Quotes of All Topics . Occasions . Authors
I've always been a writer because I've always been a student. My mom's a retired professor, so I come from a very academic background. I love writing, you know?
Everything is in a script for a reason, and only by being part of a writing team (or writing it yourself), do you really understand the intention of every beat.
As with all other aspects of the narrative art, you will improve with practice, but practice will never make you perfect. Why should it? What fun would that be?
When you make a choice as a writer about what it is you want to write, and what it is you're going to spend six months thinking about, you have to fall in love.
It was really a means-of-production problem. It costs so much to make films. With a novel, you can write the whole thing on a ream of paper from Staples for $4.
A lot of my close friends had tolerantly washed their hands of the whole idea of me writing a book. They had said to themselves, "I don't know what he's doing."
I simply write what I want, wish, long to write.... The state of human life and the god or demon within. The constant internal war that being alive can conjure.
Writing a book is the most terrifying thing that I've ever done. It's so much harder than writing for television because it is a completely different skill set.
I think I started writing because no one had ever told me you can write about the things you know in a musical. They don't have to come from some far off place.
Fiction is like a spider's web, attached ever so slightly perhaps, but still attached to life at all four corners. Often the attachment is scarcely perceptible.
People are naive about such things, and they would rather write them off as evil than attempt to understand them. An unfortunate truth, but a truth nonetheless.
We can skip through a lot of the stuff people might ask about the writing of the book, and so their comments always start well, well down into the nitty-gritty.
I'd wanted to be a writer and when I came back to New York worked as a musician too, but I found my writing starting to get more and more referential to cinema.
The form I most enjoy writing is the sonnet or sonnet-like forms, where you have a - you know, three stanzas or two stanzas that lead into a concluding couplet.
Writing a good query letter has very little to do with writing a good novel. But if you can't write the one, it makes it really hard to get the other published.
Writing for children is bloody difficult; books for children are as complex as their adult counterparts, and they should therefore be accorded the same respect.
The chief difference between good writing and better writing may be measured by the number of imperceptible hesitations the reader experiences as he goes along.
I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.
I don't write. I usually look for material by other people. Sometimes I change things or adapt things but I don't write from scratch. I wish I had that ability.
I try not to take on the weight or the burden of it. Once it's on the paper, I try to leave it, because I want to surrender to what I'm supposed to write about.
I don't feel that I decided deliberately I'm going to write something and have it stand alone. Somewhere by the end I think it would probably revert to imagery.
I get a fine warm feeling when I'm doing well, but that pleasure is pretty much negated by the pain of getting started each day. Let's face it, writing is hell.
Make me a willow cabin at your gate, And call upon my soul within the house; Write loyal cantons of contemned love And sing them loud even in the dead of night.
I don't write [screenplay character] biographies beforehand. I usually go in knowing some sequences: this is where I want to start, this is where I want to end.
There's so much rage in the world now and I'm finding poems to be the place where I want to stay. I rage and rage and then write a poem and return to breathing.
I've always loved writing, and the impulse for me is storytelling. I don't sit down and think: 'What political message can I sell?' I love the creativity of it.
Peter Rabbit, for all its gentle tininess, loudly proclaims that no story is worth the writing, no picture worth the making, if it is not a work of imagination.
You can learn Elvish, if you want. It's a language like Italian and English. You can learn to read it, you can learn to write it, and you can learn to speak it.
I must be free... free to do what I like, say what I like, write what I like, within the limits prescribed for me by my own sense of what is seemly and fitting.
I had to wait for a long time before I could support myself with writing. However, being a writer is what I have most wanted to be, from the time I was a child.
Some of my favorite movies are action movies. You want something good to say. That comes from good writing. But writing is not a skill I possess, unfortunately.
So that's why one of my rules of parody writing is that it's gotta be funny regardless of whether you know the source material. It has to work on its own merit.
My favorite thing in life is writing about life, specifically the parts of life concerning love. Because as far as I’m concerned, love is absolutely everything.
Knowing what thought process goes into constructing a line helps an actor know how to deliver that line because you understand the intention behind the writing.
I have enjoyed writing songs for so long... it felt like in order to make music that I could relate to myself, I would have to be a part of the writing process.
Verily, the index finger that testifies to the oneness of Allah Azzawajal in prayer, utterly rejects to write even an alphabet, endorsing the rule of the tyrant
I'm very secretive. I'll write a whole novel and revise it, which might take me two years or more, and the people I know best don't know what I'm writing about.
I think actually singing the words is more therapeutic than just sitting down to write them, because then you are letting it out, and it's coming from your gut.
A change of work is a good rest for the mind if you're constantly focused on writing. I like to work with timber and be creative on that side sometimes as well.
I love it, I hate it, it's ecstasy when I'm writing well, it's despair when I'm not. I wouldn't wish this life on anyone, nor would I, could I, ever give it up.
They say it's the good girls who keep diaries. The bad girls never have the time. Me, I just wanna live a life I'm gonna remember even if I don't write it down.
History has to live with what was here, clutching and close to fumbling all we had - it is so dull and gruesome how we die, unlike writing, life never finishes.
People write me from all over the country, asking me, and sometimes even telling me, what they think a poet laureate should do. I found that immensely valuable.
When I was in the gulag I would sometimes even write on stone walls. I used to write on scraps of paper, then I memorised the contents and destroyed the scraps.
In writing a little tragedy, 'The Gaol Gate,' I made the scenario in three lines, 'He is an informer; he is dead; he is hanged.' I wrote that play very quickly.
There are days when the result is so bad that no fewer than five revisions are required. In contrast, when I'm greatly inspired, only four revisions are needed.
Writing about something specific, in my mind, was overwhelming, so I wrote about art because I love art and I know I can say a couple of funny things about art.
To be honest, I think about the clubs when I write. But I should probably start thinking about stadiums, because the songs sound even better there - and bigger.
There are some writers who also enjoy being authors, and are good at it as well. There is nothing performative about writing, but there is about being a writer.
I got addicted to the addiction book. I actually started developing all the addictions of the people in the book that I was writing about, without realizing it.