Quotes of All Topics . Occasions . Authors
Busyness, I feel increasingly, is the writer's curse and downfall. You read too much and write too readily, you become cut off from your inner life, from the flow of your own thoughts, and turned far too much towards the outside world.
The weapons an author has at her disposal are flawed. There are words that feel shapeless and overused. Love, for example. I could write the word love a thousand times and it would mean a thousand different things to different readers.
The things that I write are autobiographical in a surreal sense, like when you have a dream and you go to the doctor's office, but then you turn around and it's actually your childhood home and the doctor has turned into Ryan Reynolds.
I think he [Vaclav Havel] probably would have liked to have written more plays. I think he missed being a playwright.I think he talked about wanting to write plays and keep appealing to people through that medium, rather than politics.
The proper ending for any story about people it seems to me, since life is now a polymer in which the Earth is wrapped so tightly, should be the same abbreviation, which I now write large because I feel like it, which is this one: ETC.
What is this you write- 'Come home? Surely now, in our terrible dearth of workers, it is not the time for any one to desert his post. Send us only our first twenty men and I may be tempted to come to help you to find the second twenty.
By and large, the critics and readers gave me an affirmed sense of my identity as a writer. You might know this within yourself, but to have it affirmed by others is of utmost importance. Writing is, after all, a form of communication.
The best time to start promoting your book is three years before it comes out. Three years to build a reputation, build a permission asset, build a blog, build a following, build credibility and build the connections you'll need later.
My short stories are like soft shadows I have set out in the world, faint footprints I have left. I remember exactly where I set down each and every one of them, and how I felt when I did. Short stories are like guideposts to my heart.
So far as love or affection is concerned, psychologists have failed in their mission. The little we know about love does not transcend simple observation, and the little we write about it has been written better by poets and novelists.
People's lives change dramatically over such a long time period, and I think that if you're still vital, and you're still interested in writing and things like that, of course your music evolves and reflects where you are in your life.
great writers are indecent people they live unfairly saving the best part for paper. good human beings save the world so that bastards like me can keep creating art, become immortal. if you read this after I am dead it means I made it.
I write my own stories. I like telling stories to little children. I think the good thing about stories is they carry you to another place which you've never been. And you feel like you're just enveloped by the book and the characters.
I just like to express myself in the world around me. And I love writing, but sometimes it feels a little too minute. Sometimes, at the end of the day, there's just not enough colors involved - visually, there are just words on a page.
Symbols give us our identity, our self image, our way of explaining ourselves to ourselves and to others. Symbols in turn determine the kinds of stories we tell, and the stories we tell determine the kind of history we make and remake.
read widely, not in order to copy someone else's style, but to learn to appreciate and recognize good writing and to see how the best writers have achieved their result. Poor writing is, unfortunately, infectious and should be avoided.
Faith of Cranes is a love song to the beauty and worth of the lives we are able to lead in the world just as it is, troubled though it be... The writing is honest, intensely lived, and overflowing with heart: broken, mended, and whole.
I'll write down and catalogue all the different devices that are Americana to me, and I try to have a historic depth and breadth and also the things that we do in our time, the type of vamps and chants, things that are available to us.
I think fatalism and redemption are themes that help a reader organize and eventually "own" a story or character. Writing them, I just want them to be real, and in reality I don't think events are thematic until in retrospect, if ever.
For me, as an actor, the most challenging thing is creating the character in the beginning because you have to write their backstory. The easy part about doing a sequel is that you've done the film, so you already know their backstory.
I learned to knit in 2002, six months after my 5-year-old daughter, Grace, died suddenly from a virulent form of strep. I was unable to read or write, and friends suggested I take up knitting; almost immediately I fell under its spell.
I think when you're in the early stages of writing a song, it's important to shut off the part of your brain that tries to edit or criticize. That function comes in handy later, but if you let it in too early, you can trip yourself up.
There’s a big difference between death threats and love letters–even if the person writing the death threats still claims to actually love you. Of course, considering I once tried to kill someone I loved, maybe I had no right to judge.
In no way am I demeaning writing or any other form of art because it's popular. What I'm saying is that anything fed into the industrial machinery to comply with rules of size and length and shelf-life has a hard time surviving as art.
The ideal for me is to mix it up. When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre.
There's always a part of my brain saying: 'Stop getting comfortable. Don't relax.' Because I find it difficult to write when I'm happy. I have to go out there and get battered up and bruised to write anything. I have to feel something.
