If you had ever told me that the finest film work was going to be done on television, I wouldn't have believed it.

Sookie is about as radically different from me and a lot of the work I've previously done as you could possibly come up with.

Of all the things I've done, the most vital is coordinating those who work with me and aiming their efforts at a certain goal.

Books have this function that help me to understand the work I've done, to wrap it up. Once it's done, fortunately, it doesn't mean there's closure.

Acting like an adult and being professional on set and getting my work done has just been a lifestyle for me. It's not something I have to try hard to do, necessarily.

When television came along, I'd already done more than 10 years of radio work and I thought everyone would want me. I sat around waiting for the phone to ring - and it didn't.

I wanted to be a stuntman. I've done stunts since I was 11, and wanted to be able to do them whatever kind of work I ended up in. I've had a horse roll on me, but luckily, everything stayed intact.

If a director can't figure out what they might get from me or whether he or she wants to work with me based on what I've done, then I can't tell them anything more than what they don't know already.

I met Tyler Perry and we did 'House of Payne' and a movie. We've done a couple other films since then, but it all boils down to the work. I'm a work-a-holic, which is why I think that I've been successful. If you tell me no, I'll work even harder!

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