Quotes of All Topics . Occasions . Authors
I write on the typewriter. I like it because I like the feeling of making something with my hands. I like pressing the key and a letter comes up and is printed on a piece of paper. I can understand that.
Writing has always been a sanctuary or a refuge for me, any time I'm stressed or anxious or worried I find that a couple of hours expressing myself by writing always seems to have a calming effect on me.
It is ... possible to read Plato as if he were only discussing reason and not mystical intuition in his writings but ... in that case he seems naively over-impressed by rather ordinary thought processes.
I think a lot about writing and I try to read a lot. Being a musician, I don't take the words lightly; they are very, very important to me. At the same time, the words have to be musical and have to fit.
I feel that what I do is a calling. I would pay to do what I do if I had to. I will never live long enough to do the work I want to do: the books I would like to write, the ideas I would like to explore.
I really believed that anything at all was worth writing about if you cared about it enough, and that the best and only necessary justification for writing any particular story was that I cared about it.
I have to write what I can write, and writing the text of a picture book is like walking a tightrope, if you ramble off... As my friend Julius Lester says, A picture book is the essence of an experience.
I suppose it's useful in designating writing that tends to come from personal experience, work that delineates an "I," but it's a loose lasso, one which may rope certain poems by one poet and not others.
But it isn’t a rough draft either. The one I turned in several months ago was rough. There were some bad plot holes, some logical inconsistencies, pacing problems, and not nearly enough lesbian unicorns.
The great thing about Coulson is that he's a little bit like a party game, where the next person who gets ahold of him gets to write another sentence. I'm constantly learning more and more about the guy.
You get attached to the way you write, and I'm attached to notebooks. That's where I really write the plays. Just two or three pages at a time, then I transfer to the typewriter and rewrite while I type.
Crime stories are our version of sitting round a camp fire and telling tales. We enjoy being scared under safe circumstances. That's why there's no tradition of crime writing in countries that have wars.
I write a little bit about what it's like to be a female boss in my book [ Is Everyone Hanging Out Without Me?] and the things I've noticed about that, but by and large, it's just a tough job in general.
I write scripts in storyboard fashion using stick figures, and thought balloons and word balloons and captions. Then I'll write descriptions of what scenes should look like and turn it over to the artist
The only black people you found were occasional characters or characters who were so feeble-witted that they couldn't manage anything, anyway. I wrote myself in, since I'm me and I'm here and I'm writing.
Most of the pleasure of making a book would go if it held nothing to be shared by other people. I would write for a few dozen people, and sometimes it seems that I do so, but I would not write for no-one.
Making a mix CD - albeit slightly old school - is generally a pretty cool gift and something I like to receive, or giving someone a book that moved you. Writing an inscription inside makes it even better.
But, later, coming back and reading what I have produced, I am unable to detect the difference between what came easily and when I had to sit down and say, "Well, now it's writing time and now I'll write.
Back when I taught middle school and wrote adult mysteries, my students often asked me why I wasn't writing for kids. I never had a good answer for them. It took me a long time to realize they were right.
When I began writing science fiction in the middle 60s, it seemed very easy to find ideas that took decades to percolate into the cultural consciousness; now the lead time seems more like eighteen months.
It was difficult, and yet I was very eager to do it. It was a really odd thing. I really wanted to do that story. I really wanted to write the death of Captain Kirk. I really wanted to do it in the movie.
If I have a clear spot in my schedule, I like to tackle the heavy scenes that require the heightened emotion and focus of a long writing session. Otherwise, I have daily obligations that can't be ignored.
I don't really know the person who wrote the things I wrote. I kind of know him, but I change so much all the time that it's like I start fresh over and over and over and over. Writing-wise and life-wise.
Let’s hope the institution of marriage survives its detractors, for without it there would be no more adultery and without adultery two thirds of our novelists would stand in line for unemployment checks.
If you have a story that seems worth telling, and you think you can tell it worthily, then the thing for you to do is to tell it, regardless of whether it has to do with sex, sailors or mounted policemen.