I concentrate on character, theme, language, structure, voice. It actually surprises me that no matter what I write, people declare it "intently political." I'm just writing about the world I know, as it is. Wounds and griefs included.
I've always felt my spirit animal was a Tiger, so it's funny that now in 'Roar' with Katy Perry - which is a song we write together - there's the line: "I got the eye of the Tiger..." So I feel like there's a little bit of me in there.
What was accomplished in 'Band of Brothers' was incredible, from the writing and producing to the performances of the actors who honored all those men that fought bravely and gave the ultimate sacrifice for the freedoms we enjoy today.
When you're writing you're constantly fighting demons to sit down and do what you do. If you listen to the voices outside your head, in addition to the ones inside your head, you'll never get anything done. There's enough inner strife.
As an activist, you do find yourself directed more toward public action. But I've always tried to use stories from my own life in my writing. It has always been clear to me that the stories of each other's lives are our best textbooks.
When everything works best, it's not because you chose writing but because writing chose you. It's when you're mad with it, it's when it's stuffed in your ears, your nostrils, under your fingernails. It's when there's no hope but that.
Often I'm struck by something that I read; then I go and research it a little more, especially if I begin a poem, and I find out that I need to know more. Then I usually get intrigued and excited about whatever it is I'm writing about.
The writing process is sort of like when you've got no electricity and you've gotten up in the middle of the night to find the bathroom, feeling your way along in the dark. I can't hardly tell you what I do because I really don't know.
Writing is more than just the making of a series of comprehensible statements: it is the gathering in of connotations; the harvesting of them, like blackberries in a good season, ripe and heavy, snatched from among the thorns of logic.
One of the things that writing has taught me is that fiction has a life of its own. Fictional places are sometimes more real than the view from our bedroom window. Fictional people can sometimes become as close to us as our loved ones.
It's hard for children's authors to be accepted when they try to write adult books. J.K. Rowling is the exception because people are so eager to read anything by her, but it took Judy Blume three or four tries before she had a success.
I'm tempted to say that the top three reasons for hopelessness are rejection, rejection, rejection. But let's cast our net wider. 1) Not being able to write as well as we hoped we could. 2) Not being able to write at all. 3) Rejection.
Being a creative person. It's so much more rewarding when you find things on your own, to live whatever the writers are writing or to display what the director is looking for. You are the thing that everybody uses to get the story out.
Today, everything I do from morning meditation on - eating breakfast, going for a walk, writing, reading, even recreation - is governed by one purpose only: how to give the very best account of my life that I can in the service of all.
I somehow always have this idea that as soon as I can get through this work that's piled up ahead of me, I'll really write a beautiful thing. But I never do. I always have the idea that someday, somehow, I'll be living a beautiful life.
Jay-Z is like a rap-savant, he doesn't have to write the rhymes down, he can create complex raps in his head. I mean he does memorize it, he just doesn't write it down on paper. He doesn't freestyle onto the track, it's all thought out.
I think our culture has gotten so skewed. People assume that because you're an actor you want to write a book to exploit your celebrity, but my celebrity is only a byproduct of me making movies. I have no intention of being a celebrity.
The play is one of the very few pieces of great dramatic and comic writing that I have read in a long, long time. I was drawn to it because of the power of the writing, which gives me the actor a chance to explore many facets of myself.
Loads of weirdos send me things, like strange bits of leather. And then there was the guy who thought I was having his baby. Apparently, he's been writing to Princess Anne too, so I clearly belong to a good, erm, sub-section of society.
As for the blood and the head business, the blood and the head work together and what is not first in the blood can sometimes reach it by going first through the head and what is wrong in the blood can sometimes be tempered by the head.
The songs that I'm able to write are the songs I'm able to write, whatever they may be. The path I've cut for myself is pop music - love-y pop music. That's what I enjoy doing. And I don't think I'm going to get sick of it anytime soon.
Whatever machine you use, however sophisticated your technology , it's ideas that count. In the beginning was the idea. No machine will give you the ability to spot an opening, take a new idea, and see it through to profitable fruition.
The books we think we ought to read are poky, dull, and dry The books that we would like to read we are ashamed to buy The books that people talk about we never can recall And the books that people give us, oh, they're the worst of all.
With my own memoirs, they are truthful, and I write everything fully expecting to some day end up televised on Court TV, and I'm fully prepared to be challenged legally on it. Everything I write is the truth and I know that I would win.