Quotes of All Topics . Occasions . Authors
There is nothing more important than writing well for the young, if literature is to have a continuance ... They will inherit the earth; and nothing that we value will endure in the world unless they can be persuaded to value it too.
You can't write for the cultural environment - if you do that, by the time it comes out, that cultural environment has passed. You have to be aiming for something that's original - that's the only way you can have any kind of impact.
I really, really like writing songs. Capote wrote every day. He said that's the only way, you have to sit down every day and do it...Something that's written out is okay, but it's not always a clear indication of what a person means.
When I start getting close to the end of a novel, something registers in the back of my mind for the next novel, so that I usually don't write, or take notes. And I certainly don't begin. I just allow things to percolate for a while.
Fate is a story that's been written for you by somebody else. By your parent's genes, by what happened to you when you were a child, by your culture, by the fact that you were born a man or a woman. Destiny is a story that you write.
My first seven novels were contemporary spiritual novels, my next nine had strong elements of fantasy, and now I'm writing thrillers, more as a choice to spread my wings than anything. Writers, like good wine, should mature with age.
To the man with an ear for verbal delicacies- the man who searches painfully for the perfect word, and puts the way of saying a thing above the thing said - there is in writing the constant joy of sudden discovery, of happy accident.
I think I just want to leave my mark in some way. I hope I leave the world a better place than it was when I came, and I think the best way I can do that is through acting and writing, and hopefully it will make a difference someday.
the compulsion to read and write - and it seems to me it should be, even must be, a compulsion - is a bit of mental wiring the species has selected, over time, in order, as the life span increases, to keep us interested in ourselves.
I read and walked for miles at night along the beach, writing bad blank verse and searching endlessly for someone wonderful who would step out of the darkness and change my life. It never crossed my mind that that person could be me.
I don't know why, but there's a certain element of panic in writing lyrics that I'm not sure I enjoy. I don't write lyrics first, ever. I've never done that. So, in a sense, the lyrics are a bit of an afterthought - it's music first.
There's not one thing in particular that influences my music, but I write about what I know. It's based in personal experience. That's not to say all the songs are biographical, because sometimes it's what I've seen in others' lives.
I was working with Peter Tolan, who was my writing partner on those two [Rescue Me and The Job], and he did The Larry Sanders Show with Garry Shandling, and he always said that the second season is better because you know the actors.
Not that a poem can "hurt" someone the same way a physical blow can or even a mean remark can...I just felt unsure that my tone would be taken the right way and/or unsure of my own writing, that I couldn't maintain the tone I wanted.
I can be completely indulgent and spend as many hours and days or weeks as I like on one thing. Writing music and sitting in my studio, just pottering with ideas, it's a lot more personal and creative for me, I don't feel restricted.
Me and my wife were interested in avoiding style, in eliminating voice, in getting away from the poetry logics, textures, and propulsions that we normally employ in our writing. But we arrived at even this organically and separately.
I just try to be true to myself and write about things I'm passionate about. I think what most people don't like about movies is they can tell that most movies are a product, and they don't mean that much to the people who make them.
I wanted to write as well as I possibly could to deal with life-and-death problems in contemporary society. And the form of Wilkie Collins and Graham Greene, of Hammett and Chandler, seemed to offer me all the rope I would ever need.
Tax day was yesterday. And marijuana growers are complaining that they can't write off a single expense thanks to federal laws. Well, apparently someone tried to claim the Phish tour as his home office and that's not going to happen.
To this end, nothing is to be more carefully consulted than plainness. In a lady's attire this is the single excellence; for to be what some people call fine, is the same vice, in that case, as to be florid is in writing or speaking.
Each song had a different way of coming about. In some, the music was written first while others it was the lyrics. We didn't want to overthink anything too much - we just wanted to, writing-wise, chuck out as many ideas as possible.
Writing tends to cheer me; it always soothes my spirit and blesses me with the gift of an innocent, tender, childlike day. It is the sensation of having spent a few hours in my homeland, with my customs, free whims, my total freedom.
Many writers can't make a living. So to be able to teach how to write is valuable to them. But I don't really know about its value to the student. I don't mean it's useless. But I wouldn't have wanted anyone to teach me how to write.
There is the happiness which comes from creative effort. The joy of dreaming, creating, building, whether in painting a picture, writing an epic, singing a song, composing a symphony, devising new invention, creating a vast industry.
Writing is not a special language that belongs to a few sensitive souls who have a 'gift for words'. Writing is the logical arrangement of thought. Anyone who thinks clearly should be able to write clearly---about any subject at all.