You get caught up in a cycle at some point, so I broke the cycle and decided; I'm going to really write a lot of books, because I need to get in touch with that part of myself in order to make more music.
Everyone is different, but I'm not standoffish at all. I'm not one of those people who prefer to write a note. I'll walk right up to you and ask you out! Even if the answer's no, I'm totally cool with it.
I should say that I'm not conscious of any particular style or any particular literary device when I am writing. I have written 22 books, and they are all very different. I have tried all kinds of genres.
As I write, I am struggling with the ghost of someone I loved and lost. I now understand more fully the difficulties you were going through, and I realize how painful it must have been for you to move on.
For better or worse, a lot of people's images are based on the first things that are written about them. You can't control what people write about you, so - good or bad - I have never lost sleep about it.
When I read that the flash came, and I took a sheet of paper. . .and I wrote on it: I, Emily Byrd Starr, do solemnly vow this day that I will climb the Alpine Path and write my name on the scroll of fame.
For me, writing a novel is like having a dream. Writing a novel lets me intentionally dream while I'm still awake. I can continue yesterday's dream today, something you can't normally do in everyday life.
Have more humility. Remember you don't know the limits of your own abilities. Successful or not, if you keep pushing beyond yourself, you will enrich your own life - and maybe even please a few strangers.
I don't know what's wrong with me, My brain doesn't work anymore. I haven't any memory. I can't write. All I can do is sign my name. I tried to write the other day-it looked like I was writing in Braille.
I write humor the way a surgeon operates, because it is a livelihood, because I have a great urge to do it, because many interesting challenges are set up, and because I have the hope it may do some good.
I guess I've been blessed with insomnia because I do a lot of my writing at night. Because I don't sleep as much as I probably should, I have that extra time to write weird stories and think odd thoughts.
the whole point of muck-raking, apart from all the jokes, is to try to do something about what you've been writing about. You may not be able to change the world but at least you can embarrass the guilty.
I think what I wanted to do was meet someone who knew more than me about songwriting structure and progressions and middle eights and things that more traditional writers write and I don't usually employ.
Will Thisbee gave me The Beginner's Cook-Book for Girl Guides. It was just the thing; the writer assumes you know nothing about cookery and writes useful hints - "When adding eggs, break the shells first.
I'm not really good at writing sad sappy ballads. In terms of the lyrics not matching the vibe of the music, that's kind of the way my career has gone; everyone is a little confused about it all the time.
When writing of oneself one should show no mercy. Yet why at the first attempt to discover one's own truth does all inner strength seem to melt away in floods of self-pity and tenderness and rising tears?
I want to write such things as compel the admiring acclamation of the world at large, such things as are written but once in years, things subtle but distinctly different from the books written every day.
People have thought that some of my writing and lines are done by a machine. I'm able to move in a way that's part gestural dance performance, and it's fun for me, so I incorporate that into the painting.
I always tell students that writing a poem and publishing it are two quite separate things, and you should write what you have to write, and if you're afraid it's going to upset someone, don't publish it.
Everything is written in my mind, more so due to my lack of vision at this point. After years of vigorous writing, it was more of a challenge to do it without paper or sidekicks. I enjoy a good challenge.
Throughout history, the only way of restoring stability is to write down the debts. That is treated now as if it's something that can't be done. But it's the only thing that's going to revive the economy.
I'll write for a while and then I'll find an appropriate song and in a weird way the music will keep me in the mood. I find music to define the mood of the movie, the rhythm the movie is going to play in.
I think depression creates in me an urgent need to write, but I also believe that daily stress, and even the positive stress of intense happiness, can compel me to express myself through the written word.
I definitely write about my life and the issues I might have or the dilemmas I'm going through, but usually I write about it in a general way and make metaphors. Like "I'm the wolf and you are the moon ".
No one will argue that writing is an easy profession. Getting someone to pay you for your words isn’t easy. But there are strategies you can use to simplify the process and transform what you can produce.