Quotes of All Topics . Occasions . Authors
It is not important for me as a writer that you leave a piece of writing of mine with either an agreement or even a resonance with what I have said. What is important is that you leave with the resonance of what you have felt and what you thought in reaction to that.
I like the fact that by mimicking the way memory works, a writer can actually write in a fluid way - one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it.
Even when I feared and detested Christianity, I was struck by its essential unity, which, in spite of its divisions, it has never lost. I trembled on recognizing the same unmistakable aroma coming from the writings of Dante and Bunyan, Thomas Aquinas and William Law.
I think some journalists and bloggers want their articles to be clever, and the way into that is by writing nasty things. I think our culture likes to be mean. I don't just find this in fashion - I find it in the news. More and more, it is about ripping people apart.
When I was 8 years old, I made my own encyclopedia of American biography - Johnny Appleseed, Jim Bowie, Davy Crockett, Daniel Boone, Charles Lindbergh, my pantheon of favorite heroes. Then I would write my own things and sew them together and try to make my own book.
When you're in the midst of writing, it's a beautiful thing happening through you. Many people have said that it's not you, it's the soul of humankind and so on, I don't know. But it has the same effect [as music]. It takes you out of your body and out of this planet.
My mother used to do all the things that were important to her after midnight. ... Sometimes I'd sneak downstairs and see her knitting, or reading, or writing letters. I'd think of her as a thief, stealing the tail end of the day, the hours nobody else wanted or used.
I didn't feel the need for anonymous affection, for people in the dark applauding. To me, it would be like writing a novel and then getting up every night and reading your novel. Everything I did is on the record and, if you want to hear it, just listen to the record.
If it's something that I feel uncomfortable with, that's a reason for me to write it. I kind of like to make myself feel uncomfortable. I think if you're starting to feel uncomfortable with something when you're writing it, that's the reason really to push on with it.
I'm not a fan of mysteries, so to prepare for this experience of writing a mystery I started reading the most successful ones in the market in 2012. And I realized I cannot write that kind of book. It's too gruesome, too violent, too dark; there's no redemption there.
It's very important, at least to me as a writer, that there be some rules on the table when I'm writing. Rules come from genres. You're writing in a genre, there are rules, which is great because then you can break the rules. That's when really exciting things happen.
Before I left the 'Star' last year to write books full-time, I welcomed catastrophe. It was material. Missed planes, broken pipes, dead lawns, digestive disorders, you name it, if it was something that had gone horribly wrong, it was worth banging out 600 words about.
The best thing to do is to write about what you know, and if you write about what you know you can always pull those nice little tidbits that hook people, that shows that you know about this world and can bring people into a world that they may not know nothing about.
I want to say that of course I want my writing to be read and discussed by as many people as possible, but this is different than wanting personal, "celebrity"-like attention. I'm very introverted and sensitive and dislike being talked about, positively or negatively.
If you knew when you began a book what you would say at the end, do you think that you would have the courage to write it? What is true for writing and for a love relationship is true also for life. The game is worthwhile insofar as we don't know what will be the end.
Human life and objects and trees vibrate with mysterious meanings, which can be deciphered like cuneiform writing. There exists a meaning, hidden from day to day, but accessible in moments of greatest attentiveness, in those moments when consciousness loves the world.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
Surrealism, n. Pure psychic automatism, by which it is intended to express, whether verbally or in writing, or in any other way, the real process of thought. Thought's dictation, free from any control by the reason, independent of any aesthetic or moral preoccupation.
Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)
I consider it almost antifeminist to say that there is a feminine nature which expresses itself differently, that a woman speaks her body more than a man, because after all, men also speak their bodies when they write. Everything is implicated in the work of a writer.
(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.
It's part of the business of really not caring about topping myself because I really don't care what's going to happen. I think just surviving is a major thing. I'd like to write something that my peers, my colleagues, my fellow writers would find a source of respect.
I always value my large kitchen because it was better to do everything there, you wash up, you do everything, rather than messing up another room and I pop my typewriter just next to it. So I still write now but I was doing more writing when the children were younger.
And the reason I am so nervous is that everything I do now is leading me to one of three possible futures... Which one will it be? Time alone will tell. But still I know that writing this diary can perhaps provide the answer; it may even help produce the right future.
The earliest impetuses for writing, for me, were simply the strange things I happened to notice in my everyday life, stuff I read about in the grocery store tabloids my mom bought, situations that struck me as compelling, anecdotes I'd heard, images, words, metaphors.
Maybe I've lost a little, but I think everyone does over time. People have been writing that I'm getting old every year, and eventually they're going to be right. There's nobody in this game that's doing the same things they once did in the peak years of their career.
