Quotes of All Topics . Occasions . Authors
It all adds up; never discount your efforts, because small efforts build big things. One word doesn't make a novel, but one word does begin a novel, and from that small beginning everything else follows. Even if it's just 'The', write something on that blank page.
I don't want anyone writing in to point out that I spend too much money on books, many of which I will never read. I know that already. I certainly intend to read all of them, more or less. My intentions are good. Anyway, it's my money. And I'll bet you do it too.
Anybody who writes a book is an optimist. First of all, they think they're going to finish it. Second, they think somebody's going to publish it. Third, they think somebody's going to read it. Fourth, they think somebody's going to like it. How optimistic is that?
My hand is very tired but I want to go on writing. I keep resting and thinking. All day I have been two people - the me imprisoned in yesterday and the me out here on the mound; and now there is a third me trying to get in - the me in what is going to happen next.
On the one hand I'm writing about somebody about whom I say in the book, "The only thing worse than being a statistic is being a statistical anomaly." So I'm writing about a particularly unlucky person. So that's a special type of hell, to be particularly unlucky.
If you want to write what the world is about, you have to write details...real life is in the dishes. Real life is pushing strollers up the street, folding T-shirts, the alarm clock going off early and you dropping into bed exhausted every night. That's real life.
It's good to get your hands dirty a bit and to test how you see things at a given point. And it's very pleasing after writing something like 'Atonement' or 'On Chesil Beach,' which are historical, to get involved in some plausible re-enactment of the here and now.
It’s time to write dangerous music. It’s time to take risks. It’s time to wear your heart on your sleeve, and sing about the things that actually matter to you. It’s time to bury the shackles of religious expectation and stop trying to put new clothes on the dead.
We need to encourage black women to know that they are authors of their own destiny, that they have important stories to tell, and that they are capable, so magically capable, of writing them and creating important pieces of work that will live forever in history.
I mean the price of our technology may very well end up being our humanity, so I think you got to have that balance. Personally I try to do one for one if I can. Do a movie, do a play, do a movie, do a play - while at the same time writing and being in that cycle.
I sort of recognize it, as opposed to shaping it. Oh, that's a good idea, that's a good line. I wonder where I can use that. And when you get into a rhyme group like 'not,' you got a lot of rhymes, you got a lot of choices. The more you do it, the luckier you get.
I think no artist can claim to have any access to the truth, or an authentic version of an event. But obviously they have slightly better means at their disposal because they have their art to energize whatever it is they're trying to write about. They have music.
Cartoons are perhaps a bigger part of art than is generally realized, and they influence people in ways that are not always recognized. But creating a monumental work of architecture, or writing a great symphony, is something else. It's a higher order of creation.
I mean somebody could write another book and say Brad's idea about Buddhism and sex is wrong, and here's mine, and that would be great. Just the fact that it would exist would be good because nobody is saying it, it's like they're trying to pretend it's not there.
I don't really think it comes as a shock to every writer if somebody in their family is mad at them. Yes, it's very upsetting. But it's inherent in the process of trying to make sense of one's life, which is what I think is perhaps at the bottom of writing at all.
Writing in a diary is a really strange experience for someone like me. Not only because I've never written anything before, but also because it seems to me that later on neither I nor anyone else will be interested in the musings of a thirteen-year-old schoolgirl.
When I was very little, four or five, I did comic strip drawings, so my first novel had no words. I couldn't write and thought adult handwriting was a mysterious scribble. When I was 14, my grandmother gave me a typewriter and I started writing in a different way.
When I came into consciousness as a writer when I was in my early 20s, I just assumed that a writer did - a poet writer did everything all at once. I would write poetry, and while writing poetry I would also write work in the world - if I could get into the world.
There is no way that writers can be tamed and rendered civilized or even cured. The only solution known to science is to provide the patient with an isolation room, where he can endure the acute stages in private and where food can be poked in to him with a stick.
To write about the monstrous sense of alienation the poet feels in this culture of polarized hatreds is a way of staying sane. With the poem, I reach out to an audience equally at odds with official policy, and I celebrate our mutual humanness in an inhuman world.
Make up a story... For our sake and yours forget your name in the street; tell us what the world has been to you in the dark places and in the light. Don't tell us what to believe, what to fear. Show us belief's wide skirt and the stitch that unravels fear's caul.
Moving forward, hopefully the platform my career has given me will allow me to continue to be a voice in culture, whether that's doing lectures on campus or writing books or whatever that looks like. I feel like that's really the lane that I uniquely connect with.
When you're writing about difficult things and darker issues, it's nice to offer some sort of light at the end of the tunnel. Some sense of hope. Sometimes, the best way to do that is by offering it in the music, so that you can dance your way out of the darkness.
I've had fun doing romantic comedies, but I just can't anymore. There's nothing fulfilling creatively, there's nowhere to grow, nothing to learn from it or for yourself. I'd rather just be home with my family or write music until that special project comes my way.
I am very aware that playwrights, particularly good ones, have a intention for everything they write. Language and punctuation is used specifically, and most of the time actors can find wonderful clues about character in the rhythm and cadence of the language used.