Thinking about writing as an act of celebration is sometimes a helpful framework for me. It allows me to prioritize what I want to call attention to and what I want others to know about me. It makes me ask: What is worth celebrating?
I have come to understand myself as more of a New York writer, or more of a woman writer, but I don't feel like that while I'm writing. But I think that most New Yorkers would object to calling me a New Yorker. I didn't grow up here.
We live in the age of communication. Write letters to the editor. Speak to your congressman, to your senator. If you are young, especially young people are taken by this human rights activities. They should organize the universities.
As a child in Sydney, my German Mum and my Austrian Dad would spontaneously tell me stories about what they saw and what they did as children. It was like a piece of Europe coming into our house... Those stories led me to my writing.
Singing is just another outlet to express what I feel and to show everyone who I really am. I really don't talk about my personal life that much in interviews because that's my life, but with music, the way I write explains who I am.
I figure 1000 words a day, or four pages, and sometimes I'll write more, but I'll try not to. Because I think you don't want to exhaust what it is you're writing about, so the next day you would have to gear up for a brand new scene.
Cameron Crowe is someone who I've admired for so long, and I've been friends with him for many years, and I've wanted to work with him so badly that I just never stopped bothering him about writing a script that would be for a pilot.
I never question the way I write. Writing is the only thing that's without seams for me. It's an effort to talk because my pictures have to be turned into these sounds. It's an effort to be alive. It's work. But writing is wonderful.
Miranda Lambert is actually mixing the singer-songwriter philosophy with the commercial country [mindset]. And I find it just inspiring. My hat's off completely, because she's pulling it off, and I couldn't figure out a way to do it.
As far as I can tell, writing the essays didn't change the way I wrote poetry. Although the essays contain scattered passages that might be called lyrical, they often contain closed statements of what is only suggested in the poetry.
I don't want to take all the time. I just want to do what you wrote and let me go from there. I don't want to miss something. You know, I'm not really a writer per se, but I can write. But I can't put a script together like they can.
I just hope that readers and publishers continue to appreciate good writing and good storytelling in all their various forms. And I hope that people continue to read books, even though we have so many other options for entertainment.
Double-check your voice mail message. Listen to your on-hold words and music. Write welcoming scripts for your telephone team. Pay attention to the music in your office and lobby areas. Make sure what your customers hear sounds good.
For us, the stuff we know is writing songs, playing shows, and that's what we're trying to concentrate on. Not trying to read about yourselves or looking up things about yourselves on the Internet - it's the key, or you'll go insane!
Portland in particular is a cheap enough place to live that you can still develop your passion - painting, writing, music. People seem less status-conscious. Even wealthy people buy second-hand clothes and look a little bit homeless.
It's very much a piece of myself when I write a song. I don't mean to say it's very personal, like the lyrics mean something personal to me. When I write a song, that's my taste in music - my taste in chord progressions and melodies.
Growing up, I would watch a movie on video and would go to the back of the VHS and locate the address for Universal Pictures or MGM or whatever. I'd write to the studios asking them if I could be in a movie. They never wrote me back.
Don't be too concerned about the wingnut ears. Anxiety produces the wrong pheromones. Roll with the punches. Make time for life around your deep abiding need to write. Say Yes more, but not always. Say No enough that you have a life.
Why, why, when one writes, does a sort of shackle bind one's imagination? I become conscious of a deadening mediocrity, perhaps a form of mental cowardice, and I long to break free, to let my imagination take wings. It doesn't - yet.
Someone like John Prine can write a song that tears into your soul, turn it over, and write a song that makes you laugh and feel light as a feather. With someone like him, you're getting a real picture of a person, a real expression.
Putting down on paper what you have to say is an important part of writing, but the words and ideas have to be shaped and cleaned, cleaned as severely as a dog cleans a bone, cleaned until there's not a shred of anything superfluous.
When people start writing songs for award shows, there's a very limited palette you can use. You end up not sounding like you. You end up sounding like somebody else. You end up getting what the record company thinks they can market.
The kind of true-life writing that is fun to read - that makes an ally of the reader - is the kind that you are so nervous about putting down on paper that you lock the Word file with a secret password and encrypt it - and all of it.
My thing is you just have to try to feel young and stay young. Obviously you get a little older, but I still want my music to be young. I don't want to sound like an old dad onstage, so you just have to write music that sounds young.
It is indeed certain, that whoever attempts any common topick, will find unexpected coincidences of his thoughts with those of other writers; nor can the nicest judgment always distinguish accidental similitude from artful imitation.