I like small, domestic stories.

Sometimes all you can do is say, 'Wow.'

Today was a difficult day. Tomorrow will be better

Now smile a real smile for me so I know you`re not suffering inside.

If we expose kids to books and art, nothing but good can come from it.

Whenever I'm writing a book, small details from my life always creep in.

When I work on a novel, I usually have one character and a setting in mind.

Didn't it make sense that after something horrible happens, something better should follow?

Try drawing or painting a scene you're working on. Often this will help free up you imagination.

When I'm looking for an idea, I'll do anything--clean the closet, mow the lawn, work in the garden.

I like examining the ordinary, and by doing so, one hopefully reveals the extraordinary nature within.

I always craft my words to the point where I think and hope they're perfect before I ever begin sketching.

When I was young, I assumed that authors must have traveled the world or done exotic things in order to tell great stories.

When I was a boy, one of my uncles had a cabin on a lake in Wisconsin. My family went there for parts of three summers, and I loved it!

You don't need to have kids to write a good book for kids. I don't want my kids to see themselves in my books. Their lives should be their lives.

(His) sadness grew; it became a rock inside him, pulling him down. He carried the sadness everywhere, morning, noon, and night. It hurt to breathe.

My advice to would-be young authors is to read a lot, write a lot, and not worry about creating a finished product. Keeping a journal is not a bad idea either.

When I'm drawing, I only do that at home, really, at my drawing table. But writing I could do in other places. So I've written in airports, in hotels, different places.

When I'm writing, I'm creating the story and its character with words. I'm thinking about what the pictures will be like, but I never begin to sketch. The pictures are all in my head.

I usually know where I want to end up when I begin, but I have no idea how I'm going to get there... I don't write with an outline, and surprises happen on the way, and sometimes it changes.

I usually do my writing in a very nice room, my studio, which is in the attic of our house in Wisconsin. But the nice thing about writing is that I can do it in many places. So sometimes I'll write in coffee shops.

I think writers are observers and watchers. We always have our ears open and eyes open, so I might see something in everyday life that inspires me. And I think that's probably more than anything else. Everyday life is where I get my inspiration.

When I'm writing the text for a book like 'Little White Rabbit,' I read it aloud, alone, in my studio, again and again and again - because the rhythm has to be exactly right. After I get my manuscript to the point where I think it is perfect, I begin to think about what I want the art to look like.

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