I learn more from the audience than I can from anybody else. Not from what they write on the scorecards, but how they respond to the movie while they're watching it - where they laugh and where they react.

You won't see me writing about particle physics, or even planetary geology, or chemistry. I practically failed chemistry, and if I had to write a book in any of those areas, I don't think it would go well.

I wanted to be a part of history and not just a recorder and teacher of history. So that kind of attitude towards history, history itself as a political act, has always informed my writing and my teaching.

It all has to do with art - writing, painting, things I’ve done for a long time but just never had enough time to pursue. I have poetry - things that are designed for songs, but they’re always poems first.

I just like to write stuff that makes people laugh, stuff that works, a fun movie that everyone can enjoy. I'm not really worried about the packaging, marketing, and what the studios are going to run next.

Remember: when people tell you something’s wrong or doesn’t work for them, they are almost always right. When they tell you exactly what they think is wrong and how to fix it, they are almost always wrong.

The letter of application ... should be a masterpiece of fiction, papering over all the cracks. Get it properly typed on decent writing paper. Never let it run over the page, people get bored with reading.

Listen, a cable series is a beautiful thing because there's such amazing writing happening on television, and it's a schedule that allows you to do a play or two. There's a reason everybody wants that job!

There isn't a thought or feeling that doesn't alter or deepen when written. We are a writing animal. That is why all of us feel we have a book inside us. It isn't an illusion. We have got a book inside us.

I would recognise myself in each of his translations and he would feel betrayed and annoyed whenever I didn't write something the way he would have. A part of me died with him, a part of him lives with me.

I was reluctant to talk about my kids on the blog. I kept telling myself, "People aren't coming here for stories about your kids. They want to hear about the upcoming books, writing advice, conventions..."

It's this funny thing now: You sign up to be a musician because you want to write music, but you don't spend your time writing music. Instead, you go around the world selling the music you've already made.

To me, you couldn't write a character like J. Edgar Hoover and have it be believable. I mean, he was a crock pot of eccentricities. We couldn't even fit all his eccentricities into [ the same named] movie.

I begin by imagining an artwork verbally. I try to describe in writing what the project is, what it is trying to do. I need to understand the artwork without giving it a specific materiality or solid form.

People think I write fantasy, but I don't; some things may be exaggerated or distorted in the same way that painters distort and alter things, but they're realistic figures. They're perfectly recognisable.

It's such a cliche thing to say. I want to choreograph, I want to direct, I want to act, I want to write music, I want to play music, I want to sing. For me, it's never-ending. I want to do it all, really.

The secret of force in writing lies not so much in the pedigree of nouns and adjectives and verbs, as in having something that you believe in to say, and making the parts of speech vividly conscious of it.

Writing on the blog, you want to get attention and make strong claims. In academic work, that often doesn't pay, so sometimes it's a little bit difficult going back and forth to navigate these differences.

I start out with words, with the idea, the line. Then after I get a line or two, I try to find what melodic line those lines would be suited to. As soon as I find the form I can finish the song in my head.

Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.

Writing has power, but its power has no vector. Writers can stir the mind, but they can't direct it. Time changes things, God changes things, the dictators change things, but writers can't change anything.

As difficult as it is for a writer to find a publisher-admittedly a daunting task-it is twice as difficult for a publisher to sort through the chaff, select the wheat, and profitably publish a worthy list.

I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.

The reason that fiction is more interesting than any other form of literature, to those who really like to study people, is that in fiction the author can really tell the truth without humiliating himself.

At first I was blogging everyday, but I don't do that anymore. It varies; sometimes I'll write these little essays and other times political commentaries. Other times it'll just be new work that I'm doing.

Well, I always say that the two things I was most disastrous at in my life, being a teenager and being a wife, were the two things I really wound up cashing in on when I was writing fluffy magazine pieces.

Memory is the friend of wit, but the treacherous ally of invention; there are many books that owe their success to two things; good memory of those who write them, and the bad memory of those who read them

My guiltiest pleasure in life is 'America's Funniest Home Videos.' I watch them all - old, new - I don't care. Despite how bad the writing is on the show. The people getting hit and hurt, that's hilarious.

Creativity is the result of a struggle between vitality and form. As anyone who has tried to write a sonnet or scan poetry, is aware, the form ideally do not take away from the creativity but may add to it.

There are some discrepencies in the writings of Paul. Some Christians chose those ones that say that women should be restricted in their services. I choose to emphasize the equality of people in God's eyes.

Whatever the thing you wish to say, there is but one word to express it, but one verb to give it movement, but one adjective to qualify it; you must seek until you find this noun, this verb, this adjective.

You can't write a book and just expect it to sell itself, you know. We're not building that better mousetrap and waiting for the world to beat a path to our dear. You've got to build a market for your book.

It's experiences in life that give us something to write about, and since good fiction is applied tension, you'll have an arsenal of good material if life hasn't been peachy (and not a whole lot if it has).

That is what I define as a novel: something that has a beginning, a middle and an end, with characters and a plot that sustain interest from the first sentence to the last. But that is not what I do at all.

Protect your voice and your vision. If going on the Internet and reading Internet reviews is bad for you, don’t do it. … Do what gets you to write and not what blocks you. … Don’t take any guff off anybody.

I really enjoy the writing process because I can do it from my house. I can create these characters and take them in the different directions that I want to take them. You have a lot of freedom as a writer.

The world is your exercise book, the pages on which you do your sums. It is not reality, though you may express reality there if you wish. You are also free to write lies, or nonsense, or to tear the pages.

For 2,500 years, people have been writing odes. Why? I think that there's something innately human in wanting to praise the world even though it's disappointing in so many ways. There's always that tension.

I really enjoy writing and producing for other artists. Some people save their best songs for their own albums. I'd rather give another artist one of my songs. At the end of the day, it still represents me.

To write a good memoir you must become the editor of your own life, imposing on an untidy sprawl of half-remembered events a narrative shape and an organizing idea. Memoir is the art of inventing the truth.

I write all the time. The wonderful thing about having a cell phone is that if I get an idea, I knock it out and it's in my phone and I can transfer it to my computer and go into the studio and bring it up.

Being a journalist is good if you want to write books: it teaches you to get beyond the blank screen. My books have been described as froth but there's scope to be witty and ironic about everything in life.

My idea of making time for myself is writing songs. I never stop beating myself up about trying to be productive, so I don't really like to do a lot of things other than write in my journal and write songs.

When you're writing a song and there are five people invested in it, it's easy for one person to say, 'Oh, this song is about this and that', and everyone has to hear the idea and see if they can do better.

[On her use of quotations:] When a thing has been said so well that it could not be said better, why paraphrase it? Hence my writing, is, if not a cabinet of fossils, a kind of collection of flies in amber.

Sometimes I might go too far with the pretentious references, which I might not do again. But when you're writing, you're sitting alone in a room so you're writing to amuse yourself as much as anybody else.

I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.

The story of Jesus makes no sense to me. God sent his only son. Why could God only have one son and why would he have to die? It's just bad writing, really. And it's really terrible in about the second act.

I don't write easily or rapidly. My first draft usually has only a few elements worth keeping. I have to find what those are and build from them and throw out what doesn't work, or what simply is not alive.

The best advice is not to write what you know, it's to write what you like. Write the kind of story you like best - write the story you want to read. The same principle applies to your life and your career.

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