Quotes of All Topics . Occasions . Authors
I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.
I write what I write, say what I say, 'cause I feel what I feel, and if I did it different, it would make me a liar! So I'd rather be an honest person than a good liar.
I couldn't write about love without writing about hate - specifically, how the experience of hatred embeds itself in the body and prevents love from entering or leaving.
I don't just write music to esthetically satisfy somebody. The reason I write music is that I feel it's a vehicle or channel which leads to your true self, your essence.
When you write a book, you are asking someone to make an investment in their time and money. A column can come and go as the weeks pass, but a book needs to be timeless.
I have never found, in anything outside of the four walls of my study, an enjoyment equal to sitting at my writing desk with a clean page, a new theme, and a mind awake.
Certainly a decade and a half out in the real world, bashing my head against things, probably made me into a more textured writer. It gives you something to write about.
I try to write in the first person - the first person not of a journalist but of a carnivore, an eater, a gardener, someone trying to figure out what to feed his family.
I don't much believe in the idea of characters. I write with words, that is all. Whether those words are put in the mouth of this or that character does not matter to me
I think the writing of literature should give pleasure. What else should it be about? It is not nuclear physics. It actually has to give pleasure or it is worth nothing.
It's about a young man who has climbed to fame and he discovers that his writing and the relationship with his wife are really more important for him than anything else.
I definitely want to write some fiction, for sure. I already have half of the next book. I already have it all mapped out. I'm ready. I'm ready to bring it to the world.
I like garage band for writing because you only have crayons and there are only five crayons in the box. Your choices are limited and I find that to be very good for me.
When you're writing a screenplay every scene needs to change from positive to negative, or negative to positive, and constantly trying to change the values of the movie.
I've done for the most part pretty much what I intended - I ended up doing comedy, writing and painting. I've had a ball. And as I get older, I just become an older kid.
I am pretty interested in trying to write and produce an animated film at some point, but that's a job that takes several years, minimum, to get an animated movie going.
I write very sporadically. I write sometimes three things in a week and then nothing for a year. I make a space for it but I don't push it. They just come and they come.
If we can write or sing or create in some way, even when we are dealing with difficulties or pain, then it becomes something bigger than ourselves — and often beautiful.
Purely the idea of writing a lot of books doesn't make you a great writer, but it might be that the process of doing a lot of writing will make you a much better writer.
There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.
We have to tell the American public that they're missing the boat, that they have to get into writing and reading. Not only that, but books won't crash in the year 2000.
Obsession led me to write. It's been that way with every book I've ever written. I become completely consumed by a theme, by characters, by a desire to meet a challenge.
If you're going to write something, that's going to be read by people, a lot of people, you hope it will not only entertain them but maybe do them some good in some way.
Write. No amount of self-inflicted misery, altered states, black pullovers or being publicly obnoxious will ever add up to your being a writer. Writers write. On you go.
I aim to be content with what I produce. It's an aim I never achieve, but I go over my work word by word, time and again, so as to be as little dissatisfied as possible.
As a university student, I tried hard to write poems in Korean. It was at that time that I foresaw my death and the world's death. I think my poems started at that time.
I have been both overpraised and underpraised. I assume by the time I finish writing -- and I plan to go on writing until I'm 90 or gaga -- it will all equal itself out.
Sometimes I look back and think, "How did I write that? The book is smarter than I am!" I have never written strategically, but rather, followed the dictates of my muse.
I never think in terms of target audience. I try to write what makes me laugh, so I'm the target audience. I guess I just hope there's another person in America like me.
Reading gave me great comfort and pleasure. When I started being able to write, around seven or eight, I wanted to be able to do that myself, to create that other world.
I don't know if there are topics that I unconsciously avoid, but as soon as they pop up in my writing, I try to take on those topics, whether or not I publish the poems.
Why write if this too easy activity of pushing a pen across paper is not given a certain bullfighting risk and we do not approach dangerous, agile and two-horned topics?
When I was in Washington, I would usually get home from the Capitol at about 7:30 or 8, and I would try to write as much as possible. It was almost all in the wee hours.
Writing is a key differentiator. I've used it for 14 years. Writing will not just lead to differentiation. Writing is the credibility you need to create buyer confidence
I like to challenge myself, to see if I can actually write a pop album that people can connect with lyrically. Musically, it's very accessible - or, at least, I hope so.
writing is the loneliest job in the world. There's always that frustrating chasm to bridge between the concept and the writing of it. We're a harassed tribe, we writers.
You can write nothing of value unless you give yourself wholly to the the theme -- and when you so give yourself -- you lose appetite ans sleep -- it cannot be helped --
If you want to be a writer, you have to write every day... You don't go to a well once but daily. You don't skip a child's breakfast or forget to wake up in the morning.
I don't want to say that having power is overrated, but powerlessness can give rise to a different kind of authority, and that's the kind of authority that writes books.
I write journals and would recommend journal writing to anyone who wishes to pursue a writing career. You learn a lot. You also remember a lot... and memory is important
And if there was something, suppose I wanted to write something really damning or embarrassing about one of the owners, that would really be a problem on the NFL's site.
Even Jack Kerouac, who famously said, "First thought, best thought," benefited from editing. His earliest works are the most edited, and they're the best of his writing.
You can’t learn to write in college. It’s a very bad place for writers because the teachers always think they know more than you do-and they don’t. They have prejudices.
Writing your name can lead to writing sentences. And the next thing you'll be doing is writing paragraphs, and then books. And then you'll be in as much trouble as I am!
I feel like I'm almost ready to write fiction about the border. But even after 10 years of writing nonfiction about it, I don't think I know quite enough to do it right.
Breaking up monotony is key to life and it doesn't matter whether I'm stacking shelves or writing songs, if I was doing the same thing every day I just couldn't take it.
It is not usually possible in a poem or a story to make the relationship between particular and universal fully explicit. Those who try to do so end up writing parables.
Christ is the Word of God in person. The Bible is the Word of God in writing. Both are the Word of God in the words of men. Both have a human nature and a divine nature.
We continue, however, to write about important people, prize-winning people, blacks of grandeur, women of great fire, fame or wit. We do not write about ordinary people.
You need to get outside of your comfort zone to write songs that are interesting, songs that are compelling, songs that are different from what other people are writing.