest way to let yourself be known.
Because I have a dog, it's easier to work at home: I sit in a horrible weird 'Mastermind'-style chair and bask in my own mediocrity. Being single, I've no family life to distract me at the end of the day. Apart from taking the dog for a walk, I have no other responsibilities.
I once had a boyfriend who couldn't write unless he was wearing a necktie and a dress shirt, which I thought was really weird, because this was a long time ago, and no one I knew ever wore dress shirts, let alone neckties; it was like he was a grown-up reenacter or something.
In a weird way, I never wanted - I don't consider myself a very good writer. I consider myself okay; I don't consider myself great. There's Woody Allen and Aaron Sorkin. There's Quentin Tarantino. I'm not ever gonna be on that level. But I do consider myself a good filmmaker.
Sometimes it's so weird just to do an interview. This morning I was back in my parents' house, with my brother, and we went for a jog together, then had breakfast as a family. And a couple of hours later I'm wearing high heels and a dress and makeup, and talking about my job.
It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in - that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
I've done some really weird gigs. The ones where no one turned up - they're probably not the interesting ones to talk about. I played some pretty random ones in L.A. I signed to play all-R&B nights or an all-comedy night where I'd be the only white person there. They were fun.
I'm going to do a lot of weird stuff that's not going to be like me prancing around like an insane 12-year-old. I showed everybody that side of me and I think it's time to do different stuff, even when it comes down to the type of humor. I want to do some drier, weirder stuff.
My hair - it's baby thin and feathery and drives me crazy no matter what I do with it. It's weird because you see people with thicker hair that just kind of stays put, but if I'm in any sort of weather, I look like Bill Murray in 'Kingpin' when it starts to all come unleashed.
A bad girl can emotionally make a guy feel like a girl because they break hearts, too. A bad girl is dangerous because she might be honest with you and say, 'Listen you're not the only one. I just want you to be my friend,' and sometimes that might affect a guy in a weird way.
I've been trying to find women writers for my staff for a while now and I have three women on my staff and three guys so it's pretty equal. I don't know why that is. It's been the same thing for a while. It's hard for female comedians to stand out. That's weird. That's a shame.
I'm really into antiques. But really into it because of my father, who got me into them in the first place. He's an interior designer and he's really into going to antique shows and getting up really early on Sundays and driving out to these weird little towns north of Hamilton.
I've not always played well for City, but I'd never been the scapegoat, coming off at half-time when in my head I thought I was having a decent game. It was weird, unnatural, it had never happened to me before and it felt like no matter what I did it wasn't good enough any more.
It sounds so weird, but I'm totally pro-aging. If you look at the film industry, it's so funny how it's so much more accepted that actors begin their prime in their forties or fifties, and for women, it's so different. I think it's time to change that. Aging is a beautiful thing.
I'm just trying to have fun, and maybe the way I hold myself kind of freaks people out. I don't feel like an outsider, and I think my friends feel the same way I do. Now that we're playing to larger audiences, maybe we're weird to some people. But I'm trying to express what I am.
Do I ever think Gossip will be really massive in America? No, I don't think it'll happen - and that's fine. It's kind of nice because I get to experience everything at once. I get to come home and it not be weird, like in Paris or something. It is nice to be completely anonymous.
I'm probably borderline OCD. I insist on having all objects at right angles to each other. So a fork has to be at a right angle to the knife on the table. The salt and pepper pots have to be placed close together. Only recently have I started to notice it's a weird way to behave.
It's weird, when I go back to San Francisco, the few times that I've done shows there since leaving, it still feels like I live there. It's very, very strange for me. That's where my daughter was born, at UCSF. I have this huge attachment to San Francisco. It's like a love affair.
I've been kind of listening to the composer Britten and his rendition of 'A Midsummer Night's Dream.' The opening track is a choral section where all the weird fairies, who are played by kids in the production, sing. It's a crazy opening melody and chord sequence - really amazing.
What happens with 'Mad Men,' it's like an Elvis Costello album; I'll watch it, and then I immediately have to watch it again. AMC will play it back-to-back. I have a tendency to yell at it when my wife's not around because if she catches me yelling at 'Mad Men,' then it gets weird.
I thrive on change. That's probably why my chord changes are weird, because chords depict emotions. They'll be going along on one key and I'll drop off a cliff, and suddenly they will go into a whole other key signature. That will drive some people crazy, but that's how my life is.
The way I'm portrayed on the Internet is partly my doing, but it's partly the people that are presenting it so, you know, people come to know this strange version of a human. It can be pretty weird because people think I'm digging through dumpsters and smell like crap all the time.
I find it weird the way people get so excited about celebrity. If my friends are on the phone, their friends will say: 'Is that kid from 'Love Actually' there?' And the phone gets passed round and I have to speak to this stranger asking: 'Are you famous?' I don't know how to answer.
It is what it is, and it's a crazy job - I literally touch letters and wear pretty clothes, and how do you describe that job? It's weird, but I've been doing it for a long time, and I'll be first to make fun of it - I really will - but I wouldn't trade it for anything else in world.
