Ideas may drift into other minds, but they do not drift my way. I have to go and fetch them. I know no work manual or mental to equal the appalling heart-breaking anguish of fetching an idea from nowhere.

You can write about other people and their ideas and life without having lived it, but even your perception of that is going to be colored by what you know and what you experience. And this is undeniable.

Learning to exist in a world quite different from that which formed you is the condition, these days, of pursuing research you can on balance believe in and write sentences you can more or less live with.

I am not conscious of working especially hard, or of 'working' at all. Writing and teaching have always been, for me, so richly rewarding that I don't think of them as work in the usual sense of the word.

I think directing and writing are very different jobs. Obviously, directing is a more social and managerial job. The other thing about directing is that it's a very, very pragmatic job, and writing isn't.

Another thing that's quite different in writing a book as a practicing newspaperman is that if you look at what you've written the next morning and you think you didn't get it quite right, you can fix it.

Pornography is writing that seeks primarily, even exclusively, to bring about sexual stimulation. This can be done crudely or delicately. In the former case it would be bad literature; in the latter good.

A banker warned the British poet Robert Graves that one could not grow rich writing poetry. He replied that if there was no money in poetry, there was certainly no poetry in money, and so it was all even.

There are many things I think about that never get to the point of becoming serious. In other words, I try to talk myself out of writing, sometimes for many years, and when I run out of arguments, I write.

One good way to start writing poetry is to read all kinds of poetry: not just in order to imitate but to fill up your head with it, to absorb it, to make poetry an essential part of how you view the world.

There is no blue without yellow and without orange, and if you put in blue, then you must put in yellow, and orange too, mustn't you? Oh well, you will tell me that what I write to you are only banalities.

I believe that reality is vastly richer than the cursory attention we usually give it permits us to understand. I like to write through a consciousness that allows me to suggest something of this richness.

I'm sorry for the randomness of what I wrote, Mr. Oswald. There's been a lot to absorb.' Without looking up, he says, 'Never apologize for writing your truth, Mr. Fink. There are no right or wrong answers.

I want to keep doing different things. I'd like to do a more personal, dramatic movie next, I think. But as long as it's about characters and good writing and good parts for actors, that's what's important

Most of the time I'm not really attracted to writing that's focused on filling and fighting it out within a well-defined container. I like work that gets out in the world and lets the world shape the poem.

It has always been my practice to cast a long paragraph in a single mould, to try it by my ear, to deposit it in my memory, but to suspend the action of the pen till I had given the last polish to my work.

I have this thing about my own voice on record. No matter what I sing, it sounds really serious, and I sound self loathing or whatever, which was just driving me nuts because that's not what I was writing.

Certain teams are more careful in what they write. They generate less bugs. You can know that but it still doesn't mean there might be there might not be one bug that would be bad to ship the product with.

Write down your Dream or story; create your own unique Values, Believe in them, and use them to make all decisions; Dare to take some risks; and Do the planning, revisions and details to realize the Dream.

A writer never finds the time to write. A writer makes it. If you don't have the drive, the discipline, and the desire, then you can have all the talent in the world, and you aren't going to finish a book.

My first feeling was that there was no way to continue. Writing isn't like math;in math, two plus two always equals four no matter what your mood is like. With writing, the way you feel changes everything.

If my life were not a dangerous, painful experiment, if I did not constantly skirt the abyss and feel the void under my feet, my life would have no meaning and I would not have been able to write anything.

I write all the time, but you just want to be careful what you put out. That's all. You want to have the confidence that you've done what you need to do to it, because otherwise it's an exercise in vanity.

Someone asked me if I was afraid to write my memoirs. I told him: 'We have to stop drawing up accounts of fear! We live in a society in which people are allowed to tell their story, and that is what I do.'

A typical day for me is I get up at 6:00, the coffeemaker goes on automatically and the computer gets turned on. I pour a cup of coffee, listen to Garrison Keillor's The Writer's Almanac, and then I write.