I don't think it is possible to give tips for finding one's voice; it's one of those things for which there aren't really any tricks or shortcuts, or even any advice that necessarily translates from writer to writer. All I can tell you is to write as much as possible.
It's misleading to think of writers as special creatures, word sorcerers who possess some sort of magical knowledge hidden from everyone else. Writers are ordinary people who like to write. They feel the urge to write, and they scratch that itch every chance they get.
Mark Twain was so good with crowds that he became, in competition with singers and dancers and actors and acrobats, one of the most popular performers of his time. It is so unusual, and so psychologically unlikely, too, for a great writer to be a great performer, too.
The thing is - do we really need another writer who writes a book every eighteen months, whether the quality is wonderful or not? I mean, maybe. But I can name twenty off the top of my head who do it. Maybe what we need is a writer like me who goes very slow, as well.
Whether you send an e-mail, tell your spouse in person, write a letter, talk over the phone, or write a quick note, remember that what you say today has the capacity to transform the countenance and the character of the most important person in your life, your spouse.
The more you know, the more unflinchingly you deny casual beliefs and Accepted Wisdom when it flies in the face of reality, the more carefully you observe the world and its people around you, the better chance you have of writing something meaningful and well-crafted.
I post probably 5 to 10 times a day in my forum. I have a forum directly related to my blog where I will write my blog and people will disagree with me and call me an idiot so then I will say this is why I wrote that and blah, blah, blah. I spend a lot of time online.
I struggle with confidence, every time. I’m never completely sure I can write another book. Maybe my scope is too grand, my questions too hard, surely readers won’t want to follow me here. A novel is like a cathedral, it knocks you down to size when you enter into it.
I had been a reporter for 15 years when I set out to write my first novel. I knew how to research an article or profile a subject - skills that I assumed would be useless when it came to fiction. It was from my imagination that the characters in my story would emerge.
I still think that of all the people doing top fiction today, John D. MacDonald is the best.He was my model as a kid. If there are people out there that want to write, all you need to do is read 20 of his stories to get an idea what it takes to make a story kick over.
If Mad Men had taken place in the '90s it would have been just as believable. But the fact is that was the perfect storm and with the fashion and the sets and the writing and the actors it just all made sense and it just was one of those things that you can't explain.
I had some friends commenting me books, but mostly it was people I didn't know. But they're fans. They're fans of the books, so they have a working knowledge of how I write, and they know what they like and what they don't like. I'm really grateful for their feedback.
You know that I try to maintain a continuous conversation with you. I take comfort in the thought that the important thing is not for one person to write to Christ but for many people to love and emulate [you]. Fortunately, despite everything, this still occurs today.
Let the snake wait under his weed and the writing be of words, slow and quick, sharp to strike, quiet to wait, sleepless. - through metaphor to reconcile the people and the stones. Compose. (No ideas but in things) Invent! Saxifrage is my flower that splits the rocks.
To write a genuine familiar or truly English style is to write as anyone would speak in common conversation, who had a thorough command and choice of words, or who could discourse with ease, force, and perspicuity, setting aside all pedantic and oratorical flourishes.
I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.
Sometimes my boyfriend would write the lyrics and I would write the melody, and other times I would start from scratch. Or sometimes I would take a local poem and put that to music...I always sang standards because the songs I wrote for myself weren't as easy to sing.
What's so crazy is when you give interviews to reporters that don't really care too much for you, basically what they're going to do is write what they want to write and discredit you. They're going to write and say what they want to say, no matter what you tell them.
I just want to touch something deep in the heart of humanity. I don't know if that's in movies, producing films, or writing a book, but I'm concerned about our spiritual well-being as a human race. I want to impact people in a way that makes us all reach for our best.
I am in between. Trying to write to be understood by those who matter to me, yet also trying to push my mind with ideas beyond the everyday. It is another borderland I inhabit. Not quite here nor there. On good days I feel I am a bridge. On bad days I just feel alone.
The fools who write articles about me think that one morning I suddenly decided to write and began to produce masterpieces. There is no special trick about writing, or painting either. I wrote constantly for 15 years before I produced anything with any solidity to it.
I think what education gives you is a voice. It gives you a way of talking to a judge. When a policeman pulls you off to the side of the road, you have a voice. When you cross a border, you have a voice. When you are writing to express your opinions, you have a voice.
You can never be an artist if your work comes without effort. That is the problem with modernink from a bottle. You do not have to think. You simply write what is swimming on the top of your brain. And the top is nothing but pond scum, dead leaves, and mosquito spawn.
The music I was writing for 'Hamlet' needed to be very simple because there was so much going on with the dialogue in that play, so I felt like the music had to complement that - so that carried on through; I was working on the soundtrack and the album simultaneously.