I don't suppose a writing man ever really gets rid of his old crocus-yellow neckties. Sooner or later, I think, they show up in his prose, and there isn't a hell of a lot he can do about it.

I can write a story in working-class Stockholm Swedish, but I'm not going to assume I can perform the same feat with Cockney. I'll focus on adventures in story, themes and structure instead.

I try to work in the mornings. Usually, I write in my pajamas and slowly assemble myself. I don't get organized and sit down and get dressed. I do the laundry. I drift in and out of writing.

Sometimes you have intuitive insight about how you think things are going to be, and you write that. Other times you fantasize completely, which has nothing to do with predicting the future.

When a writer has done the best that he can do, he should then withdraw from the book-writing business and take up an honest trade like shoe repair, cattle stealing, or screwworm management.

I used to do horseback riding in the South, and it was just things I'd be pasting. I think my diaries was just an infantile desire to record things. I liked saving things instead of writing.

I have an impulse to write all over the orange walls- I need an alphabet of endings ripped out of books, of hands pulled off of clocks, of cold stones, of shoes filled with nothing but wind.

Writing stopped being fun when I discovered the difference between good writing and bad and, even more terrifying, the difference between it and true art. And after that, the whip came down.

For a long time I managed to think two things simultaneously, that I am actually a good playwright, and that the next time I write a play I will be revealed as someone who is no good at all.

I didn't start writing so that I could more deeply know myself. I was bored of myself, my life, my childhood, my hometown. I started writing as a way to know others, to get away from myself.

Writing a book is a bit like going on location for a movie. You're absent from your life, your family, and your friends. You're psychologically gone, so you might as well be physically gone.

One of the most productive times in my early writing life was while I had a full-time job as a word processor in a law firm and also worked part-time at night, often working until 11:00 P.M.

I wish I were one of those terribly clever people who, when they write their autobiographies, always say, when I was fifteen months old I distinctly remember my Aunt Fanny saying to me, etc.

Most new writers think it's easy to write for children, but it's not. You have to get in a beginning, middle and end, tell a great story, write well, not be condescending-all in a few pages.

As for how I feel about any success I've had, I just feel extremely lucky. Writing is a tough racket, and there are a lot of writers out there better than me who can't seem to catch a break.

From my close observation of writers... they fall into two groups: 1) those who bleed copiously and visibly at any bad review, and 2) those who bleed copiously and secretly at any bad review.

If you do a scene and you really like a character in it or a premise in it to write it down and to work on it so that you can have five or six characters that you can pull out in an audition.

For a perfect holiday I need my iPhone and my writing tools. I write all my books by hand so black felt pens and yellow legal pads are a must. And my eyebrow pencil. I'm very low-maintenance.

Make the verses flow together. If a following verse has nothing to do with the previous, you may lose our listener/reader. You want a smooth flow to hear or read, and it's easier to memorize.

Writing so that I can act became a way of having not more control over my future but not having to wait for permission. You can choose yourself. Hmm, who should play this part? I nominate me!

I write pop songs. But I think it is sprinkled with a lot of counter-culture references. It ranged from rap to hip hop to trip hop, house, drum and bass, and experimental and improv and jazz.

It is in a small village in the Pyrenees where no one knows me 7that my life will come to a close.... There is not enough time remaining for me to write all the letters I would like to write.

All good books are alike in that they are truer than if they really happened and after you are finished reading one you feel that it all happened to you and after which it all belongs to you.

I'm not writing about things other women do. I'm writing for other women to have more self-confidence because I need it myself! And if more women were in power, I would feel more comfortable.

As I write, highly civilized human beings are flying overhead, trying to kill me. They do not feel any enmity against me as an individual, nor I against them. They are only 'doing their duty'

Write straight into the emotional center of things. Write toward vulnerability. Don't worry about appearing sentimental. Worry about being unavailable; worry about being absent or fraudulent.

I think writing is a difficult thing and you need to suffer a little bit, even if it's just to sit there and think what an idiot you are and how anyone else could do this better than you can.

Of course, relative citation frequencies are no measure of relative importance. Who has not aspired to write a paper so fundamental that very soon it is known to everyone and cited by no one?

Somehow I started introducing writing into my drawings, and after a time, the language took over and I started getting very involved with the handwriting and then the look of the handwriting.

The song could start with a riff that I base the song around. Or a chord progression or a melody I have, I just write a story about it. Lyric-wise, it's cool to have someone else's input too.

I used to think it was hard to write, and I still find the process more or less unpleasant, but if I know what I'm doing it rattles along, then the rewrite whips it into shape rather quickly.

Ten years from now I plan to be sitting here, looking out over my land. I hope I'll be writing books, but if not, I'll be on my pond fishing with my kids. I feel like the luckiest guy I know.

Writers are a fascinating breed, because there are so many kinds of them, they are made by so many circumstances, conditions, and mysteries, and there are so many ways for writing to be done.

I always say that if you're a novelist, the challenge is not writing what you think ought to happen, but trying in some way to write what did happen in a world that doesn't necessarily exist.

For me writing is so perplexing, because if we were playing ping pong and we weren't writing - twenty years later you'd be just so much better at ping pong and this confidence with ping pong.

It's not easy to strap yourself down to a desk and bash on a keyboard when you know you can direct lots of films, because directing films is fun and interactive and gregarious. Writing isn't.

The vulgar and common esteem is seldom happy in hitting right; and I am much mistaken if, amongst the writings of my time, the worst are not those which have most gained the popular applause.

I think that feels like it to me. I mean whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.

I don't just write hits for myself, or for other artists, or to just be writing it. I write it because I was born to do this. I was given this gift, and I'm making the most of my opportunity.

I wrote for many years without showing my writing to anyone, because I was constantly comparing it to what I was reading. You have to compare yourself to the best and feel totally inadequate.

Each writer is born with a repertory company in his head. Shakespeare has perhaps 20 players. ... I have 10 or so, and thats a lot. As you get older, you become more skillful at casting them.

O why do I ever let anyone read what I write! Every time I have to go through a breakfast with a letter of criticism I swear I will write for my own praise or blame in future. It is a misery.

There definitely isn't a structure anymore to how I get ideas. A lot of times I'll just write down a phrase, or I'll have an idea that's attached to just a few chords. Other times, it's work.

I don't really map anything out. I just let it happen [while writing]. But once it happens, it's always there. If it's laid, it's played. If I get to page 300 and it's not working, I junk it.

I have no interest in ever making a movie I didn't write. If they were going to take my house away, then I guess I might have to. But my agent knows not to even bother sending me the scripts.

And when you clear away the cobwebs of the description of every job in the world, at the bottom of that job is service. It's service. And I took that ethic and applied it to my writing craft.

I always thought I'd write when I retired - when I turned 65. But by the time I was 33, to tell you the truth, I was a little bored with drugs and sex, and I thought I'd do the writing thing.

Understand that writing is like an athletic activity. To play tennis well, you expect to keep practicing, but for some reason with writing, you think you should come out fresh the first time.

I wrote out the lyrics that I would do at MAMA 4~5 days in advance. After I said that, Zico hyung told me that it's dangerous to write lyrics quickly like that and that I should be carefully.

For me, every book is a journey - questioning a really difficult topic that most people don't want to talk about, much less write about. And that's what I need; that works for me as a writer.

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