There's just something "off" about equating the act of spending three years writing a book with the act of someone exploiting themselves by drunkenly flashing the camera for "Girls Gone Wild" or something.

There are definitely parts of me in most of the protagonists I write, but I find a bit of distance can be useful, so I often find myself better able to write from a point of view that isn't exactly my own.

I don't go off and sit down and try to write material, because then it's contrived and forced. I just live my life, and I see things in a word or a situation or a concept, and it will create a joke for me.

I've been able to tour because of my music and I've learned a lot about myself while on the road. I think some of the imagery of my writing are snapshots of where I've been and my feelings about the world.

I needed to find my way to write. I need about six hours of uninterrupted time in order to produce about two hours of writing, and when I accepted that and found the way to do it, then I was able to write.

Miranda [Hentoff] is a complete musician. She's a composer, a singer. She writes scripts along - with her projects. And she's a superb teacher. Her teaching pupils have ranged from Itzhak Perlman to Sting.

Interest is never enough. If it doesn't haunt you, you'll never write it well. What haunts and obsesses you may, with luck and labour, interest your readers. What merely interests you is sure to bore them.

In my next life, I want to be tall and thin, parallel park and make good coffee. But for now, I have lots of stuff to work out in my life, but I'll have that until the day I die. I want to write more books

You just kind of have faith. If that sounds kind of mystical, it's because I really don't know how it works, but I trust that it does. I try to write the way I read, in order to find out what happens next.

I see so many bands, that are trying really hard to write for a person that they've never met. I get the idea behind it and the idea of helping people, but I feel you help people more by exposing yourself.

So sometimes if I'm working with a rapper, like Ghostface Killah or Nas, producing usually means, in hip-hop, that you make the music. You make the beat, and you give it to them. And they write the rhymes.

I never tried to write for other people. I liked people who had problems I might have, because we all have insecurities, regrets. I like heroes who were not 100-percent perfect, who things to take care of.

Every morning, I go off to a small studio behind my house to write. I try to ignore all email and phone calls until lunchtime. Then I launch into the sometimes frantic busy-ness of a tightly scheduled day.

Your eloquence should be the servant of the ideas in your head. Your rule might be this: If a sentence, no matter how excellent, does not illuminate your subject in some new and useful way, scratch it out.

I don't find that writing about parts of my life had much effect except in some cases to improve my memory. To get into parts of the past I want to recall very vividly, I use a form of directed meditation.

What I love about writing is that you don't need anyone's permission to do it. You can just get up in the morning, grab a pad and pen and start writing. With acting you're really beholden to everyone else.

I was doing without for so long, not knowing the things that are normal for musicians. I was getting bookings regardless, people phoning or emailing me direct, and journalists were writing about me anyway.

I've been writing about growing old for some time, really from the beginning of my career. It's something I'm apparently hung up about and now that I am old, hopefully I speak about it with some authority.

Changing the world is good for those who want their names in books. But being happy, that is for those who write their names in the lives of others, and hold the hearts of others as the treasure most dear.

Keep a record of every picture you paint, have them photographed and write down where they went. Some day, when one reaches a great age, there will be calls for a Retrospective Exhibition of a life's work.

The memoirist, like the poet and the novelist, must engage the world, because engagement makes experience, experience makes wisdom, and finally it's the wisdom-or rather the movement toward it-that counts.

A quiet impression could be a personal instruction from the Lord. It is personal and private. It comes from the Lord. Why is it important to keep sacred writings private? Because then He will give us more.

What I’ve learned most clearly from blogs is that the majority of them write about the problems from the outside for a reason—because they are missing the abilities that allow people to move to the inside.

It's the first thing I tell my students: If you could understand, really understand, that no one needs to read your work, then your writing would improve vastly by the time we meet in this classroom again.

It's a funny thing: people often ask how I discipline myself to write. I can't begin to understand the question. For me, the discipline is turning off the computer and leaving my desk to do something else.

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