MindSparks has produced some of the best materials on the market for teaching students how to read and write history with intellectual integrity and depth. Rarely have I come across curriculum so useful in helping students become literate, thinking citizens. Bravo.
Many people have said to me, "What a pity you had such a big family to raise." "Think of the novels and the short stories and the poems you never had time to write because of that." And I looked at my children and I said, "These are my poems, these are my stories."
I'm going to write a book someday and the title will be I'm an Ass, You're an Ass. That's the most liberating, wonderful thing in the world, when you openly admit you're an ass. It's wonderful. When people tell me, You're wrong I say, What can you expect of an ass?
A virtuoso performance. Scott Thompson’s biography of the soldier statesman Fidel V. Ramos illustrates the fascinating and complex geography of Filipino politics and its relation with the American hegemon. It’s first-rate scholarship and equally first-rate writing.
The writing of an assay-type poem or a poem investigating perspective isn't an exercise of rational or strategic mind. Poems for me are acts of small or large desperation. They grapple with surfaces too steep to walk in any other way, yet which have to be traveled.
Very often, gleams of light come in a few minutes' sleeplessness, in a second perhaps; you must fix them. To entrust them to the relaxed brain is like writing on water; there is every chance that on the morrow there will be no slightest trace left of any happening.
I really enjoy English and poetry and writing classes. You do get writer's block when you're writing music, and having inspiration from other great writers is great. You have to look for inspiration because sometimes music isn't the only thing that you can look at.
Value the quality of your articles over the number of articles you write. I know a lot of bloggers focus on writing as many articles as possible, but I've realized over the years that you cannot sacrifice quality if you wish to build a loyal following on your blog.
During my life I have seen, known, and lost too much to be the prey of vain dread; and, as for the hope of immortality, I am as weary of that as I am of gods and kings. For my own sake only I write this; and herein I differ from all other writers, past and to come.
The key thing in my becoming a writer was going on a Arvon Foundation residential writing course. I took with me a really messy twenty thousand words of something that later became After You'd Gone, my first novel. My tutors were Barbara Trapido and Elspeth Barker.
No, writing musicals is the hardest thing in the world. And it was really funny, because I remember when the South Park movie came out, there were some critics that said, 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'
I write most of my stuff. When I'm rejected in music, it hurts worse than when I don't get a role, because that's someone else's vision. If they don't see me as that part, even if I believe I'm the perfect person for it, that's their vision. The music is my vision.
When I write, it's everything that we don't know we can be that is written out of me, without exclusions, without stipulation, and everything we will be calls us to the unflagging, intoxicating, unappeasable search for love. In one another we will never be lacking.
It was tough to write. We had the shadow of "Lost" hanging around and I just kept saying, "Guys, we need to take a really wide birth around 'Lost.' We're going to get lots of comparisons anyway, but we need to prove, within a couple episodes, that it's not 'Lost.'"
Expediency of literature, reason of literature, lawfulness of writing down a thought, is questioned; much is to say on both sides,and, while the fight waxes hot, thou, dearest scholar, stick to thy foolish task, add a line every hour, and between whiles add a line.
The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful only accidentally, only secondarily, in the way that any compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.
Think about the stories you have inside that scare you. That's what you should be writing. I and others call that writing from the dark place. Our humiliations and secret fears and deepest anxieties, those times where we were at our worst: that's the best material.
I regret trusting The Guardian. I didn't want to do an interview, but the journalist was persistent. [The writer] was masked as a fan, but was hiding sinister ambitions and angles. Maybe he's actually the boring one looking for something interesting to write about.
I'd always thought that if I could get sober and stay sober, I would be able to have a career making music. My drug and alcohol addiction was the one thing holding me back. I had finally gotten the tools to stay sober, and it was just a matter of writing the songs.
a writer doesn't only need the time when he's actually writing - he or she has got to have time to think and time just to let things work out. Nothing is worse for this than society. Nothing is worse for this than the abrasive, if enjoyable, effect of other people.
I never wanted to write. I just wrote letters home from a kibbutz in Israel to reassure my parents that I was still alive and well fed and having a great time. They thought these letters were brilliant and sent them to a newspaper. So I became a writer by accident.
R&B is the one thing that has influenced every kind of music. Every artist that there is, from those that are sung the most to Adele - you know, she was so influenced by so many R&B artists and soul music - it's clear in her writing that that's where it comes from.
I've been writing a lot about just the aspects of luck and being picked, and how of course it's always how one perceives themselves in the world, as a bit of a scapegoat or a bit of a hero. Everyone generally has about a 60/40 split that volleys, between those two.
Kids are all computer-savvy. Sit down and write to your parents on the computer. And just say, I have some questions and I'm scared. There's some stuff I don't know and I really need to talk to you about sex. Tear it off and put it on their pillow. They'll read it.
The bottom line: All of your investing decisions should be grounded in your own investment policy statement. By taking a "top-down" look at your finances and writing out a road map, your policy statement will add an important element of discipline to your approach.