It's always weird when people approach me to make an investment. I tell them, 'I don't need any more money. I'm good.' Then I wait for their expression. That part is entertaining, because people look at you like you're crazy when you say you don't need any more money. Who says that?
I'm a science fiction author at heart, and what I like about the Cthulhu Mythos setting is that, at its core, it is horror science fiction. I can take ideas from modern theoretical science, manipulate them in truly bizarre and weird ways, and remain true to the Cthulhu Mythos vision.
I don't want to be treated like I came from another planet or something or was somehow born with some weird birthright or super power. I don't view myself that way. I am a normal guy, picking up the crap from the dog and scraping the BBQ and having a beer and fixing the shed out back.
I'll tell you what, I had complete control on 'Unleashed.' I directed, produced, chose the musician, picked the costumes, and everything. I never had anyone saying, 'I don't like this and I don't like that.' The studio, Universal, were easy. It was this weird movie no one cared about.
I love fame. I love being written about. I don't really mind if people think I'm a bad writer, if they don't understand my weird Instagram performance art or they find my long captions annoying. That's part of the package of being in the public eye, and honestly I find it exhilarating.
When 'Iron Man' came out, I said, 'Oh - they are trying to have some fun.' It was a relief because every superhero movie had become so damn serious. Some people love that, but for me, it's a weird thing to watch. A man with a cape can have fun, but I won't listen to a lecture from him.
Sarcasm is weird. Even not in acting, in life I feel like 'sarcastic' is a word that people use to describe me sometimes so when I meet someone, it's almost like they feel like they have to also be sarcastic, but it can sometimes just come off as mean if it's not used in the right way.
Five years before my accident in 2003, you saw Kobe and Shaq pull up to games on bikes. Michael Jordan owned a racing team. So it wasn't that weird that I was on a motorcycle, even though it was against team rules. You've got to live your life, you know? But yeah, I made a dumb choice.
When fans come to me, and they say, 'You're my favorite singer in rock music,' and I go, 'What about Steven Tyler?' 'No, I like you better.' 'What about Robert Plant?' 'I like you better.' That's kind of weird to me, because I'm like, 'No, dude - Steven Tyler and Robert Plant are gods.'
There's actually a song called 'Vegas Lights,' which I wanted to be an anthem for Vegas, that represented how I felt when I went to the clubs. I felt this weird energy where everybody was having a good time, and it didn't matter. Dancing like nobody's watching. It was kind of beautiful.
Red carpets seem so glamorous, but you're really just standing there sweating and worrying your hair is going to fall. And in the end, people are only going to see one picture of you. You just smile for one second and then you walk over to the side and check your phone. It's pretty weird.
Once we got signed, I moved out of my house because I was having teenage issues with my mom. It really wasn't my fault, looking back. You know, I'm gay; it's weird. It was one of the things. She has no problem with me being gay, but she had a problem with me dressing the way I do at first.
For reasons that aren't quite clear I derive a weird and almost inappropriate pleasure from making a cake that looks like a decomposing log. Essentially, that's what a Buche de Noel is supposed to look like, complete with meringue 'mushrooms' poking out of the chocolate buttercream 'bark.'
In high school, I was crazy in love, and I would make handmade construction paper valentines every month for our monthly anniversaries. Then I'd go early in the morning and tape one to her car. It sounds sweet, but let's be honest: it was a little weird. I was probably crossing some lines.
For artists of my caliber, we're not played on the radio, so we don't really get a chance to get involved in that debate at all. We don't get a chance, because this weird kind of ageism exists in pop music. If you're past a certain age, you're not relevant. That's the kind of cliched term.
I had always been a really peculiar child. My mom would tell you I grew up roughing it with the boys and playing with action figures and toy cars and stuff, but I also had an Easy Bake Oven... I find it amazing that in a really weird way, people are mad that they can't figure out my gender.
I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.
Nick is 11 and a half years younger than I am, so his mom is only, like, 11 or 12 years older than me. I didn't call her Mrs. Offerman because that would be weird because we're, like, the same age, so I think I went straight to Cathy, but there's a mom element, and his parents are so great.
In television, there's this weird sense of isolation from your audience; you kind of get this feeling that you write the show for you and your wife and your friends and the other people who work on the show. It's our little show, and then it goes out into the world, and somebody watches it.
It's definitely a thing to be sitting there, getting a pedicure, and you look over and someone is reading an article about an aspect of your life that you know is not true. It's weird, it's uncomfortable, but I don't see it changing anytime soon, so I should figure a way to laugh through it.
When 'The Road To Hell' happened, I didn't know what I was doing. Your diary fills up, and you have no objectivity. At home, you're trying your best to fit in. Sometimes I'd race from Heathrow to find myself sitting in a village hall watching my kids. It felt really weird. I didn't enjoy it.
I don't think we were shy so much as we were terrified. Especially when we did 'Saturday Night Live' on live TV. We looked really animatronic because we were scared, but it came off as being this alien sort of attitude, which served us well, because people were like, 'Whoa, this is so weird.'